Baeksang Arts Award for Best Actress – Film
| 1960s |
|
|---|---|
| 1970s |
|
| 1980s |
|
| 1990s |
|
| 2000s |
|
| 2010s |
|
| 2020s |
|
* category named Best Performance; ** no winner | |
Authority control databases
Tae Hyun-sil | |
|---|---|
| Born | November 11, 1941 |
| Occupation | Actress |
| Years active | 1962–present |
| Korean name | |
| Hangul | 태현실 |
| Hanja | 太賢室 |
| Revised Romanization | Tae Hyun-sil |
| McCune–Reischauer | Tae Hyun-sil |
Tae Hyun-sil (born November 11, 1941) is a South Korean actress. Tae was born in Songjin, North Hamgyong province, Korea in 1941. While studying Film at Dongguk University, she was selected as a TV actress in a public recruit held by KBS. While preparing to star for a drama series, Tae was offered to be an exclusive actress of Shin Film established by Shin Sang-ok. Tae's debut film is Beautiful Shroud directed by Lee Hyeong-pyo in 1962. With the film, she won New Actress from the 1963 Buil Awards. Since her debut as an actress, Tae has starred in about 300 films. 250 films were shot during 7 years, and were mostly roles in depicting a cheerful university student or cute daughter characters. Tae married businessman Kim Cheol-hwan in 1968.
She resumed her acting career by starring in a daily soap opera Jangmi-ui geori.[1]
*Note; the whole list is referenced.[2]
| Year | English title | Korean title | Romanization | Role | Director |
|---|---|---|---|---|---|
| First Snow | Cheonnun | ||||
| Paradise Lost | Sillag-won | ||||
| Boss | Boseu | ||||
| The Man Who Always Takes the Last Train | Eonjena magchaleul tago oneun salam | ||||
| Do You Like the Afternoon After the Rain? | Bigae-in ohuleul joh-ahase-yo | ||||
| Lost Love | Ilh-eobeolin neo | ||||
| A Pale Rainy Day | Ha-yan bi-yo-il | ||||
| Honeymoon | Milwol | ||||
| Gam-dong | Kkamdong | ||||
| That Last Winter | Geu magimak gyeowul | ||||
| Sorrow | Bichang | ||||
| Sorrow | Bichang | ||||
| Eunuch | Naesi | ||||
| A Long Journey, A Long Tunnel | Meon yeohaeng gin teoneol | ||||
| The Last Month of Pregnancy | Mansag | ||||
| The Oldest Son | Jangnam | ||||
| Between the Knees | Muleupgwa muleupsa-i | ||||
| The House Where Sun Rises | Haetteuneun jib | ||||
| Wild Woman | Yaseong-ui cheonyeo | ||||
| Sorrow To Even Those Stars... | Seulpeum-eun jeobyeoldeul-egedo | ||||
| The Panmunjom Poplar Operation | Panmunjeom milyunamu jagjeon | ||||
| 1977 | Chu-ha, My Love | Chu Ha naesalang | |||
| 1977 | A War Diary | Nanjung-ilgi | |||
| 1977 | The Popular Student | Somunnan gogyosaeng | |||
| 1976 | Wife | Anae | |||
| 1976 | Wonsan Secret Operation | Wonsangongjag | |||
| 1976 | Ever So Much Good! | Neomu Neomu Joh-eun geo-ya | |||
| 1976 | Five Commandments | Ogye | |||
| 1976 | Lovers In The Rain | Bissog-ui yeon-indeul | |||
| 1976 | Good Bye, Sir ! | Seonsaengnim annyeong | |||
| 1976 | My Love, Elena | Naesalang Elena | |||
| 1976 | Murder With Ax In Pan Moon Jeom | Panmunjeom dokkisal-in | |||
| 1975 | Outing In 10 Years | Sibnyeonman-ui oechul | |||
| 1975 | Graduating School Girls | Yeogojol-eobban | |||
| 1974 | Snowy night | Seol-ya | |||
| 1974 | In a lonely mountain villa | Oelo-un sanjang-eseo | |||
| 1974 | First snow | Sinseol | |||
| 1974 | I have to live | Naneun sal-a-ya handa | |||
| 1973 | False charge | Numyeong | |||
| 1973 | Father | Bu | |||
| 1973 | The Military Academy | Yuggunsagwanhaggyo | |||
| 1973 | A Family with many daughters | Ttalbujajib | |||
| 1973 | Way of woman | Yeolo | |||
| 1973 | General Tiger | Holang-ijanggun | |||
| 1973 | Way of woman 2 | Yeolo | |||
| 1973 | Leaving Myeong Dong | Myeongdong-eul tteonamyeonseo | |||
| 1973 | Obaekhwa | Obaeghwa | |||
| 1973 | Daddy's name is... | Appa-ui ileum-eun | |||
| 1972 | Aunt | Imo | |||
| 1972 | An odd general | Byeolnanjanggun | |||
| 1972 | Don't cry my daughter | Naettal-a uljimala | |||
| 1969 | Lost Love in the Mist | Angaesoge Gabeolin Sarang | |||
| 1969 | Gallant Man | Paldo Sanai | |||
| 1968 | Escape | Talchul Sipchilsi | |||
| 1968 | Your Name | Geudae Ireumeun | |||
| 1968 | Spring Breeze | Chunpung | |||
| 1968 | The Geisha of Korea | Paldo Gisaeng | |||
| 1968 | Femme Fatale, Jang Hee-bin | Yohwa, Jang Hee-bin | |||
| 1968 | A Wondering Swordsman | Yurang-ui Geom-ho | |||
| 1968 | Warm wind | Nanpung | |||
| 1968 | A Wandering Swordsman And 108 Bars of Gold | Nageune Geomgaek Hwanggeum 108 Gwan | |||
| 1968 | A Man of Great Strength: Im Ggyeok-jeong | Cheonha Jangsa, Im Ggyeok-jeong | |||
| 1968 | Chunhyang | Chunhyang | |||
| 1968 | Daughter | Ttal | |||
| 1968 | Blue Writings of Farewell | Paran Ibyeorui Geulssi | |||
| 1968 | A Devoted Love | Sunaebo | |||
| 1968 | Horrible 18 Days | Gongpo-ui Sipparil | |||
| 1968 | Fallen Leaves | Nagyeop | |||
| 1968 | Arirang | Airang | |||
| 1968 | Nice Girls | Meojaeng-i Agassideul | |||
| 1968 | Mother Gisaeng | Eeomma Gisaeng | |||
| 1968 | Vega | Jiknyeoseong | |||
| 1967 | Do Not Tempt Me. | Yuhokaji Mara | |||
| 1967 | Nine Defecting Soldiers | Gu-inui Gwisunbyeong | |||
| 1967 | Cheerful Girl | Gibunpa Agassi | |||
| 1967 | Dolmuji | Dolmusi | |||
| 1967 | A Meritorious Retainer | Ildeunggongsin | |||
| 1967 | Love Rides the Surf | Sarangeun Padoreul Tago | |||
| 1967 | The Sun Is Mine | Taeyangeun Naeget-ida | |||
| 1967 | A Virtuous Woman | Chilbuyeollyeo | |||
| 1967 | The Japanese Emperor And the Martyr | Ilboncheonhwanggwa Poktanuisa | |||
| 1967 | Imjin River | Imjingang | |||
| 1967 | Lost Migrant | Gil-ireun Cheolsae | |||
| 1966 | Women Only | Namseong Geumji Guyeok | |||
| 1966 | Hwangpo Mast | Hwangpodochdae | |||
| 1966 | An Invulnerable | Mujeokja | |||
| 1966 | A Naked | Beolgeosungi | |||
| 1966 | Crisis 113 | Wigi 113 | |||
| 1966 | Blues of Glory | Yeongkwangui Blues | |||
| 1966 | Goodbye, Japan | Jal Itgeora Ilbonttang | |||
| 1966 | River of Farewell | Ibyeol-eui Gang | |||
| 1966 | Emergency Wedding | Teukgeub Gyeolhon Jakjeon | |||
| 1966 | Confession of a Rose | Jangmiui Gobaek | |||
| 1966 | Land | Ttang | |||
| 1966 | I Am a King | Naneun Wang-ida | |||
| 1966 | A Long Journey | Gin Yeoro | |||
| 1966 | Thousand Miles between the South and the North | Nambukcheonri | |||
| 1966 | Night Blues | Bamhaneurui Blues | |||
| 1966 | Father's Youth | Appaui Cheongchun | |||
| 1966 | I Have Something to Say | Nado Hal Mari Idda | |||
| 1966 | The Final Frontline | Choehujeonseon Baekpalsimni | |||
| 1966 | I Want to Say Good-bye on a Rainy Night | Bioneun Bame Tteonago Sibda | |||
| 1966 | The 76th Prison Camp | Je 76 Poro Suyongso | |||
| 1966 | Lady Teacher | Gasinae Seonsaeng | |||
| 1966 | The Only Daughter | Oedongttal | |||
| 1965 | The Heroes in the Continent | Daeryuk-ui Yeong-ungdeul | |||
| 1965 | Betrayer Shanghai Park | Baebanja Sanghai Park | |||
| 1965 | The Nickname of the Student | Maengkkong-i | |||
| 1965 | The Youngest Daughter | Mangnaettal | |||
| 1965 | The Man's Life | Nam-a-ilsaeng | |||
| 1965 | The Girl at the Ferry Point | Naruteo Cheonyeo | |||
| 1965 | I Don't Want to Die | Naneun Jukgi Silta | |||
| 1965 | The Smile at the Rotary | Rotary-ui Miso | |||
| 1965 | The Cradlesong in Tears | Nunmur-ui Jajangga | |||
| 1965 | For Whom He Resist | Nugureul Wihan Banhang-inya | |||
| 1965 | The Fake College Girl | Gajja-yeodaesaeng | |||
| 1965 | The Love Affair | Jeongsa | |||
| 1965 | Only a Woman Should Cry? | Yeojamani Uleoya Hana | |||
| 1965 | Lion in the Dark World | Amheukga-ui Saja | |||
| 1965 | A Rooster Man | Sutakgat-eun Sana-i | |||
| 1965 | Behold with an Angry Face | Seongnan Eolgullo Dol-abora | |||
| 1965 | The Virgin Playing Saxophone | Saxophone Buneun Cheonyeo | |||
| 1965 | The Angry Eagle | Seongnan Doksuri | |||
| 1965 | The Sunflower Blooming at Night | Bam-e pin Haebaragi | |||
| 1965 | The Secret Meeting | Milhoe | |||
| 1965 | A Hong Kong Left-handed | Hongkong-ui Oensonjabi | |||
| 1965 | The Messengers to Hamheung | Hamheungchasa | |||
| 1965 | Every Dog Has His Day | Jwigumeong-edo Byeotddeulnal Itda | |||
| 1965 | Come Back, Oh My Daughter Geumdan | Dol-a-ora Nae Ttal Geumdan-a | |||
| 1964 | The Heartbreaking Love of Mother | Pi-eorin Mojeong | |||
| 1964 | The Old Korean Folk song in Downtown | Dosimui Hyangga | |||
| 1964 | The Maiden City | Cheo-nyeo Dosi | |||
| 1964 | What Is More Valuable than Life | Moksumboda Deohan Geot | |||
| 1964 | The Heartbreaking Story | Danjanglok | |||
| 1964 | The Thirsty Trees | Mokmareun Namudeul | |||
| 1964 | The Distorted Youth | Binnagan Cheongchun | |||
| 1964 | My Wife Is Confessing | Anaeneun Gobaekhanda | |||
| 1964 | My Dear Elder Brother | Oppa | |||
| 1964 | The Struggling Young | Momburim Chineun Jeolmeunideul | |||
| 1964 | The Teacher with Ten Daughters | Sipjamae Seonsaeng | |||
| 1964 | The Extra Mortals | Ing-yeo Ingan | |||
| 1964 | The East of Mongolia | Monggo-ui Dongjjok | |||
| 1964 | The Guitar for Mother and Her Daughter | Monyeo Gita | |||
| 1964 | I Have Been Cheated | Naneun Sogatda | |||
| 1964 | The Sad Movie | Saed Mubi | |||
| 1964 | The Body Confession | Yukche-ui Gobak | |||
| 1964 | Don't Cry, Mom! | Eomeoni Ulji Mase-yo | |||
| 1963 | The Ridge of Youth | Cheongchun Sanmaek | |||
| 1963 | The Pitiful Train to the South | ||||
| 1963 | Until Peonies Bloom | Morani Pigikkajineun | |||
| 1963 | Love Making Company | Yeon-aejusikhoesa | |||
| 1963 | The Twelve Nyang Life | Yeoldunyangjjari Insaeng | |||
| 1963 | Dreams of Youth will be Splendid | Pureun Kkumeun Binnari | |||
| 1963 | No. 77 Miss Kim | Chisipchilbeon Miss Kim | |||
| 1963 | Love and Good-bye | Mannal Ttaewa He-eojil Ttae | |||
| 1962 | Beautiful Shroud | Areumda-un Su-ui |
