|680,000 approx. (India and Myanmar)|
|Regions with significant populations|
|Tangkhul language, other Tangkhulic languages and other Naga languages|
|Protestantism, Roman Catholicism, Baptist, Adventism, animism.|
|Related ethnic groups|
|Naga tribes, Chin.|
The Tangkhuls are a major ethnic group living in the Indo-Burma border area occupying the Ukhrul and Kamjong district in Manipur, India and the Somra tract hills, Layshi township, Homalin township and Tamu Township in Burma. Despite this international border, many Tangkhul have continued to regard themselves as "one nation". Tangkhuls living in Burma are also known as Hogo Naga/Eastern Tangkhul/Somra Tangkhul. Also Kokak Naga and Akyaung Ari Naga are included tribally within Tangkhul Naga tribe but their language are quite distinct. The Tangkhul (Somra/Hogo) language in Myanmar is very different from Tangkhul (Ukhrul) spoken in India. The villages in the north like Jessami, Soraphung and Chingjaroi (swimi) have quite a different culture than the main Tangkhul group but have more cultural ties with that of the Chakhesang (Jessami and Soraphung) poumai (chingjaroi )tribes.
The Tangkhuls, as with other tribes on the hills, came to Manipur, Nagaland, Assam and Arunachal Pradesh from Myanmar entering their present habitats in successive waves of immigration. The Tangkhuls came together with the Angamis, Lothas, Chakhesangs, Zeliangrongs, Maos, Poumais, Marams and Thangals because all of them have references to their dispersal from Makhel, a Mao village in Senapati district. They had also erected megaliths at Makhel in memory of their having dispersed from there to various directions. The meitei community is widely considered to have broken apart from the Tangkhul's roughly 2400 years ago
In course of time every Tangkhul village became a small republic like the Greek city states. Every village had an unwritten constitution made up of age-old conventions and traditions. The Tangkhul villages were self-sufficient except for salt, and self-governing units ruled by hereditary or elected chief assisted by a Council of Elders. The chief was a judge, administrator and commander rolled into one.
Hunphun was the headquarters of the Tangkhul Long (Tangkhul Assembly). The Tangkhul annual fair locally known as "Leih Khangapha" used to be held at Somsai (now Assam rifle headquarter in the district) in Ukhrul.
The boundary of Manipur and Burma (Myanmar) was laid down by an agreement signed between the British authorities (East India Company) and Burma on 9 January 1834 on the river bank of Nighthee (Chindwin). The Article No.4 (iii) of this agreement relates to the Tangkhul country. "Fourth (iii) - On the north, the line of boundary will begin at the foot of the same hills at the northern extremity of the Kabaw Valley and pass due north up to the first range of hills, east of that upon which stand the villages of Chortor (Choithar), Noongbee (Nungbi), Nonghar (Lunghar), of the tribe called by the Munepooriis (Manipuris) Loohooppa (Tangkhul), and by the Burmahs Lagwensoung, now tributary of Manipoor." As a result of this boundary demarcation without the knowledge let alone consent of the Tangkhuls, many Tangkhul villages situated in the Somrah hills, Layshi township, Tamu township and Homalin township are included under Burma. Later, when India and Burma attained national independence, the Tangkhuls found themselves belonging to two different countries.
Main article: Tangkhul language
The Tangkhul tribe has hundreds of regional dialects. Each village has its own dialect including Khangoi, Khunggoi, Kupome, Phadang, Roudei and Ukhrul. Ukhrul Tangkhul is the literary standard and is used as a lingua franca with most Tangkhul speaking it as a second language. Also Hogo Naga or Eastern Tangkhul or Somra Tangkhul in Burma speak the Somra dialect. Some northern villages (Chingjaroi, Jessami, Soraphung )in Tangkhul area have language more closely related to the Angami-Pochuri language group.
A slightly modified English alphabet is used. Tangkhul Language is included in the CBSE syllabus and is the first Tribal language from North East India to be included in the CBSE syllabus.
Because of the diversity in dialects and lack of a standardized language, it is difficult to gauge the literacy level. However, if the knowledge of Tangkhul is taken as an indicator, most young Tangkhuls are losing their grasp of the language, often preferring to use the English language to describe more complex ideas. There are some important factors that contribute to the standardization of English language as the primary medium of learning and communication. Firstly, there are various concrete and abstracts objects and ideas which cannot be termed in Tangkhul language, simply because unlike the English language it does not have a rich vocabulary. Secondly, the emergence of western education, which rapidly change and uplift the live and standard of Tangkhuls led the people to neglect learning the language and hence became a secondary subject. Thirdly, the idea of globalization captures the attention of the people to neglect their own language and culture.
English is taught in primary schools, and the number of people able to read the Roman script is high. Almost all young people can read and write the Roman script; older people are less proficient. The literacy rate is 79%. There are English and bi-lingual publications, such as the magazine The Legacy and the Bi-lingual (Tangkhul & English) newspaper The Aja Daily. Aja is edited by Mrs. Valley Rose Hungyo, the only lady editor of the state. A new bi-lingual daily newspaper The Shirui Lily Times was started in Ukhrul district headquarters from 16 August 2010. Owned and published by Shimreingam A.Shatsang, The Shirui Lily Times is jointly edited by the publisher himself and another dynamic editor Ngakuini A Shatsang. With this new edition-Ukhrul now has two local dailies published in Tangkhul.
There are approximately 380 Tangkhul villages in India and 50 Tangkhul villages in Myanmar. The villages in the west include Hongman, Aheng, Champhung, A. Changta, Hoome, Kachai, Lamlang, Leisan, Maichon, Ngainga, Phalee, Ringui, TM Kasom (Roudei), Seikhor, Shokvao, Sinakeithei, Sirarakhong, Somdal, Taloi, Tanrui, Teinem, Theiva, Tora, Zingshong etc. And villages in the north include Pui, Huishu, Halang, Chingai, Chingjaroi, Jessami, Kalhang, Khamasom, Kharasom, Kuirei, Longpi, Lunghar, Ngahui, Marem, Phungcham, Paorei, Peh, Sihai, New Tusom, Varangai, Razai, etc. And villages in the middle frontier are Choithar (Ruithar), Hatha, Hungpung, Hunphun, Khangkhui, Langdang, Lungshang, Nungshong, Pharung, Phungcham, Ramva, Shangshak, Shangzing, Shirui, Tashar. Villages in the east includes Alang, Apong, Bungpa, Chahong, Chamu, Chatric, Chungka, Grihang, Godah, Hangao, Kachouphung, Kanpat, Kalhang, Kuirei, Khambi, Khayang, Khamasom, Khunthak, Koso, Kumram, Langkhe, Langli, Leishi, Longpi, Loushing, Maileng, Maku, Mapum, Ningchao, Ningthi, Nongman, Khonglo, Nungou, Patbung, Pheishat, Phungtha, Phange, Pushing, Ramphoi, Ramsophung, Roni, Ronshak, Sampui, Sehai, Shakok, Shingcha, Siyang, Skipe, Sorathen, Shungri (Sorde), Sorpung, Yedah, Zingsui, Hangokaphung (H.kaphung) etc. Villages in the south include Bohoram, Chadong, Island, Irong Kongleiram, Joyland (Muirei), Kankoi, Keihao, Kaprang, Kashung, Kasom, Sopleng, Laikoiching( Bongso), Lairam, Lamlai, Leingaching, Leiyaram, Lishamlok, Lambakhul, Litan, Lungpha, Lungtoram, Manthouram, Mapao, Maryland, Mawai, Nambashi, New Canaan, Ngarumphung, Nongdam, Nungthar, Poirou, Riha, Saman, Sailent, Sharkaphung, Marou, Shingta, Shingkap, Tamaram, Tangkhul Hungdung, Itham, Thoyee, Wunghon, Zingshao, Yeasom, Irong, etc.
The culture of Tangkhul revolves around traditional beliefs and custom exercises being passed down, and ancient tools and materials, like spears, swords, shields, bows, axes and spades. Culturally, the Tangkhuls share close affinities with the Meiteis of the Imphal Valley.
The Tangkhuls are fond of singing, dancing and festivities. For every season, there is a festival that lasts almost a week. Luira phanit, the seed sowing festival, is the major festival. The Tangkhuls are an egalitarian society. There is no caste or classes in the society. Every person is equal in the society and the society follows patriarchal system.
The life and art of the Tangkhul are attractive and captivating. Their different clothing, utensils, architecture, monumental erections and memorial set-ups depict their dexterity in art, which also speak of their sense of beauty and finesse. Though there are common articles of unisex clothing, there are also some articles of clothing exclusively meant for men or women. Some of the traditional clothing includes:
|Haora (men mostly)||Malao||Phangyai|
|Changkhom (women mostly)||Laokha||Kahang Kashan|
|Tangkang (for men and women)||Kahang Malao||Seichang Kashan|
|Luirim (men mostly)||Thangkang||Thangkang Kashan|
|Raivat Kachon (common)||Khuilang Kashan|
|Khuilang Kachon (women mostly)||Kongrah Kashan|
|Phingui Kchon (common)||Shanphaila|
|Phaphir (common)||Kuiying Muka (upper cover)|
|Phorei Kachon (men mostly)||Zingtai Kashan|
|Machung (Rose) kashan|
One of the unique feature that beautify the dress of Tangkhul man is "Mayong Pasi". It is a headband/headgear worn by Tangkhul men during important festivals/events of Tangkhul Naga tribe. The indigenous headband is originated from Mapum Village in the eastern part of Ukhrul District and has now spread across all the Tangkhul villages.
Tangkhuls are music lovers and their songs are soft and melodious. Apart from encoding into the music the varied seasonal and cultural ideas and philosophies, music is a medium wherein historical events are also related in the lyrics. In as much as religious fervor is incorporated and composed in the songs, the romantic nature of the people also finds its expressions in the music. There are various varieties of songs, some are mood special, some are festival/seasonal specials. These folk songs and folklores can be taught and sung by anybody, anytime, but there are also some specific musical expressive melodies of every region or area. People are restricted from singing certain songs outside of particular seasons or occasions. Some festivals have ceased since the introduction of Christianity to the region.
These folk songs and folklores can be played or accompanied by musical instruments. Some of the musical instruments are tingteila (violin), tala (trumpet), pung (drum), mazo (woman's mouth-piece), sipa (flute), and kaha ngashingkhon (bamboo pipe).
Corresponding to the rhythmic composition of the songs, the dances of the Tangkhuls are also rhythmic and these are eventful and vigorous. There are also some special occasional dances, like the Kathi Mahon, a dance for the dead; Laa Khanganui, a virgin dance during Luira Festival; and Rai Pheichak, a war dance. Padma Shree awardee (2021), Rewben Mashangva, a member of the Tangkhul community, is instrumental in popularising the music of the community to the world. The majority of the youth know how to play the guitar and other musical instruments. However, Western culture is seen to have gained more popularity over their ancestral songs.
Christianity is the major religion of the Tangkhul Nagas. Tangkhuls were the first community in Manipur to become Christians. Christianity was first brought to the Tangkhul people by Rev. William Pettigrew in 1896. The first christian church of Manipur, Phungyo Baptist Church was set up among the Tangkhuls in Ukhrul. The story goes that the chief of Hunphun, Raihao, had stories about his great grandfather dreaming that a white missionary would come to Ukhrul. Because of this, when Rev. Pettigrew showed up, Raihao allowed him to live among them and work as a missionary. When the chief was converted, the whole villagers converted as well, and Christianity has remained a prominent religion among Tangkhul Nagas to this day. The New Testament was translated into the local language in 1924. Also Tangkhuls (Hogo/Somra) in Burma follow the religion of Animism, Buddhism and Christianity.