There's so many symphonies that just putting the number and nickname really fills up a template. I received positive feedback from my Michael Haydn test run that I figured I'd go ahead with Haydn and Mozart.
I'm thinking of possible ways to break up the list with strategically placed line breaks. Lines for the Paris and London symphonies seem like obvious choices (with links to the pages for these groups as well), but not sure what to do with the ones in between. For the rest of them, breaks every 10 or 20? DavidRF 04:03, 1 June 2007 (UTC)