Jerome Kohl, in your edit summary, who are you talking to? Hyacinth (talk) 19:23, 10 October 2012 (UTC)Reply[reply]

Any other editor who might want to know why I made the edit I am annotating. Why? Who do you talk to in your edit summaries?—Jerome Kohl (talk) 21:27, 10 October 2012 (UTC)Reply[reply]

• Hans Abrahamsen
• Gilbert Amy
• Louis Andriessen
• Denis ApIvor
• Hans Erich Apostel
• Kees van Baaren
• Osvaldas Balakauskas
• Don Banks
• Richard Barrett
• Jürg Baur
• Arthur Berger
• Erik Bergman
• Luciano Berio
• Konrad Boehmer
• André Boucourechliev
• Martin Boykan
• Ole Buck
• Jacques Calonne
• Niccolò Castiglioni
• Carlos Chávez
• Aldo Clementi
• Aaron Copland
• Karel Goeyvaerts
• Ben Johnston
• Gottfried Michael Koenig
• Bruno Maderna
• Bo Nilsson
• Luigi Nono (composer)
• Juan Carlos Paz
• Henri Pousseur
• Richard Swift

Hyacinth (talk) 04:47, 14 November 2012 (UTC)Reply[reply]

I am taking the liberty of adding the least controversial of these composers to the cat.—Jerome Kohl (talk) 23:58, 18 November 2012 (UTC)Reply[reply]

What are the criteria for inclusion or exclusion from this list? For example, does every composer who wrote one twelve-tone or serial piece deserve inclusion? Hyacinth (talk) 05:52, 16 November 2012 (UTC)Reply[reply]

Perhaps more difficult to establish, but for possible exclusion criteria: does every piece containing a twelve-tone row count as a twelve-tone piece, or does twelve-tone technique imply something more than that? Also: apart from twelve-tone music, what constitutes a "serial piece" (for our purposes here)?—Jerome Kohl (talk) 20:26, 17 November 2012 (UTC)Reply[reply]