The Amusement Park is a 1975 American psychological horror film directed and edited by George A. Romero from a screenplay by Wally Cook. It stars Lincoln Maazel, Harry Albacker, Phyllis Casterwiler, Pete Chovan and Sally Erwin. Produced in 1973, the film premiered at the American Film Festival in New York in June 1975.[2] It did not receive any further release at the time. The film was commissioned by the Lutheran Service Society of Western Pennsylvania as an educational film about elder abuse, but was shelved after completion.[3] It was considered lost[4][5][6][7][8][9] until 2017, when a 16 mm print was rediscovered. The film underwent restoration and the new 4K version premiered in Pittsburgh on October 12, 2019.
Plot
The film opens with an informational prologue by Lincoln Maazel as he explains how the elderly are constantly overlooked and undervalued by society. He tells the viewer that they are about to watch a film that acts as a metaphorical description of how the elderly are mistreated.
An elderly man, played by Maazel, sits in a white room, bandaged, bloodied and with his once nice white suit dirtied. Another man, also played by Maazel, enters looking clean and in good spirits. He attempts to communicate with the tired version of himself and tells him that he is going to the park despite him telling him that "there is nothing out there." The cleaner man walks through the door and is immediately in the park. On the outside the door is not connected to anything. The man walks about and happily examines his surroundings before coming across a ticket taker who swindles other septuagenarians out of their things with low pay. He buys some tickets from him which take the form of money in the park.
The man gets on a rollercoaster with strange signage, rides a train where one of the older passengers supposedly dies and is ignored once in a coffin and witnesses a man's license get revoked due to poor eyesight. While playing in the bumper cars, an "accident" occurs complete with a police officer and lawyer arriving on the scene. The man tries to offer assistance, but it becomes apparent that he needs to wear glasses and therefore cannot be seen as a reliable alibi. He goes to eat at a food stand, lampooned as a restaurant, as he and several other elders are ignored by waiters for a wealthy individual. When the man finally gets his food, he sympathetically gives it to the other elders.
The man buys groceries, but cannot carry them all so he simply takes some crackers and a jar of peanut butter. As he sits to eat, he beckons some children to come and converse with him, but a younger man accuses him of being a "degenerate" and he leaves in shame. The man is beckoned into a building by younger people who tell him that he will have fun, but upon entering, it is a claustrophobic room where elders are forced to perform in uncomfortable exercise machines. He leaves, but breaks his glasses in the process. He comes upon a fortune teller and witnesses a young couple enter and ask what their future will be like. The fortune teller shows them that they will be living in a soon to be built over apartment building where they will have little support from their personal doctor and neighbors. Angry, the young man leaves and punches the older man who collapses.
When the man comes to his senses, the park is empty save for three bikers who beat him and then take his tickets. As people suddenly appear, they all ignore him. With very little money, he goes to get first aid. The medical center, set up like a store, is full of various elders equipment and the doctors and nurses hastily rush everyone through. The man finds himself simply getting a band aid on his head and a cane and is ushered out. He comes upon some men trying to sell retirement homes and ends up getting pick-pocketed. The pick-pocket is revealed to run a freak show, which simply consists of elders dressed in casual clothing. Everyone is upset and as the man gets up to leave, is suddenly chased by the patrons who accuse him of trying to escape the freak show. He finds "sanctuary", but it closes upon his arrival.
The man finally gets some solace when a little girl offers for him to read The Three Little Pigs to her and have some chicken. The mother apathetically takes her and the book away as he finally breaks down into tears. He leaves the piece of chicken behind and walks back to the white room; resigned and defeated. Moments later, a cleaner optimistic version of himself enters as the scene from the beginning repeats. The man sits tired and powerless over not being able to stop his younger self.
Maazel appears one last time to tell the viewer that they can help the elderly through already established programs. He signs off with "I'll see you in the park... someday."
The Amusement Park was originally produced in 1973, between director George A. Romero's films Season of the Witch and The Crazies; The Amusement Park was the only film Romero made on a work-for-hire basis.[5] The film was shot over the course of three days[1] at the now-defunct West View Park in West View, Pennsylvania,[10] on a budget of $37,000.[1]
The film premiered at the American Film Festival in New York in June 1975, and screened at some events and festivals in different years.[12]
Loss and rediscovery
The film was believed lost[3][11] until a 16 mm print that was used in a Romero retrospective at the Torino Film Festival in 2001 was sent to Romero and his wife in 2017.[3][11] The 16 mm print and a DVD copy were given to Desrocher-Romero.[5] This print was then screened at Spectacle Theater in New York in March 2018.[13] She, along with the George A. Romero Foundation, oversaw a 4K restoration of the film by New York-based film preservation organization IndieCollect.[1][14]
The restoration premiered in Pittsburgh on October 12, 2019.[15]
On Rotten Tomatoes, the film has an approval rating of 96% based on 75 reviews, with an average rating of 7.8/10. The website's critics consensus reads: "A blunt yet visceral depiction of society's treatment of the elderly, The Amusement Park sees George A. Romero exploring a different -- yet still chilling -- type of terror."[19] On Metacritic, the film has a weighted average score of 77 out of 100, based on 16 critics, indicating "generally favorable reviews".[20]
Peter Bradshaw, writing for The Guardian, gave the film three out of five stars, calling it "an absurdist nightmare."[21] Chris Evangelista of /Film gave the film a score of 10 out of 10, writing: "I can't remember the last time a film shook me like this."[22] Jim Vorel of Paste called The Amusement Park "a strange, occasionally mesmerizing film that is not often pleasant to look at, but contains an air of nihilistic doom that is often effectively disturbing."[23]Screen Anarchy's Jaime Grijalba Gómez called it a miracle to be able to see the previously lost film but lamented that sometimes its "metaphors are too obvious."[24]
^Williams, Tony (2015). The Cinema of George A. Romero: Knight of the Living Dead. Columbia University Press. p. 235. ISBN9780231850759. ...a short work still urgently awaiting discovery and release.
