The Aqueduct at Marly
ArtistAlfred Sisley
Year1874
MediumOil on canvas
Dimensions54.3 cm × 81.3 cm (21.4 in × 32.0 in)[1]
LocationToledo Museum of Art, Toledo, Ohio

The Aqueduct at Marly or The Aqueduct at Louveciennes is an 1874 painting by Alfred Sisley. It was bought from the artist by Paul Durand-Ruel in 1876 before being acquired by Edward Libbey, who in turn donated it to the Toledo Museum of Art, where it now hangs.[1] It shows the Aqueduc de Louveciennes. A lifesize reproduction of it is sited at the site of its creation as part of the Pays des Impressionnistes scheme.[2]

Production

Near Louveciennes, 1872, by Sisley
The Chemin des aqueducs by Sisley
Vue de Louveciennes by Camille Pissarro, 1870, National Gallery, London.

British by birth, Sisley was unable to fight in the Franco-Prussian War and - fleeing the Siege of Paris - he first stayed at Louveciennes in autumn 1870, at which time he painted First Snow at Louveciennes (Boston Museum of Fine Arts), showing rue de Voisins, near Renoir's mother's house in the hamlet where he had set up his studio. He also produced a series of paintings showing the peak of the side of the Cœur-Volant. In spring 1871, with Paris in the control of the Commune, Sisley again took refuge in Louveciennes, this time at 2 rue de La Princesse. He found his studio ransacked by the Prussian troops, meaning few paintings of Louveciennes from before 1871 survive. He remained in the town until winter 1874-1875, painting several snowy landscapes with pink, yellow or blue tints.[3]

Built in the 17th century, the aqueduct had stopped working in 1866 and during the war the Prussians had installed an artillery battery on the tour du Levant at the east end of the aqueduct (on the right hand side of this work).[4] In Renoir, Monet and Pissarro's first paintings, the aqueduct is shown bridging the gap between two hills as a reminder of the region's royal pastn.[4] Sisley painted it from three different angles (D. 49, D. 133 et D. 213).[5] The first of the three (D.49) was painted in 1872, closely following the style of Spring in Louveciennes (1868-1869, National Gallery, London) by Camille Pissarro and of Henri Bevan's 1870 photograph The Aqueduct at Louveciennes.[6]

Provenance

See also

References

  1. ^ a b "The Aqueduct at Louveciennes". Toledo Museum of Art. Retrieved 30 December 2023.
  2. ^ "Le circuit Pissarro" (PDF).
  3. ^ Anthony Lacoudre, Ici est né l'impressionnisme: guide de randonnées en Yvelines, préface Claude Bonin-Pissarro, Éd. du Valhermeil, 2003, (ISBN 2913328415 et 9782913328419), p. 127-128, p. 148-149 et p. 157
  4. ^ a b Richard Shone, Éditions Phaidon, ISBN 0714894117, 2004, p. 80-81
  5. ^ MaryAnne Stevens, in Alfred Sisley: poète de l'impressionnisme : Lyon, musée des beaux-arts, 10 octobre 2002-6 janvier 2003, Réunion des musées nationaux, 2002, p. 55
  6. ^ a b MaryAnne Stevens, in Sisley: Royal Academy of Arts, London, 3 July-18 October 1992, Musée d'Orsay, Paris, 28 October 1992-31 January 1993, Walters Art Gallery, Baltimore, 14 March-13 June 1993, Réunion des musées nationaux, 1992, p. 136
Categories