.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in French. (June 2019) Click [show] for important translation instructions. View a machine-translated version of the French article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 6,179 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:La Corrida]]; see its history for attribution. You may also add the template ((Translated|fr|La Corrida)) to the talk page. For more guidance, see Wikipedia:Translation.
The Bullfight
ArtistÉdouard Manet
Year1864/1865
Mediumoil on canvas
Dimensions47.9 cm × 108.9 cm (18.9 in × 42.9 in)
LocationThe Frick Collection, New York

The Bullfight (La Corrida) is an 1864-1865 oil on canvas painting by Édouard Manet, now in the Frick Collection in New York.[1][2] Its dimensions are 48x60.4 cm.[3] Like The Dead Man, it was originally part of a larger composition entitled Episode in a Bullfight. The scene was inspired by a trip that Manet took to Spain for ten days in the fall of 1865. He described the bullfight he witnessed in a letter to Charles Baudelaire as "one of the finest, most curious and most terrifying sights to be seen."[3]

The cutting

After having recut Épisode, Manet then reworked L'Homme mort, and cut La Corrida in such a way as to keep three bullfighters at the barrier: the first title chosen for this work was Toreros en action.[4] But he had to cut almost the entire bull if he wanted to keep the men on foot. The artist decided instead to cut off the feet of the bullfighter on the left and trim the crowd in the stands.[5]

See also

Bibliography

References

  1. ^ Cachin, Moffett & Wilson-Bareau 1983, p. 196
  2. ^ "Bullfight, 1866 by Edouard Manet". www.manet.org. Retrieved 2019-12-04.
  3. ^ a b "Bullfight". The Art Institute of Chicago. Retrieved 2019-12-04.
  4. ^ Wilson-Bareau, Juliet (1986). "Edouard Vuillard et les princes Bibesco". Revue de l'Art. 74 (1): 37–46. doi:10.3406/rvart.1986.347593. ISSN 0035-1326.
  5. ^ Suisse), Musée d'ethnographie (Genève (1994). Bois sculptés des mers du Sud. Éd. Olizane. ISBN 2-88086-134-9. OCLC 468810279.
Categories