 First edition | |
| Author | Michael Ondaatje |
|---|---|
| Country | Canada |
| Language | English |
| Genre | Poetry |
| Publisher | Anansi Press |
Publication date | 1970 |
| Awards | Governor-General Literary Award - Poetry (1970) |
| ISBN | 978-0679767862 |
The Collected Works of Billy the Kid: Left-Handed Poems is a verse novel by Michael Ondaatje, published in 1970. It chronicles and interprets important events in the life of William Bonney, aka Billy the Kid, and his conflict with Sheriff Pat Garrett.
The book presents a series of poems not necessarily in chronological order which fictionalize and relate Bonney's more famous exploits, after the end of the Lincoln County War. The narrative includes his relationship with John and Sallie Chisum, his formation of a gang with Tom O'Folliard and Charlie Bowdre, his standoff with Garrett in Stinking Springs, his arrest and escape from Lincoln, New Mexico, his escape and the ensuing murder of James Bell and Robert Olinger, and finally his death at the hands of Garrett.
The book was written by Ondaatje in the late 1960s in Canada, after he emigrated from Ceylon to England and further relocated to Quebec in order to attend college.[2] It was initially published by Anansi Press in 1970, and reprinted in 1979 by Wingbow Press, the printing arm of the now-defunct distributor Bookpeople. Its most recent reprint was in 2009 by Vintage International.
On its release, the volume received largely positive reviews. Most notably, it received the Governor General's Literary Award for poetry in 1970 from the Canadian Arts Council.[3] Karyl Roosevelt also praised the book in the New York Times, calling it "a good little book, carefully crafted and thoroughly literate."[4] In a more sober 1974 review, Phoebe Adams wrote that the book is "[a] bizarre project altogether, accomplished with a sporadic brilliance that merits attention."[5] When the book was given another print in 2009, one reviewer wrote that "'The Collected Works of Billy the Kid' already feels like a modern classic, the book in which a great writer first learned to do a trick with a knife."[6] There was some negative reaction, however. John Diefenbaker, a former Canadian prime minister, was reported to have "hated the award-winning book and called a news conference to denounce it."[2] The publicity of the event helped boost sales, however, and in the end the book is widely acknowledged to be a good first effort, and indeed it was: Ondaatje would go on to write another award-winning novel, The English Patient, and several others.
Ondaatje adapted the novel into a play. It premiered in Toronto in multiple times, notably at the Dallas Theater Center,[7] the Stratford Festival[7] and the Toronto Free Theatre.[8] The play has received generally positive critical attention.[citation needed] Before the 1990 run in Toronto, Ondaatje revised his original script to better explore the female characters in the work. He stated that the original work was "a very male book" and that JoAnn, the director of the Tarragon Theatre's Toronto production, "has brought out subtleties [in the female characters] that were hidden – too hidden."[8]
Ondaatje gave permission for the work to be the subject of a new adaptation by English theater director Dan Jemmett in 2007.[9] Originally produced in Pittsburgh, PA, by Quantum Theatre, the new vision was created by the company of five actors and Jemmett. The show was subsequently presented in Madrid, Spain, and Paris, France, at the Théâtre des Bouffes du Nord in 2013.
Ondaatje agreed for the work to be adapted as a chamber opera by the English composer Gavin Bryars, with the libretto made by Jean Lacornerie, who staged the work. It was presented at the two co-commissioning theatres in Lyon, Le Théâtre de la Croix-Rouse and Le Théâtre de la Renaissance, in March 2018 and subsequently toured. The musical performance was directed by Gérard Lecointe, with the French pop singer Bertrand Belin as Billy the Kid and the soprano Claron MacFadden playing all female role.
The novel was also a source of inspiration for the 2012 album Lonesome Dreams by Lord Huron. While the album is not a direct adaptation of the work, there are several similar plot themes and general storytelling style.[10] Some of these themes are carried forward in some fashion to their second album, Strange Trails (2015), although the influence is somewhat less pronounced.