The Concourse, Chatswood
The Concourse at sunset
General information
Address	409 Victoria Avenue, Chatswood, New South Wales
Coordinates	33°47′44″S 151°11′00″E / 33.7956886°S 151.1833663°E / -33.7956886; 151.1833663
Opened	2011-09-10
Other information
Seating capacity	Concert Hall 1000 Theatre 500 Civic Pavilion 500
Website
The Concourse

The Concourse is a cultural centre in the North Shore suburb of Chatswood, which is a 20-minute journey from the Sydney Central Business District. In 2007, the City of Willoughby commissioned new designs to replace the old Chatswood Civic Centre.

The first Willoughby Town Hall was built on the site in 1903. The hall doubled as the Council Chambers and the site was shared with the Council Pound, the School of Arts, and the Ku-ring-gai Masonic Lodge. A three-story administration building was also built on the site in 1967 (with a fourth floor added in 1980).

In 1972, the original Town Hall was demolished and replaced by a new Civic Centre, comprising the Town Hall which seated 850 people, and the smaller Bailey Hall, which seated 350. This building played an essential part in Willoughby City's community and culture for many years.

The new cultural complex was designed by Francis-Jones Morehen Thorp^[1] architects. Following demolition of the old buildings, construction began on The Concourse in July 2008 at a cost of approximately $162 million^[2] and was complete in July 2011. The complex was officially opened on 17 September 2011 by the Governor of NSW, Marie Bashir.^[3]

In addition to a 5,000 m² library, The Concourse at Chatswood features a large public open space, a 500-seat theatre, rehearsal spaces, a 1,000-seat concert hall, cafés, retail and commercial outlets, a boutique hotel, and a multi-purpose exhibition hall. The Concourse also includes car parking over two basement levels and a 5,000 m³ stormwater detention tank as part of an integrated water management system.^[4] Within the ground floor of The Concourse is The Art Space, which is a gallery and a community space that features weekly art exhibitions from local artists and art collectives. It measures 92 m², and is equipped with professional track lighting and hanging systems.

For the Chatswood Library, where reading light for eyes of all ages was a central issue, lighting specialists Klik Systems were enlisted to design & construct energy-efficient beam luminaires. The Chatswood library occupies 5,000 m² on the lower ground level, entered via the main podium.

Patrons

Patrons of The Concourse include leading figures in Australia's arts industries including soprano Yvonne Kenny, poet Les Murray, authors Matthew Reilly and Renée Goossens, and rock icon Angry Anderson AM.

Reilly, author of the best-selling thriller Ice Station, said "For any writer, it all starts at your local library. Chatswood Library on The Concourse offers the next generation of Willoughby-born writers an opportunity to work in a marvellous state-of-the-art facility – right on their own doorstep."

Murray said "As a supporter and user of the Willoughby Library, I am greatly impressed by the increased size of the new library…private study rooms, meeting rooms, state-of-the-art IT facilities and lovely sunny and shaded spaces for quiet reading… the new library will be a great match for the many enthusiastic visitors it receives."

The library was complete and open for the National Year of Reading 2012 in Australia.

Productions

Todd McKenney and Nancye Hayes performing together in Six Dance Lessons in Six Weeks (2016 Ensemble Theatre production at The Concourse, photos by Clare Hawley)

The Ensemble Theatre has staged productions at The Concourse. In 2014, artistic director Sandra Bates mounted performances of all three plays in David Williamson's Jack Manning Trilogy – Face to Face, A Conversation, and Charitable Intent – back-to-back. In 2016, in her final directorial role, Bates reunited with Todd McKenney and Nancye Hayes for a reprise of their 2006 production of Six Dance Lessons in Six Weeks,^[5][6] which became the most successful production in the Ensemble's 58-year history.^[7]