The Connection is a 1959 play by Jack Gelber. It was first produced by the Living Theatre, directed by Living Theatre co-founder Judith Malina, designed by co-founder Julian Beck, and featured music by jazz pianist Freddie Redd.
The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.
Redd's score, new cast
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Further information: The Music from the Connection |
Score by Cecil Payne and Kenny Drew, Conducted by Cecil Payne
The score to accompany the Los Angeles production was performed by Dexter Gordon who also played "Number One Musician". He later recorded several pieces from this production for his Blue Note release Dexter Calling... (1961).
Quote (from the liner notes to the Blue Note album): "Soul Sister," the original that launches the first side is one of the themes Dexter wrote for the score of the Hollywood version of The Connection in which he had an acting, playing, and writing role; it is the equivalent of Freddie Redd's "(Theme for) Sister Salvation"... "I Want More", the significantly titled Gordon theme that closes the first side, is the West Coast equivalent of "O.D. (Overdose)"... "Ernie's Theme", is the last of the three themes on this LP from Dexter's Connection score. It parallels "Music Forever".[2]
Film adaptation
Recordings
Other productions