When his ranch hands abandon him to join a gold rush, aging rancher Wil Andersen must find replacement drovers for his 400-mile (640 km) cattle drive. He rides into deserted Bozeman, Montana, where his friend Anse Peterson suggests hiring local schoolboys. Andersen visits the school, but departs, skeptical that such immature boys could handle the job.
The next morning, the boys show up at Andersen's ranch to volunteer for the drive. Andersen tests their ability to stay on a bucking horse, and as they take turns, Cimarron, a boy slightly older than the others, rides up. He subdues the test horse but gets into a fight with Slim, the next-oldest boy. With no other options, Andersen hires all of the boys, though he sends Cimarron away after he pulls a knife on Slim during another fight.
Andersen locks the boys' guns in a box that will be kept on the chuck wagon during the drive, and they practice roping, branding, and herding cattle and horses. While they prepare, a group of mysterious men led by Asa Watts shows up asking for work, but Andersen catches Watts in a lie and refuses to hire them. The arrival of Jebediah Nightlinger, a black cook, completes Andersen's crew.
On the trail, Andersen notices Cimarron following the herd. When Slim slips off his horse while crossing a river and Cimarron saves him, Andersen lets Cimarron join the drive.
Slowly, the boys become good cowhands, impressing Andersen and Nightlinger. One day Dan, a boy who wears glasses, is chasing a stray horse when he stumbles upon Watts and his gang of cattle rustlers. Watts, who reveals he has been trailing the herd, releases Dan but threatens to slit the boy's throat if he says anything to Andersen.
Soon after, the chuck wagon throws a wheel. While the others continue on, Nightlinger and a boy named Homer hang back to handle the repairs. Seeing this, Watts and his gang come out of hiding and openly parallel the herd. Andersen sends another boy named Weedy to tell Nightlinger to rejoin the herd as soon as possible and tells the remaining boys to act like boys rather than the men they are becoming when the rustlers approach that evening. Dan tells Andersen he knew Watts had been following them but was scared to tell, and Andersen comforts him.
After dark, Watts and his gang surround Andersen and the boys in their camp. They deliver a battered Weedy, and Watts forces Andersen to surrender his gun and taunts Dan. Andersen intervenes when Watts crushes Dan's glasses, and a fistfight ensues between Andersen and Watts, with Andersen coming out on top. He starts to walk away, but Watts shoots him in both arms and a leg before shooting him twice in the torso. The boys remain passive as instructed, and the rustlers steal the herd.
In the morning, Nightlinger and Homer rejoin the group and find the boys tending to Andersen, who is near death. Andersen instructs Nightlinger to take the boys home and in his final moments tells the boys how proud he is of them.
Following Andersen's burial, the boys overpower Nightlinger and seize the firearms stored in the chuck wagon, planning to avenge Andersen's death. When they catch up to the rustlers, Nightlinger offers to help them make a plan. The boys silently kill three of the outlaws and then use Nightlinger to draw Watts and the rest of his gang into an ambush. Riding in among a stampede of horses, the boys kill all of the rustlers except Watts, whom they find pinned beneath his horse with a foot entangled in a rope. Dan cuts the reins so the horse can get up and Cimarron spooks it, sending Watts to be dragged to death.
Once the boys complete the drive to Belle Fourche, South Dakota, and sell the cattle, they have a stonemason carve a gravestone with Andersen's name and the inscription "Beloved Husband and Father", a reference to the paternal role Andersen came to hold in their lives. They place the marker in the approximate location of his grave and head for home, accompanied by Nightlinger.
The Cowboys has earned somewhat mixed reviews from critics. On Rotten Tomatoes, it has an approval rating of 80% based on reviews from 15 critics, with an average score of 7.00/10, while, on Metacritic, it has a score of 52/100 based on reviews from seven critics. The film received praise for its musical score, the original plot, and John Wayne's performance, but several critics debated the film's implication that boys become men or confirm their manhood through acts of violence and vengeance; Jay Cocks of TIME and Pauline Kael of The New Yorker were especially critical of this aspect of the film.[7]
Writing about The Cowboys, film historian Emanuel Levy noted that Wayne frequently appeared in father-like roles throughout his career:
Aware of his repetitive screen roles as a paternal figure, [Wayne] said the movie was based on a formula that worked in Goodbye Mr. Chips and Sands of Iwo Jima. In all three films, an adult takes a group of youngsters and initiates them into manhood by instructing them the "right" skills and values. Wayne did not hesitate to appear in The Cowboys, despite the fact that "no actor in his right mind, would try to match the antics of eleven kids on screen," but for him it became "the greatest experience of my life."[8]
In 1974, Warner Bros. developed The Cowboys as a television series for ABC starring Jim Davis, Diana Douglas, and Moses Gunn. David Dortort, best known for Bonanza, The High Chaparral, and The Restless Gun, produced the series. A Martinez, Robert Carradine, Sean Kelly, and Clay O'Brien were all in both the film and the television series, though only Martinez and Carradine played the same character in each project. At the last moment, ABC decided to reduce the show's runtime from one hour to thirty minutes, which, given the show's large cast, made it difficult to tell stories effectively. Only 13 episodes were filmed before the series was cancelled.
