|The Dam Busters|
|Directed by||Michael Anderson|
|Screenplay by||R. C. Sherriff|
|Based on||The Dam Busters|
by Paul Brickhill
Enemy Coast Ahead
by Guy Gibson
|Produced by||Robert Clark|
W. A. Whittaker
Gilbert Taylor (Special Effects Photography)
|Edited by||Richard Best|
|Music by||Eric Coates|
|Distributed by||Associated British Pathé|
|Box office||£419,528 (UK)|
The Dam Busters is a 1955 British epic war film starring Richard Todd and Michael Redgrave. It was directed by Michael Anderson. The film recreates the true story of Operation Chastise when in 1943 the RAF's 617 Squadron attacked the Möhne, Eder, and Sorpe dams in Nazi Germany with Barnes Wallis's bouncing bomb.
The film was based on the books The Dam Busters (1951) by Paul Brickhill and Enemy Coast Ahead (1946) by Guy Gibson. The film's reflective last minutes convey the poignant mix of emotions felt by the characters – triumph over striking a successful blow against the enemy's industrial base is tempered by the sobering knowledge that many died in the process of delivering it.
The film was widely praised and became the most popular motion picture at British cinemas in 1955. In 1999, the British Film Institute voted The Dam Busters the 68th greatest British film of the 20th century. Its depiction of the raid, along with a similar sequence in the film 633 Squadron, provided the inspiration for the Death Star trench run in Star Wars.
A remake has been in development since 2008, but has yet to be produced as of 2022[update].
In early 1942, aeronautical engineer Barnes Wallis is struggling to develop a means of attacking Germany's dams in the hope of crippling German heavy industry. Working for the Ministry of Aircraft Production, as well as his own job at Vickers, he works feverishly to make practical his theory of a bouncing bomb which would skip over the water to avoid protective torpedo nets. When it hit the dam, backspin would make it sink whilst retaining contact with the wall, making the explosion far more destructive. Wallis calculates that the aircraft will have to fly extremely low (150 feet (46 m)) to enable the bombs to skip over the water correctly, but when he takes his conclusions to the Ministry, he is told that lack of production capacity means they cannot go ahead with his proposals.
Angry and frustrated, Wallis secures an interview with Sir Arthur "Bomber" Harris (played by Basil Sydney), the head of RAF Bomber Command, who at first is reluctant to take the idea seriously. Eventually, however, he is convinced and takes the idea to the Prime Minister, who authorises the project.
Bomber Command forms a special squadron of Lancaster bombers, 617 Squadron, to be commanded by Wing Commander Guy Gibson, and tasked to fly the mission. He recruits experienced crews, especially those with low-altitude flight experience. While they train for the mission, Wallis continues his development of the bomb but has problems, such as the bomb breaking apart upon hitting the water. This requires the drop altitude to be reduced to 60 feet (18 m). With only a few weeks to go, he succeeds in fixing the problems and the mission can go ahead.
The bombers attack the dams. Eight Lancasters and their crews are lost, but two dams are breached and the overall mission succeeds. Wallis later encounters Gibson, clearly affected by the loss of the crewmen, but Gibson stresses the squadron knew what they were facing but they went in regardless of the odds. Before they part Wallis asks if Gibson will finally get some sleep. Gibson says he cannot; he has to write letters to the dead airmen's next of kin.
In credits order.
Following the success of the book The Dam Busters (a RAF-approved history of 617 Squadron), Robert Clark the head of production at Associated British Picture Corporation (ABPC) approached its author Paul Brickhill about acquiring the film rights as a vehicle for Richard Todd. The company's production manager was, however, of the opinion that, due to its numerous personnel and raids, it would not be able to film the book in its entirety. As a result, Clark requested that Brickhill provide a film treatment which described his vision for the film. Brickhill agreed to do it without payment in the hope of selling the film rights. To assist him, Clark teamed him up with Walter Mycroft who was the company's director of production. Brickhill decided to concentrate the film treatment on Operation Chastise and ignore the later raids.
After the Air Ministry agreed to make available four Lancaster bombers at a cheap price which helped make the production viable, Associated British decided to proceed with the film and agreed with Brickhill on the film rights in December 1952 for what is believed to have been £5,000. After considering C.S. Forester, Terence Rattigan, as well as Emlyn Williams and Leslie Arliss, R. C. Sherriff was selected as the screenwriter with planned August delivery of the screenplay. Sherriff agreed with Brickhill's opinion that the film needed to concentrate on Operation Chastise and exclude the later operations covered in the book.
In preparation for writing the script, Sherriff met with Barnes Wallis at his home, later returning accompanied by Brickhill, Walter Mycroft and production supervisor W.A. "Bill" Whittaker on 22 March 1952 to witness Wallis demonstrating his original home experiment. To Wallis's embarrassment he couldn't get it to work, no matter how many times he tried.
Just prior to the film's scheduled release, Guy Gibson's widow Eve took legal action to prevent it, and Brickhill and Clark were mired in months of wrangling with her until references to her husband's book Enemy Coast Ahead were included.
The flight sequences of the film were shot using real Avro Lancaster bombers supplied by the RAF. The aircraft, four of the final production B.VIIs, had to be taken out of storage and specially modified by removing the mid-upper gun turrets to mimic 617 Squadron's special aircraft, and cost £130 per hour to run, which amounted to a tenth of the film's costs. A number of Avro Lincoln bombers were also used as "set dressing". (An American cut was made more dramatic by depicting an aircraft flying into a hill and exploding. This version used stock footage from Warner Brothers of a Boeing B-17 Flying Fortress, not a Lancaster.)
The Upper Derwent Valley in Derbyshire (the test area for the real raids) doubled as the Ruhr valley for the film. The scene where the Dutch coast is crossed was filmed between Boston, Lincolnshire, and King's Lynn, Norfolk, and other coastal scenes near Skegness. Additional aerial footage was shot above Windermere, in the Lake District.
While RAF Scampton, where the real raid launched, was used for some scenes, the principal airfield used for ground location shooting was RAF Hemswell, a few miles north and still an operational RAF station at the time of filming. Guy Gibson had been based at Hemswell in his final posting and the airfield had been an operational Avro Lancaster base during the war. At the time filming took place it was then home to No. 109 Squadron and No. 139 Squadron RAF, which were both operating English Electric Canberras on electronic countermeasures and nuclear air sampling missions over hydrogen bomb test sites in the Pacific and Australia. However, part of the RAF's fleet of ageing Avro Lincolns had been mothballed at Hemswell prior to being broken up and several of these static aircraft appeared in background shots during filming, doubling for additional No 617 Squadron Lancasters. The station headquarters building still stands on what is now an industrial estate and is named Gibson House. The four wartime hangars also still stand, little changed in external appearance since the war.
Serving RAF pilots from both squadrons based at Hemswell took turns flying the Lancasters during filming and found the close formation and low level flying around Derwentwater and Windermere exhilarating and a welcome change from their normal high level solo Canberra sorties.
Three of the four Lancaster bombers used in the film had also appeared in the Dirk Bogarde film Appointment in London two years earlier.
The theatre scene showing the spotlights was filmed at the Lyric Theatre Hammersmith. The dance troupe was The Television Toppers, on loan for one day filming, under contract from the BBC. The singer was June Powell, she sings the 1942 song "Sing Everybody Sing" by John P Long.
The film featured several actors who would go on to be stars of cinema and TV. Robert Shaw was featured as Gibson's engineer Flt Sgt Pulford while George Baker played Flt Lt Maltby. Patrick McGoohan had a bit part as a security guard, standing guard outside the briefing room. He delivered the line—"Sorry, old boy, it's secret—you can't go in. Now, c'mon, hop it!", which was cut from some prints of the film. Richard Thorp played Sqn Ldr Maudslay. 
Main article: The Dam Busters March
The Dam Busters March, by Eric Coates, is for many synonymous with the film, as well as with the exploit itself, and remains a favourite military band item at flypasts and in the concert hall.
Other than the introduction and trio section theme, the majority of the march as performed is not featured in the film soundtrack. Coates himself avoided writing music for the cinema, remembering the experiences of his fellow composer Arthur Bliss. Coates only agreed to provide an overture for the film after he was persuaded by the film's producers it was of "national importance" and pressure was put on him via his publisher, Chappell. A march he had recently completed was found to fit well with the heroic subject and was thus submitted. The majority of the soundtrack including the theme played during the raid sequence in the film was composed by Leighton Lucas.
Philip Lane, who reconstructed parts of Leighton Lucas's orchestral score (which had been lost) notes that Lucas created his own main theme "which seems to play hide and seek with Coates’s throughout the film, both vying for supremacy."
Gibson had a dog called Nigger, a black Labrador which was the mascot of No. 617 Squadron. Gibson owned the dog when he was previously a member of 106 Squadron. Nigger often accompanied Gibson on training flights and was a great favourite of the members of both 106 and 617 Squadrons. He was noted for his liking of beer, which he drank from his own bowl in the Officers' Mess.
Nigger died on 16 May 1943, the day of the "Dam Busters" raid, when he was hit by a car. He was buried at midnight as Gibson was leading the raid. The dog's name was used as a single codeword whose transmission conveyed that the Möhne Dam had been breached. In the film, the dog was portrayed in several scenes; his name and the codeword were mentioned several times. Some of these scenes were sampled in the film Pink Floyd – The Wall (1982).
In 1999, British television network ITV broadcast a censored version of the film, removing all utterances of "Nigger". ITV blamed regional broadcaster London Weekend Television, which in turn alleged that a junior staff member had been responsible for the unauthorised cuts. When ITV again showed a censored version in June 2001, it was condemned by the Index on Censorship as "unnecessary and ridiculous" and because the edits introduced continuity errors. The British Channel 4 screened the censored American version in July 2007, in which the dialogue was dubbed so as to call the dog "Trigger", this screening took place just after the planned remake was announced. In September 2007, as part of the BBC Summer of British Film series, The Dam Busters was shown at selected cinemas across the UK in its uncut format. The original, uncensored, version was also shown on 1 and 5 January 2013, by Channel 5. It was the version, distributed by StudioCanal, containing shots of the bomber flying into a hill.
In 2020, Film 4 has broadcast an edited version, possibly re-dubbed in a few places, where the dog's name is removed, addressed as "old boy" or referred to as "my dog".
The film is largely historically accurate, with only a small number of changes made for reasons of dramatic licence. Some errors derive from Paul Brickhill's book, which was written when much detail about the raid was not yet in the public domain.
The Dambusters received a Royal world premiere at the Empire, Leicester Square on 16 May 1955, the twelfth anniversary of the raid. Princess Margaret attended along with Eve Gibson, Guy Gibson's widow and his father. Richard Todd, Barnes Wallis and the surviving members of 617 Squadron who had taken part in the mission were all guests of honour. The premiere helped to raise money and awareness for various RAF charities.
The film was not shown on British television until 30 May 1971.
Reviews upon its release were positive. Variety described the film as having great attention to detail.
Over time, the film's reputation has grown and is now regarded as a beloved classic of British cinema. The British Film Institute placed The Dam Busters as the 68th greatest British film. In 2004, the magazine Total Film named The Dam Busters the 43rd greatest British film of all time. In a 2015 review, The Guardian stated that The Dam Busters remains very well made and entertaining. The film holds a 100% rating on Rotten Tomatoes.
Richard Todd considered the film as one of his favourites of all those that he appeared in, and went on to appear at many Dambusters themed events.
The film was nominated for an Oscar for Best Special Effects, and was also nominated for BAFTA awards for Best British Film, Best Screenplay and Best Film From Any Source.
The film was the most successful film at the British box office in 1955. However, the film performed poorly at the US box office, like most British war movies of this era.
On 16 May 2008, a commemoration of the 65th anniversary was held at Derwent Reservoir, including a flypast by a Lancaster, Spitfire, and Hurricane. The event was attended by actor Richard Todd, representing the film crew and Les Munro, the last surviving pilot from the original raid, as well as Mary Stopes-Roe, the elder daughter of Sir Barnes Wallis.
On 17 May 2018, a commemoration of the 75th anniversary was held, in which a restored version of the film was broadcast live from the Royal Albert Hall, and hosted by Dan Snow. The film was simulcast into over 300 cinemas nationwide.
Work on a remake of The Dam Busters, produced by Peter Jackson and directed by Christian Rivers, began in 2008. Jackson said in the mid-1990s that he became interested in remaking the 1955 film, but found that the rights had been bought by Mel Gibson. In 2004, Jackson was contacted by his agent, who said Gibson had dropped the rights. In December 2005, the rights were purchased by Sir David Frost, from the Brickhill family. Stephen Fry wrote the script.
In March 2007, it was announced it would be distributed by Universal Pictures in North America, and StudioCanal, the corporate heir to ABPC, in the rest of the world. Filming was planned to commence in early 2009, on a budget of US$40 million, although no project-specific filming had begun by May 2009. The project was delayed because Jackson decided to make The Hobbit.
Weta Workshop was making the models and special effects for the film and had made 10 life-size Lancaster bombers. Fry said Wing Commander Guy Gibson's dog "Nigger" will be called "Digger" in the remake to avoid rekindled controversy over the original name. For the remake, Peter Jackson has said no decision has been made on the dog's name, but is in a "no-win, damned-if-you-do-and-damned-if-you-don't scenario", as changing the name could be seen as too much political correctness, while not changing the name could offend people. Further, executive producer Sir David Frost was quoted in The Independent as stating: "Guy sometimes used to call his dog Nigsy, so I think that's what we will call it. Stephen has been coming up with other names, but this is the one I want."[N 2] Les Munro, a pilot in the strike team, joined the production crew in Masterton as technical advisor. Jackson was also to use newly declassified War Office documents to ensure the authenticity of the film.
After Munro died in August 2015, Phil Bonner of the Lincolnshire Aviation Heritage Centre said he still thinks Jackson will eventually make the film, citing Jackson's passion for aviation. Jackson said, "There is only a limited span I can abide, of people driving me nuts asking me when I’m going to do that project. So I’ll have to do it. I want to, actually, it’s one of the truly great true stories of the Second World War, a wonderful, wonderful story."
In late 2018, news emerged that Jackson was to begin production on the film once again. He intended for production to commence soon, as he only had the film rights for "another year or two".
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