|The Deadly Affair|
|Directed by||Sidney Lumet|
|Written by||Paul Dehn|
|Produced by||Sidney Lumet|
|Edited by||Thelma Connell|
|Music by||Quincy Jones|
Sidney Lumet Film Productions
|Distributed by||British Lion-Columbia (UK)|
Columbia Pictures (US)
|115 minutes (UK)|
107 minutes (US)
The Deadly Affair is a 1967 British spy film based on John le Carré's first novel, Call for the Dead (1961). The film stars James Mason and was directed by Sidney Lumet from a script by Paul Dehn.
As it is a Columbia Pictures production and Paramount owned the film rights to the name George Smiley, the central character is renamed Charles Dobbs. Paramount acquired the film rights to the character name when filming The Spy Who Came In from the Cold (1965).
The soundtrack was composed by Quincy Jones, and the bossa nova theme song, "Who Needs Forever", was performed by Astrud Gilberto.
In 1960s London, Charles Dobbs (James Mason) is a staid MI5 operative investigating Foreign Office official Samuel Fennan (Robert Flemyng), a former Communist who apparently commits suicide. Dobbs becomes suspicious about the cause of Fennan's death while visiting Fennan's widow the morning after his death. When a wake-up call is received at Fennan's home, his widow Elsa (Simone Signoret) says the call was for her. Dobbs discovers this to be a lie, and as a result Dobbs suspects that Elsa, a survivor of a Nazi extermination camp, might have some clues regarding Fennan's death.
Other government officials want Dobbs to drop the case. However, Dobbs privately links up with retired police inspector Mendel (Harry Andrews) to continue enquiries and they uncover a network of Communist agents. Dobbs also discovers that his wife Ann (Harriet Andersson) is leaving him to go to Switzerland to join a former World War II colleague, Dieter Frey (Maximilian Schell).
Dobbs ultimately decides to set a trap to prove that Elsa is a spy and to uncover her control by arranging a rendezvous which takes place in the Aldwych theatre during a performance of "Edward II". Dobbs, his colleague Bill Appleby (Kenneth Haigh) and Mendel observe Elsa and wait to see who will sit in the empty seat next to her. Dobbs is shocked to see that it is Dieter who sits down next to Elsa and is her control. When Dieter and Elsa realise they have been set up, Dieter secretly kills Elsa and slips out of the theatre. Mendel follows Dieter to his hideout and summons Dobbs. In the final confrontation, Dieter shoots Mendel but is himself killed bare-handed by the enraged Dobbs.
Dobbs flies to Zurich where he is met at the airport by Ann.
Location shooting for The Deadly Affair took place in London, in St. James's Park, at The Balloon Tavern and Chelsea Embankment in Chelsea, in Battersea and Barnes, in Twickenham, and at the Serpentine Restaurant in Hyde Park (demolished in 1990). The exterior of Dobbs's house is in St. George's Square, Pimlico. For the theatre scene a performance of the Royal Shakespeare Company's Edward II was recreated at its real location of the Aldwych Theatre, London.
Director of photography Freddie Young's technique of pre-exposing the colour film negative to a small, controlled amount of light (known as "flashing" or "pre-fogging") in order to create a muted colour palette was first used in this film. Lumet called the result "colourless colour"  and it proved influential, being used by other cinematographers such as Vilmos Zsigmond on McCabe & Mrs. Miller.
The Deadly Affair received five BAFTA Awards nominations: Best British Film for Sidney Lumet, Best British Screenplay for Paul Dehn, Best British Cinematography (Colour) for Freddie Young, Best Foreign Actress for Simone Signoret, and Best British Actor for James Mason. However, it did not win any of the awards.
|The Deadly Affair|
|Soundtrack album by|
|Studio||Van Gelder Studio, Englewood Cliffs, NJ|
|Quincy Jones chronology|
The film score was composed, arranged and conducted by Quincy Jones, and the soundtrack album was released on the Verve label in 1967.
Allmusic's Stephen Cook noted, "Deadly Affair's dreamy mix of bossa nova moods and unobtrusive symphonics still makes for some pleasant, if not always provocative, listening. Plus, one gets to hear Astrud Gilberto in fine fettle on the opening cut". The Vinyl Factory said "This soundtrack to the Sidney Lumet thriller starts off with Astrud Gilberto drizzling her best desultory vocal over ‘Who Needs Forever’, which creates a moody atmosphere that is sustained throughout the entire album. With its languid orchestrations, breezy strings, and airy samba rhythms, this is a perfect Sunday morning record".
All compositions by Quincy Jones