The Diamond Age depicts a near-future world revolutionised by advances in nanotechnology, much as Eric Drexler envisioned it in his 1986 nonfiction book Engines of Creation. Molecular nanotechnology is omnipresent in the novel's world, generally in the form of Matter Compilers and the products that come out of them. The book explicitly recognizes the achievements of several existing nanotechnology researchers: Feynman, Drexler, and Ralph Merkle are seen among characters of the fresco in Merkle-Hall, where new nanotechnological items are designed and constructed.
The book contains descriptions of various exotic technologies, such as the chevaline (a mechanical horse that can fold up and is light enough to be carried one-handed), and forecasts the use of technologies that are in development today, such as smart paper that can show personalized news headlines. Major cities have immune systems made up of aerostatic defensive micromachines, and public matter compilers provide basic food, blankets, and water for free to anyone who requests them.
Matter compilers receive their raw materials from the Feed, a system analogous to the electrical grid of modern society. The Feed carries streams of both energy and basic molecules, which are rapidly assembled into usable goods by matter compilers. The Source, where the Feed's stream of matter originates, is controlled by the Victorian phyle (though smaller, independent Feeds are possible). The hierarchic nature of the Feed and an alternative, anarchic developing technology, known as the Seed, mirror the cultural conflict between East and West that is depicted in the book. This conflict has an economic element as well, with the Feed representing a centrally-controlled distribution mechanism, while the Seed represents a more flexible, open-ended, decentralized method of creation and organization.
Phyles
Society in The Diamond Age is dominated by a number of phyles, also sometimes called tribes, which are groups of people often distinguished by shared values, similar ethnic heritage, a common religion, or other cultural similarities. In the extremely globalized future depicted in the novel, these cultural divisions have largely supplanted the system of nation-states that divides the world today. Cities appear divided into sovereign enclaves affiliated or belonging to different phyles within a single metropolis. Most phyles depicted in the novel have a global scope of sovereignty, and maintain segregated enclaves in or near many cities throughout the world.
The phyles coexist much like historical nation-states under a system of justice and mutual protection, known as the Common Economic Protocol (CEP). The rules of the CEP are intended to provide for the co-existence of, and peaceful economic activity between, phyles with potentially very different values. The CEP is concerned particularly with upholding rights to personal property, being shown to provide particularly harsh punishment for harming the economic capability of another person.
"Thetes" are individuals who are not members of any phyle and are often socially disadvantaged and economically poor, being similar to second-class citizens under the CEP. In the novel, the material needs of nearly all thetes are satisfied by freely-available food and clothing, albeit of low quality; thetes without the political connections of a phyle are entitled to similarly low-quality "free justice."
The book distinguishes between the four Great Phyles: the Han (consisting of Han Chinese), Nippon (consisting of Japanese), Hindustan (a "riotously diverse collection of microtribes sintered together according to some formula we don't get") and the Neo-Victorian New Atlantis (consisting largely of Anglo-Saxons but also accepting Indians, Africans, and other members of the Anglosphere who identify with the culture).
Internally, the New Atlantis phyle is a corporate oligarchy whose "equity lords" rule the organization and its bylaws under allegiance to the vestigial British monarchy. Other phyles are less defined – some intentionally, as with the CryptNet group or the mysterious hive-mind Drummers. Over the course of the story, the Common Economic Protocol sponsors the investigation of clandestine Seed technologies in order to preserve the established order from subversion, using the justification that unrestricted access to Sources would lead to the proliferation of high tech weapons and result in anarchy.
The protagonist in the story is Nell, a thete (or person without a tribe; equivalent to the lowest working class) living in the Leased Territories, a lowland slum built on the artificial, diamondoid island of New Chusan, located offshore from the mouth of the Yangtze River, northwest of Shanghai. When she is four, Nell's older brother Harv gives her a stolen copy of a highly sophisticated interactive book, Young Lady's Illustrated Primer: a PropædeuticEnchiridion, in which is told the tale of Princess Nell and her various friends, kin, associates, etc., commissioned by the wealthy Neo-Victorian "Equity Lord" Alexander Chung-Sik Finkle-McGraw for his granddaughter, Elizabeth. The story follows Nell's development under the tutelage of the Primer, and to a lesser degree, the lives of Elizabeth Finkle-McGraw and Fiona Hackworth, Neo-Victorian girls who receive other copies. The Primer is intended to steer its reader intellectually toward a more interesting life, as defined by Lord Finkle-McGraw, and growing up to be an effective member of society. The most important quality to achieving an interesting life is deemed to be a subversive attitude towards the status quo. The Primer is designed to react to its owner's environment and teach them what they need to know to survive and develop.
The Diamond Age features intersecting story lines: the social downfall of the nanotech engineer designer of the Primer, John Percival Hackworth, who makes an unauthorized copy of the Primer for his own young daughter, Fiona, and Nell's education through her independent work with the Primer after her brother Harv steals it from Hackworth. Hackworth's crime becomes known to Dr. X, the black market engineer whose compiler Hackworth used to create the copy of the Primer, and later Lord Finkle-McGraw. Hackworth is compelled by both to advance their opposing goals. Another storyline follows actress ("ractor") Miranda Redpath, who voices most of the Primer characters who interact with Nell and effectively becomes a surrogate mother to Nell. After Miranda disappears in her quest to find Nell, her storyline continues from the point of view of her her boss, Carl Hollywood.
The Diamond Age also includes fully narrated educational tales from the Primer that map Nell's individual experience (e.g. her four toy friends) onto archetypalfolk tales stored in the primer's database. The story explores the role of technology and personal relationships in child development, and its deeper themes also probe the relative values of cultures.
Title
"Diamond Age" is an extension of labels for archeological time periods that take central technological materials to define an entire era of human history, such as the Stone Age, the Bronze Age or the Iron Age. Technological visionaries such as Eric Drexler and Ralph Merkle, both of whom receive an honorary mention in The Diamond Age, have argued that if nanotechnology develops the ability to manipulate individual atoms at will, it will become possible to simply assemble diamond structures from carbon atoms, materials also known as diamondoids.[2] Merkle states: "In diamond, then, a dense network of strong bonds creates a strong, light, and stiff material. Indeed, just as we named the Stone Age, the Bronze Age, and the Steel Age after the materials that humans could make, we might call the new technological epoch we are entering the Diamond Age".[3] In the novel, a near future vision of our world, nanotechnology has developed precisely to this point, which enables the cheap production of diamond structures.
Characters
Cover of the 1998 Penguin edition.
Nell – The story's protagonist, from the viewpoint of the novel as a coming-of-age story. She is born to Tequila, a lower-class single mother, and, with the help of the nanotech Primer, grows up to become an independent woman and the leader of a new phyle.
Harv – Nell's older brother, who plays an important role in the beginning as her protector; he obtains the Primer for his sister by mugging John Percival Hackworth. Harv is forced to leave Nell when she is accepted by the Neo-Victorians, and is later bedridden by asthma caused by the inhalation of dead nanomachines ("toner") in his childhood.
Bud – A petty criminal and "thete", or tribeless individual, Bud is Tequila's boyfriend and Nell and Harv's father. He is obsessed with his muscular body, and possesses a cranial weapon implant (known as a "skull gun"), which he uses to mug people. When he robs a couple who are members of the powerful Ashanti phyle, he is executed for this crime early in the novel.
Tequila – Nell and Harv's neglectful thete mother. After Bud's death, she has a series of boyfriends who mistreat the children to varying degrees.
John Percival Hackworth – The novel's second protagonist. He is a Neo-Victorian nanotech engineer, and develops the code for the Primer. He makes an illicit copy of the Primer for his daughter Fiona, who is Nell's age. When his crime is detected, he is forced to become a double agent in a covert power struggle between the Neo-Victorians and the Chinese Celestial Kingdom. Hackworth is forced to spend ten years with a colony of "Drummers," using their distributed intelligence (similar but not identical to distributed artificial intelligence) for the development of a new form of nanotech, known as the Seed.
Fiona Hackworth – Hackworth's daughter, and his motivation for stealing a second copy of the Primer. During Hackworth's decade-long exile with the Drummers, he is able to maintain a connection with his daughter through the Primer, and when he returns she joins him, eventually choosing to stay with a surrealistic acting troupe in London.
Gwendolyn Hackworth – Hackworth's wife and Fiona's mother, who divorces Hackworth during his long absence.
Lord Alexander Chung-Sik Finkle-McGraw – A Neo-Victorian "Equity Lord" with the Apthorp conglomerate, who commissions the development of the Primer for his granddaughter Elizabeth.
Elizabeth Finkle-McGraw – Lord Finkle-McGraw's granddaughter. It was for her that the project to develop the Illustrated Primer was begun. However, she never became as engrossed in the stories created by the Primer as Nell, and later rebelled against her Neo-Victorian upbringing due in part to the abuse by Miss Stricken, one of her teachers. Elizabeth runs away from her wealthy aristocratic family to join the secretive CryptNet phyle. Lord Finkle-McGraw expresses satisfaction with this outcome to Carl Hollywood, deeming it akin to youthful rebellion.
Judge Fang – A New York-born Chinese Confucian judge who sentences Bud to death in the beginning of the book. He also investigates Hackworth's mugging by Harv and his gang. As a civil official with deep Confucian principles, his decision to let Nell keep the stolen primer is one of the pivotal plot elements that allows Nell's story to unfold. The fallout from that choice leads him to question his allegiances to the Coastal Republic (which rules Shanghai and the surrounding area), and he eventually joins the inland Celestial Kingdom.
Lieutenant Chang and Miss Pao – Judge Fang's assistants.
Dr. X. – A mysterious character who evolves from being an illicit technology specialist and hacker to being a powerful Confucian leader and nefarious force. His name comes from the fact that most westerners cannot pronounce his Chinese name; he encourages people to instead call him by the first letter of his name.
Constable Moore - Constable of the Dovetail community, semi-retired soldier, and Nell's adoptive father/guardian.
Miranda Redpath – A "ractor" (actor in interactive movies) who, by performing in the stories of Nell's Primer, effectively becomes a mother figure for Nell.
Carl Hollywood – A theatrical company director and Miranda's boss and adviser. He becomes more important towards the end of the novel, helping Miranda on her quest to find Nell, and aiding the escape of Coastal Republic refugees from the encroaching anti-Western Fists of the Celestial Kingdom. Nell appoints him as a trusted advisor of her new phyle.
Miss Matheson – The head teacher at the academy where Nell, Fiona, and Elizabeth attend. She instructs Nell to find her own path.
Miss Stricken – An authoritarian teacher at Miss Matheson's Academy who frequently uses corporal punishment on the students for minor infractions. During a confrontation with Nell, Stricken attempts to strike her with the ruler only to be immediately disarmed due to Nell's physical training by the Primer. This leads to her, Elizabeth and Fiona all being placed in detention, where they are forced to mindlessly copy from textbooks.
Reception
Reviews
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Michael Berry of the San Francisco Chronicle wrote: "Stephenson's world-building skills are extraordinary, and while he sometimes lets his narrative ramble or grow complicated, he can be depended upon to serve up plenty of clever extrapolations."[4]
Gerald Jonas of The New York Times: "While the final chapters of the novel veer toward the stylistic excesses that marred Snow Crash, Mr. Stephenson mostly holds to his theme."[5]
Marc Laidlaw of Wired magazine praised the characters, the setting, and called the "rich and polished, the inventiveness unceasing" but found it ultimately disappointing saying Stephenson "gave himself an enormous task and nearly succeeded in all respects, instead of "merely" most of them."[6]
Awards
In 1996, it won both the Hugo and Locus Awards, and was shortlisted for the Nebula and other awards.[1]
Allusions to other works and genres
Charles Dickens. The novel's neo-Victorian setting, as well as its narrative form, particularly the chapter headings, suggest a relation to the work of Charles Dickens.[7] The protagonist's name points directly to Little Nell from Dickens' 1840 novel The Old Curiosity Shop.
Judge Dee mysteries. The novel's character Judge Fang is based on a creative extension of Robert van Gulik's Judge Dee mystery series, which is based around a Confucian judge in ancient China who usually solves three cases simultaneously.[8] The Judge Dee stories are based on the tradition of Chinese mysteries, transposing key elements into Western detective fiction.
The Wizard of Oz. When Nell enters the castle of King Coyote in the Primer's final challenge for her, she encounters an enormous computer apparently designed to think and placed in charge of the kingdom. The computer is named "Wizard 0.2", a typographical allusion to The Wonderful Wizard of Oz. In that book, the Wizard puts on a grand appearance but is later revealed to be merely a man hiding behind a curtain. In similar fashion, Wizard 0.2 creates an impressive light show as it apparently processes data, but it is revealed that the computer's decisions are in fact made by King Coyote himself.
Proposed television adaptation
In January 2007, the Sci-Fi Channel announced a planned six-hour miniseries based on The Diamond Age.[9]
According to a June 2009 report in Variety, Zoë Green had been hired to write the series, with George Clooney and Grant Heslov of Smokehouse Productions as executive producers on the project.[10]
Allusions to The Diamond Age
During the early stages of its development, the Amazon Kindlee-reader was codenamed "Fiona", as a deliberate reference to the Illustrated Primer and Fiona Hackworth.[11]
^
Merkle, Ralph. "It's a Small, Small, Small, Small World". Technology Review. Retrieved 2010-08-07. Indeed, just as we named the Stone Age, the Bronze Age, and the Steel Age after the materials that humans could make, we might call the new technological epoch we are entering the Diamond Age.
^"The Diamond Age by Neal Stephenson". complete review. Retrieved 2010-08-07. Dickens immediately surfaces as a point of comparison, not only because of the size of the book but because the future Stephenson presents his readers with is, in many respects, a skewed reflection and imitation of the Victorian age.
^
Kleiman, Mark (2003-02-16). "Book Reports". Retrieved 2010-08-07. And the update on Judge Dee is utterly wonderful, with the Confucian classics given loving attention.
Berends, Jan Berrien (1997). "The Politics of Neal Stephenson's the Diamond Age". New York Review of Science Fiction. 9.8 (104): 15.
Brigg, Peter (1999). "The Future as the Past Viewed from the Present: Neal Stephenson's The Diamond Age". Extrapolation: A Journal of Science Fiction and Fantasy. 40 (2): 116. doi:10.3828/extr.1999.40.2.116.
Dinello, Daniel (2005). Technophobia! Science Fiction Visions of Posthuman Technology. Austin: University of Texas Press. ISBN0-292-70954-4.
