The story is loosely based on real events and people, drawing on Rebekah Gilbertson's idea and David N. Thomas' 2000 book Dylan Thomas: A Farm, Two Mansions and a Bungalow.[3] He has since written further about Dylan and Vera, highlighting the several deceits in the film that trivialised their friendship. He has described how Dylan and Vera were related as cousins, and the extent to which their families inter-married, farming together as neighbours on the Llansteffan peninsula in Carmarthenshire.[4]
Plot
During the London Blitz, nightclub singer Vera Phillips runs into her first love, charismatic Welsh poet Dylan Thomas. Although Dylan is now married to Caitlin Macnamara, with whom he has a son, he and Vera rekindle feelings for one another. The two women, initially rivals, become best friends. Drinking heavily in wartime London, the three come to get along.
William Killick, a British Army officer, begins to pursue Vera. Both Vera and Caitlin are intrigued by his steadfast, gallant personality despite its contrasts with Vera's rebelliousness. William notices Vera's closeness to Dylan, but doesn't appear concerned; he and Vera even lend the struggling poet some of their savings. William and Vera fall in love and marry. Soon afterwards, William is called up to fight against the German invasion of Greece after the Italians failed.
Shortly after William's departure, Vera discovers she is pregnant. Upset that motherhood will take away her independence, she contemplates aborting the child but cannot bring herself to do so. She gives birth to a son and moves to the Welsh seashore with Dylan and Caitlin to raise their children in two small neighbouring cottages. Vera and Caitlin's friendship grows stronger while Dylan and Caitlin's marriage becomes distorted by multiple infidelities. Dylan draws Vera into an affair with him.
William returns a captain, scarred by the horrors of the war. Vera notices his emotional distance and instability. William suspects his wife of infidelity and confronts her. Vera confesses to both William and Caitlin, who are furious with her. One evening, while severely inebriated and angry with Dylan's friends for their ignorant remarks on the war, William wanders outside and fires multiple shots into Dylan and Caitlin's home. He does not hit anyone, and Vera calms him down. The next morning, William seems to have returned to his former self. However, he is arrested and taken to trial.
During the trial, Dylan testifies against William and distorts the facts, claiming that William was sober and intended to kill Dylan, Caitlin, and their child. The jury finds William innocent of intent to murder. After returning home, William accepts his new role as a father, and he and Vera forgive each other. Their relationship improves. Soon afterwards, Dylan and Caitlin move out of their cottage. During the farewell, Vera restores her friendship with Caitlin, but she never speaks to Dylan again, unable to forgive him for testifying against her husband.
The film made its world premiere opening at the Edinburgh Film Festival on 18 June 2008. It was released in London and Dublin two days later, with a Welsh premiere taking place in Swansea (the birthplace of Dylan Thomas) on the same night, attended by Matthew Rhys. A national release followed in the UK and Ireland on 27 June 2008.[6] An exhibition of costumes, scripts and props from the film was on display at the Dylan Thomas Centre in Swansea until September 2008. The Edge of Love has earned US$3,238,922 in gross revenue since its June 2008 release.[7]
Critical reception
On Rotten Tomatoes the film received a 37% rating based on 59 reviews, with an average rating of 5.10/10. The site's consensus reads: "Despite effective performances from Knightley and Miller, The Edge of Love lacks a coherent narrative".[8]Metacritic, which uses a weighted average score, gave the film 39 out of 100 based on reviews from 13 critics, indicating "generally unfavorable reviews".[9]
In Variety, Leslie Felperin commented: "While the period drama has several redeeming features, tonally it's all over the map, veering between artsy stylization and hum-drum, sometimes almost twee melodrama."[10]Mark Kermode described the film as "inert" and said that the script was "flawed but not without some form of admirable merit".[11]
The Independent felt that "Maybury's stylisation makes the film more interesting than it would have been if directed by your average British journeyman, but it finally adds up to earnest heritage romance."[12] In The Guardian, reviewer Philip French said, "This is a fascinating story, its chronology somewhat muddled and its dramatic thrust rather obscure."[6]
The Hollywood Reporter critic Ray Bennett commented that The Edge of Love is a "wonderfully atmospheric tale of love and war" and stated about Knightley and Miller; "the film belongs to the women, with Knightley going from strength to strength (and showing she can sing!) and Miller again proving that she has everything it takes to be a major movie star."[13]
^Thomas, D. N. (2013) Dylan Thomas and The Edge of Love: the Real Story in Cambria, February and online at Dylan and VeraArchived 23 November 2021 at the Wayback Machine
