The Firebird
Directed by	William Dieterle
Screenplay by	Charles Kenyon Jeffrey Dell (adaptation)
Based on	Tűzmadár 1932 play by Lajos Zilahy
Produced by	Gilbert Miller
Starring	Verree Teasdale Ricardo Cortez Lionel Atwill Anita Louise
Cinematography	Ernest Haller
Edited by	Ralph Dawson
Music by	Leo F. Forbstein
Production company	Warner Bros.
Distributed by	Warner Bros. / The Vitaphone Corp.
Release date	November 3, 1934 (1934-11-03)
Running time	74-75 minutes
Country	United States
Language	English

The Firebird is a 1934 American murder mystery film starring Verree Teasdale, Ricardo Cortez, Lionel Atwill and Anita Louise, directed by William Dieterle and produced and released by Warner Bros. It takes its title from the Firebird suite by Igor Stravinsky, which is heard occasionally during the film.

Plot

In Vienna, smarmy matinee idol Brandt moves into an upscale apartment building whose principal tenants are the elite Pointer family: John, Carola and daughter Mariette, who's just turned 18. One day, Brandt encounters Carola on the stairwell and insists she come up to his apartment that night, telling her if she doesn't, he'll tell her husband they had the affair anyway. Outraged, she files a formal complaint with the building's owners, demanding he be kicked out. But before that can happen, he is found dead from a gunshot wound. Naturally suspicion falls on a variety of suspects, most obviously John, and it's up to police inspector Miller to figure out which of them did it.^[1]

Cast

• Verree Teasdale as Carola Pointer
• Ricardo Cortez as Herman Brandt
• Lionel Atwill as John Pointer
• Anita Louise as Mariette Pointer
• C. Aubrey Smith as Police Inspector Miller
• Dorothy Tree as Mrs. Jolan Brandt
• Helen Trenholme as Mlle. Josephine Mousquet
• Hobart Cavanaugh as Emile
• Robert Barrat as Halasz
• Hal K. Dawson as Assistant Stage Manager
• Russell Hicks as Mr. Beyer
• Spencer Charters as Max Bauer
• Etienne Girardot as Professor Peterson
• Florence Fair as Thelma
• Nan Grey as Alice von Attem (as Nan Gray)
• Skippy as Rex (Uncredited)

Reception

The New York Times reviewer, Andre Sennwald, dismissed it as "an ordinary mystery melodrama." "Among the definite failings of this smoothly filmed edition of Lajos Zilahy's play is the circumstance that, like the original, it conceals the actual murderer from the audience for such an extended period that the motivation for the homicide never becomes completely real."^[1]