The Greatest is a 1977 biographicalsports film about the life of boxer Muhammad Ali, in which Ali plays himself. It was directed by Tom Gries.[2] The film follows Ali's life from the 1960 Summer Olympics to his regaining the heavyweight crown from George Foreman in their famous "Rumble in the Jungle" fight in 1974. The film consists largely of archival footage of Ali's boxing matches used in the screenplay.
The story of Cassius Clay, who became Muhammad Ali and the most charismatic heavyweight champion of our time. Tracing his meteoric rise from his Olympic gold medal as a light-heavyweight at Rome in 1960, his conversion to Islam, his refusal to serve in the Vietnam war, to his triumphant return to the ring.
There are many uncredited roles in the film including some major characters, such as Ruby Sanderson and his girlfriend, Belinda Board, who became his wife, and Herbert Mohammed, son of Elijah Muhammad, who was Ali's manager at one point.
Lonette McKee was originally going to portray the role played by Annazette Chase.[4][5]
"Ali Bombaye (Zaire Chant) I" (Masser and Mandrill)
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3:42
2.
"Ali Bombaye (Zaire Chant) II" (Masser and Mandrill)
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3:00
3.
"The Greatest Love of All" (Masser)
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3:14
4.
"Variations on Theme" (Masser)
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2:34
5.
"I Always Knew I Had It in Me" (Benson; version 2)
Goffin
5:21
Reception
Vincent Canby of The New York Times called the film "a charming curio of a sort Hollywood doesn't seem to make much anymore."[6]Kevin Thomas of the Los Angeles Times called the film "potent pop biography, lively and entertaining, in which the irrepressible world's heavyweight boxing champion projects exactly the image he wants us to have."[7]Gene Siskel of the Chicago Tribune gave the film 2.5 stars out of 4 and wrote, "As a diverting entertainment, 'The Greatest' is more than satisfactory."[8] Arthur D. Murphy of Variety wrote that Ali brought the film "an authority and a presence that lift John Marshall's production above some of the limitations inherent in any film bio."[9] David Badder of The Monthly Film Bulletin stated, "The Greatest delivers exactly what one would expect: a hagiographical account of Ali's best-known exploits, giving full rein to the inimitable, volatile personality but in the process applying liberal coats of whitewash."[10]
