The Hateful Eight (Original Motion Picture Soundtrack) (stylized as Quentin Tarantino's The H8ful Eight) is the soundtrack album to Quentin Tarantino's 2015 motion picture The Hateful Eight. The soundtrack includes the first complete original score for a Tarantino film and is composed, orchestrated and conducted by Ennio Morricone. Morricone composed 50 minutes of original music for The Hateful Eight.
In addition to Morricone's music, the album includes three songs which are featured in the film; The White Stripes' "Apple Blossom" (2000), David Hess' "Now You're All Alone" (1972) (originally from The Last House on the Left's soundtrack) and Roy Orbison's "There Won't Be Many Coming Home" (1966), as well as dialogue clips from the film. The trailer used the instrumental version of the song "Same Ol'" from The Heavy.
The opening track, "L’ultima diligenza di Red Rock" (Versione Integrale), was released as a single online on December 15, 2015.[10] In December 2016, it gained a nomination for a Grammy Award for Best Instrumental Composition for Mr. Morricone.
Background
Tarantino originally wanted Morricone to compose the soundtrack for Inglourious Basterds. However, Morricone refused because of the sped-up production schedule of the film.[11][12] He also turned down an offer to write some music for Pulp Fiction in 1994.[13]
Tarantino previously used Morricone's music in Kill Bill, Death Proof, Inglourious Basterds, and Django Unchained, and Morricone also wrote an original song, "Ancora Qui", sung by Elisa, for the latter.[14][15]
Morricone had previously made statements that he would "never work" with Tarantino after Django Unchained. The composer stated Tarantino used the music “without coherence” and that he "wouldn’t like to work with him again, on anything".[16] He quickly released a statement clarifying that his remarks were taken out of context,[17] Morricone said that he has "great respect for Tarantino" and that he is "glad he chooses my music".[18] He also said that because Tarantino chooses his music "it is a sign of artistic brotherhood".[19][20]
Ultimately, Morricone changed his mind and agreed to score The Hateful Eight.[16]
On June 12, 2015, Tarantino held court at Italy's 59th David di Donatello Awards in Rome, which he attended to collect prizes from several years back for Pulp Fiction and Django Unchained. Tarantino was handed two statuettes by Morricone. Both artists revealed that they met a day earlier and that Morricone agreed to compose music for a Tarantino movie.[21] In July 2015, Tarantino announced after the screening of footage of The Hateful Eight at the San Diego Comic-Con International that Morricone will score the film, the first Western Morricone has scored since 1981.[22]
Recording process
Morricone supplied music largely inspired by The Hateful Eight's screenplay. The music is moody, tension-building work with music box nods to the Italian Giallo genre.[23]
In an August 2015 interview with Vulture, when Tarantino was asked how Morricone's score sounded, he joked, "It's horrible. What do you expect me to say?...You'll hear it when you see it. It's absolutely abysmal. No, there’s no whistling in this score."[25]
In a September 2015 interview with Dutch television broadcaster AVROTROS, Morricone stated that he did not want to repeat himself: "Can I repeat for Tarantino what I've done for Sergio Leone? It's not possible, right? It would be absurd. It would make Tarantino's movie look hideous, because that music is old, you see. I had to write it in another way. But I have written very important music for him. I don't know if he directly realized that, or if the others did. They didn't expect that music, that's why they didn't understand it. But he told me, after he had listened to it twice: it's ok, I like it. But at first it had been a shock. He had expected something completely different. But I didn't give that to him, because I didn't want to give him something he knew already."[26]
Track listing
All tracks composed, orchestrated, and conducted by Ennio Morricone, except where noted:[27][28]
No.
Title
Writer(s)
Artist(s)
Length
1.
"L’ultima diligenza di Red Rock" (The Last Stage to Red Rock) [Versione Integrale]"
[1]
