Tom Jones
TomJonesTitle.png
Title page from the 1749 edition
AuthorHenry Fielding
Original titleThe History of Tom Jones, a Foundling
CountryEngland
LanguageEnglish
GenreNovel
PublisherAndrew Millar
Publication date
28 February 1749

The History of Tom Jones, a Foundling, often known simply as Tom Jones, is a comic novel by English playwright and novelist Henry Fielding. It is a Bildungsroman and a picaresque novel. It was first published on 28 February 1749 in London and is among the earliest English works to be classified as a novel.[1] It is the earliest novel mentioned by W. Somerset Maugham in his 1948 book Great Novelists and Their Novels among the ten best novels of the world.[2]

The novel is highly organised despite its length. Samuel Taylor Coleridge argued that it has one of the "three most perfect plots ever planned", alongside Oedipus Tyrannus and The Alchemist.[3] It became a best seller with four editions published in its first year alone.[4] It is generally regarded as Fielding's greatest book and as an influential English novel.[5]

Plot

The novel's events occupy eighteen books. It opens with the narrator stating that the purpose of the novel will be to explore "human nature".

The kindly and wealthy Squire Allworthy and his sister Bridget are introduced in their wealthy estate in Somerset. Allworthy returns from London after an extended business trip and finds an abandoned baby sleeping in his bed. He summons his housekeeper, Mrs Deborah Wilkins, to take care of the child. After searching the nearby village Mrs Wilkins is told about a young woman called Jenny Jones, a servant of a schoolmaster and his wife, as the most likely person to have committed the deed. Jenny is brought before the Allworthys and admits being the one who put the baby in the bed, but she refuses to reveal the father's identity. Mr Allworthy mercifully removes Jenny to a place where her reputation will be unknown and tells his sister to raise the boy, whom he names Thomas, in his household.

Two brothers, Dr Blifil and Captain Blifil, regularly visit the Allworthy estate. The doctor introduces the captain to Bridget in the hope of marrying into Allworthy's wealth. The couple soon marries. After the marriage, Captain Blifil begins to show a coldness to his brother, who eventually feels obliged to leave the house for London. He does, and, soon after, he dies "of a broken heart". Captain Blifil and his wife start to grow cool towards one another, and the former is found dead from apoplexy one evening after taking his customary evening stroll before dinner. By then, he has fathered a boy who grows up with the bastard Tom. Captain Blifil's son, known as Master Blifil, is a miserable and jealous boy who conspires against Tom.

Tom grows into a vigorous and lusty yet honest and kind-hearted youth. He tends to be closer friends with the servants and gamekeepers than with members of the gentry. He is close friends with Black George, who is the gamekeeper. His first love is Molly, Black George's second daughter and a local beauty. She throws herself at Tom, who gets her pregnant and then feels obliged to offer her his protection. After some time, however, Tom finds out that Molly is somewhat promiscuous. He then falls in love with a neighbouring squire's lovely daughter, Sophia Western. Tom and Sophia confess their love for each other after Tom breaks his arm rescuing Sophia. Tom's status as a bastard causes Sophia's father and Allworthy to disapprove their love. This class friction gives Fielding an opportunity for biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also novel for its time, and it was the foundation for criticism of the book's "lowness".[6]

Squire Allworthy falls ill and is convinced that he is dying. His family and servants gather around his bed as he disposes his wealth. He gives a favourable amount of his wealth to Tom Jones, which displeases Master Blifil. Tom doesn't care about what he has been given, since his only concern is Allworthy's health. Allworthy's health improves, and we learn that he will live. At the same time, Mrs. Bridget Allworthy dies in London. Tom Jones is so excited that he begins to get drunk and gets into a fight with Master Blifil. Sophia wants to conceal her love for Tom, so she gives a majority of her attention to Blifil when the three of them are together. This leads to Sophia's aunt, Mrs Western, believing that Sophia and Blifil are in love. Squire Western wants Sophia to marry Blifil in order to gain property from the Allworthy estate. Blifil learns of Sophia's true affection for Tom Jones and is angry. Blifil tells Allworthy that, on the day he almost died, Tom was out drinking and singing and celebrating his coming death. This leads Tom to be banished.

Tom's banishment seems to ensure that Sophia will be forced to marry Blifil, whom she finds odious, so she flees to avoid that fate. After Tom is expelled from Allworthy's estate he begins his adventures across Britain, eventually ending up in London. On the way, he meets a barber, Partridge, who was banished from town because he was thought to be Tom's father. He becomes Tom's faithful companion in the hope of restoring his reputation. During their journey, they end up at an inn. While they are there, a lady and her maid arrive. An angry man arrives, and the chambermaid points him in the direction she thinks he needs to go. He bursts in on Tom and Mrs Waters, a woman whom Tom rescued, in bed together. The man, however, was looking for Mrs Fitzpatrick and leaves. Sophia and her maid arrive at the same inn, and Partridge unknowingly reveals the relationship between Tom and Mrs Waters. Sophia leaves with Mrs Fitzpatrick, who is her cousin, and heads for London. They arrive at the home of Lady Bellaston, followed by Tom and Partridge. Eventually, Tom tells Sophia that his true love is for her and no one else. Tom ends up getting into a duel with Mr Fitzpatrick, which leads to his imprisonment.

Eventually, the secret of Tom's birth is revealed after a brief scare involving Mrs Waters. Mrs Waters is really Jenny Jones, Tom's supposed mother, and Tom fears that he has committed incest. This, however, is not the case, as Tom's mother is in fact Bridget Allworthy, who conceived him after an affair with a schoolmaster. Tom is thus Squire Allworthy's nephew. After finding out about the intrigues of Blifil, who is Tom's half-brother, Allworthy decides to bestow most of his inheritance on Tom. After Tom's true parentage is revealed, he and Sophia marry, as Squire Western no longer harbours any misgivings about Tom marrying his daughter. Sophia bears Tom a son and a daughter, and the couple live on happily with the blessings of Squire Western and Squire Allworthy.

Style

The highly visible narrator is a central feature of Tom Jones. Each book begins with a prefatory chapter directly addressing the reader, and the narrator provides a continuous commentary on characters and events. According to Wayne C. Booth, the reader's relationship with the narrator is something like a subplot. The reader becomes more attached to the narrator over the course of the book, culminating in a heartfelt farewell.[7]

The fight at the inn at Upton
The fight at the inn at Upton

Fielding presents a panorama of contemporary British life, drawing characters from many different classes and occupations. But Ian Watt argues in The Rise of the Novel that Fielding did not aim at the "realism of presentation" of lifelike detail and psychology practised by authors such as Richardson. Watt claims that Fielding was more focused on the "realism of assessment", the way in which the novel engages a broad range of topics with intelligence and "a wise assessment of life".[8]

Themes

The main theme of the novel is the contrast between Tom Jones's good nature, flawed but eventually corrected by his love for virtuous Sophia Western, and his half-brother Blifil's hypocrisy. Secondary themes include several other examples of virtue (especially that of Squire Allworthy), hypocrisy (especially that of Thwackum) and villainy (for example, that of Mrs Western and Ensign Northerton), sometimes tempered by repentance (for instance Square and Mrs Waters née Jones).

Both introductory chapters to each book and interspersed commentary introduce a long line of further themes. For instance, introductory chapters dwell extensively on bad writers and critics, quite unrelated to the plot but apologetic to the author and the novel itself; and authorial commentary on several characters shows strong opposition to Methodism, calling it fanatical and heretical, and implying an association between Methodism and hypocrites such as the younger Blifil.

The novel takes place against the backdrop of the Jacobite rising of 1745. Characters take different sides over the rebellion, which was an attempt to restore Roman Catholicism as the established religion of England and to undo the Glorious Revolution. At one point Sophia Western is even mistaken for Jenny Cameron, the supposed lover of Bonnie Prince Charlie. Good-natured characters are often moderately loyalist and Anglican, or even supporters of the House of Hanover, while ill-natured characters (Mrs Western) or mistaken ones (Partridge) can be Jacobites, or (like Squire Western) anti-Hanoverian.

List of characters

Caption at bottom:SOPHIA WESTERN:"Adorned with all the charms in which Nature can array her, bedecked with beauty, youth, sprightliness, innocence, modesty and tenderness, breathing sweetness from her rosy lips and darting brightness from her sparkling eyes, the lovely Sophia comes!" This depicts the heroine of the novel, but shows her in the latest fashions of 1800, rather than in the historically accurate hoop skirts of 1749 – it would have been extremely difficult to skip in the clothing styles (and high-heeled shoes) of 1749... The dishevelment of her clothes in the picture was not meant to contradict the word "modesty" in the caption, but was supposed to be understood as being the accidental and unintentional effect of her strenuous physical activity.
Caption at bottom:
SOPHIA WESTERN:

"Adorned with all the charms in which Nature can array her, bedecked with beauty, youth, sprightliness, innocence, modesty and tenderness, breathing sweetness from her rosy lips and darting brightness from her sparkling eyes, the lovely Sophia comes!"
This depicts the heroine of the novel, but shows her in the latest fashions of 1800, rather than in the historically accurate hoop skirts of 1749 – it would have been extremely difficult to skip in the clothing styles (and high-heeled shoes) of 1749...
The dishevelment of her clothes in the picture was not meant to contradict the word "modesty" in the caption, but was supposed to be understood as being the accidental and unintentional effect of her strenuous physical activity.

Adaptations and influences

The book was made into the 1963 film Tom Jones written by John Osborne, directed by Tony Richardson, and starring Albert Finney as Tom. In 1964, a studio cast recording of a musical adaptation produced by Theatre Productions Records featured Clive Revill (as the narrator), Bob Roman (Tom), Karen Morrow (Mrs. Waters); music by Bob Roberts, lyrics by Ruth Batchelor, arranged and conducted by Peter Matz. It inspired the 1976 film The Bawdy Adventures of Tom Jones. It has also been the basis of operas by François-André Philidor (Tom Jones, 1765); by Edward German (Tom Jones, 1907); and by Stephen Oliver in 1975. A BBC adaptation dramatised by Simon Burke was broadcast in 1997 with Max Beesley in the title role. The book has also been adapted for the stage by Joan Macalpine.[9] In 2014, Jon Jory adapted the novel for the stage.[10] In 2020, it was announced that the book will also be adapted into a jukebox musical called What's New Pussycat? featuring songs by the singer Tom Jones setting the story in the 1960s.[11] A TV miniseries will star Solly McLeod and Sophie Wilde in mid-2022.[12]

See also

Bibliography

Editions

Critical collections

Monographs

References

  1. ^ Yardley, Jonathan (9 December 2003). "Tom Jones, as Fresh as Ever". The Washington Post. p. C1. Retrieved 31 December 2006.
  2. ^ "Archived copy". home.comcast.net. Archived from the original on 27 February 2004. Retrieved 6 June 2022.((cite web)): CS1 maint: archived copy as title (link)
  3. ^ Samuel Taylor Coleridge and Henry Nelson Coleridge, Specimens of the table talk of Samuel Taylor Coleridge (London, England: John Murray, 1835), volume 2, page 339.
  4. ^ Patton, Allyson (12 June 2006). "The History of Tom Jones, a Foundling (Book Review)". Historynet.com. HistoryNet LLC. Retrieved 16 September 2016.
  5. ^ Drabble, Margaret, ed. (1998) The Oxford Companion to English Literature; (2nd) revised ed. Oxford: Oxford University Press; pp. 982–983
  6. ^ Fielding, H (1950), "Introduction by G. Sherburn", The History of Tom Jones, a Foundling, New York: Modern Library, p. viii.
  7. ^ Booth, Wayne C (1961). The Rhetoric of Fiction. Chicago: University of Chicago Press. pp. 94-96. ISBN 9780226065786.
  8. ^ Watt, Ian (2015) [1957]. The Rise of the Novel. London: The Bodley Head. p. 288. ISBN 9781847923851.
  9. ^ "Tom Jones (Macalpine)". Archived from the original on 19 August 2014.
  10. ^ Jones, Chris (27 January 2014). "Jory's stage version of novel has wit but lacks clarity". Chicago Tribune. Retrieved 2 October 2018.
  11. ^ "Tom Jones musical What's New Pussycat? to premiere this autumn". The Guardian. 6 March 2020. Retrieved 6 September 2020.
  12. ^ "Solly McLeod & Sophie Wilde Starring In 'Tom Jones' Reimagining For Masterpiece, Mammoth Screen & ITV". Deadline.

Sources