The Housemartins were an English indie rock group formed in Hull who were active in the 1980s[2] and charted three top-ten albums and six top-twenty singles in the UK.[3] Many of their lyrics conveyed a mixture of socialist politics and Christianity, reflecting the beliefs of the band[4] (the back cover of their debut album, London 0 Hull 4, contained the message, "Take Jesus – Take Marx – Take Hope"). The group's a cappella cover version of "Caravan of Love" (originally by Isley-Jasper-Isley) was a UK number one single in December 1986.
The band was formed in late 1983 by Paul Heaton (vocals) and Stan Cullimore (guitar), initially as a busking duo. Throughout his tenure with the band, Heaton billed himself as "P.d. Heaton". Heaton and Cullimore recorded a demo tape with Ingo Dewsnap and Sharon Green of Les Zeiga Fleurs which brought them to the attention of Go! Discs. They then expanded by recruiting Ted Key (bass), former guitarist with The Gargoyles.[5] Their first live performance as a band was at Hull University in October 1984.[6]
The band's membership changed considerably over the years. Key left at the end of 1985 and was replaced by Norman Cook (later known as Fatboy Slim). Drummer Chris Lang was replaced[7] briefly by Dodger (Roger Wilde) on loan from local Hull band 3-Action! for their first few gigs as a 4 piece then by Hugh Whitaker, former drummer with the Gargoyles, who in turn was replaced with Dave Hemingway.[2][8] The band often referred to themselves as "the fourth best band in Hull", with the best three bands being Red Guitars, Everything but the Girl, and the Gargoyles.[2]
In 1986, having recorded two John Peel sessions, the band broke through with their third single "Happy Hour", which reached No. 3 in the UK Singles Chart.[9] The single's success was helped by a claymation animated pop promo of a type that was in vogue at the time, featuring a cameo by television comedian Phill Jupitus, who toured with the band under his stage name of "Porky the Poet". Their debut album, London 0 Hull 4, was released later in 1986 and contained their previous two singles as well as alternative versions of first single "Flag Day" and follow-up to Happy Hour, "Think for a Minute". At the end of 1986 they had their only UK No. 1 single on 16 December with a cover version of Isley-Jasper-Isley's "Caravan of Love".[2]
The song "Caravan of Love" was first performed by the Housemartins in their second Peel session in April 1986, before their initial chart success. At Peel's suggestion, the band then recorded another session (under the name the Fish City Five), consisting entirely of a cappella performances, and on at least one occasion (at The Tower nightclub in Hull, the same concert at which they were filmed as the Housemartins for the BBC programme, Rock Around the Clock), played support act for their own performance under this alternative name. The "Caravan of Love" single featured four a cappella gospel songs on the B-side.[citation needed]
The band split in 1988, but the members have remained in contact and have worked on each other's projects. Norman Cook has enjoyed significant success with Beats International and then as Fatboy Slim, while Heaton, Hemingway and roadie Sean Welch formed the Beautiful South. In August 2009, Mojo magazine arranged for The Housemartins' original members to get together for a photo-shoot and interview, for the first time in many years, but in the interview all the members maintained that the band would not re-form.
In December 2009, Cullimore co-wrote songs for (and appeared in) a pre-school music series called The Bopps, which first showed on Nick Jr. in the UK in April 2010. Cullimore and Whitaker joined Heaton on stage during a show by Heaton and Jacqui Abbott in 2014 at Hull's The New Adelphi Club, on the stage where the band had signed their Go-Discs record contract, although it was not a Housemartins reunion. The trio performed the Housemartins hit "Me and the Farmer", and Cullimore and Heaton closed the show with a performance of "Caravan of Love".[10]
Musical style and lyrics
The band's early releases saw them described as jangle pop, which brought comparisons with bands such as the Smiths and Aztec Camera.[11][12]David Quantick, writing for Spin, described them in 1986 as playing "traditional '60s-style guitar pop overlaid with soul vocals".[13] Cook described the band as "religious, but not Christians", and the band's repertoire included gospel songs.[11][13]
Many of the band's lyrics have socialist themes, with Cook stating that "Paul realised that he hated writing about love...and that writing politically came easier to him", describing some of their songs as "angrily political".[13][14]
Band members
Final lineup
Paul Heaton - vocals, guitar, trombone, harmonica (1983-1988)
^ abCooper, Kim; Smay, David (2004). Lost in the Grooves: Scram's Capricious Guide to the Music You Missed. Routledge. ISBN978-0415969987.
^Fletcher, Tony (2012). A Light that Never Goes Out: The Enduring Saga of The Smiths. William Heinemann Ltd. p. 548. ISBN978-0434022182.
^ abcQuantick, David (December 1986). "Blinded by Gospel". Spin. p. 16.
^Lamie, Maria (2003). Buckley, Peter (ed.). The Rough Guide to Rock – The Housemartins. Rough Guides. pp. 509–510. ISBN978-1843531050.
^ abKent, David (1993). Australian Chart Book 1970–1992 (Illustrated ed.). St. Ives, New South Wales: Australian Chart Book. p. 142. ISBN0-646-11917-6. N.B. the Kent Report chart was licensed by ARIA between mid 1983 and 19 June 1988.
^ abErlewine, Stephen Thomas. "The Housemartins". AllMusic. Retrieved 22 November 2015.
