The film depicts the life of Jesus Christ and his struggle with various forms of temptation including fear, doubt, depression, reluctance and lust. The book and the film depict Christ being tempted by imagining himself engaged in sexual activities, which has caused outrage from some Christians. It includes a disclaimer stating "This film is not based on the Gospels, but upon the fictional exploration of the eternal spiritual conflict."[5]
Like the novel it was based on, the film generated controversy at the time of its release from Christian religious groups, who took issue with its departures from the gospel narratives. It received positive reviews from critics and some religious leaders, and Scorsese received a nomination for the Academy Award for Best Director. Hershey's performance as Mary Magdalene earned her a nomination for the Golden Globe for Best Supporting Actress. Peter Gabriel's music score also received acclaim, including a nomination for the Golden Globe Award for Best Original Score. Dafoe's performance was praised, with some thinking he should have been nominated for Best Actor. However, Keitel's performance was not well received and he was nominated for Worst Supporting Actor at the Golden Raspberry Awards.
Plot
Jesus of Nazareth is a carpenter in Roman-occupied Judea, torn between his own desires and his knowledge that God has a plan for him. He collaborates with the Romans to crucify Jewish rebels.
Judas Iscariot, a friend sent to kill him for collaboration, suspects that Jesus is the Messiah, and asks him to lead a liberation war against the Romans. Jesus replies that his message is love of mankind. Judas will kill him if he harms the rebellion.
Jesus starts preaching after he saves prostitute Mary Magdalene from a mob gathered to stone her. He acquires disciples, and John the Baptist, baptizes him. John wants freedom from the Romans, while Jesus maintains people should tend to matters of the spirit. Jesus then goes into the desert to test God's connection to himself, where he is tempted by Satan, but resists. Jesus returns from the desert to the home of Martha and Mary of Bethany, who restore him to health and encourage him to marry and have children. His disciples see Jesus apparently tear out his own heart. He performs various miracles and raises Lazarus from the dead.
Eventually his ministry reaches Jerusalem, where Jesus chases out money lenders from the temple. He begins bleeding from his hands, which he recognizes as a sign that he must die on the cross to bring salvation to mankind. He instructs Judas to give him to the Romans. Jesus convenes his disciples for Passover seder, whereupon Judas leads a contingent of soldiers to arrest Jesus in the garden of Gethsemane. Pontius Pilate tells Jesus that he must be put to death because he represents a threat to the Roman Empire. Jesus is flogged, a crown of thorns is placed on his head and finally he is crucified.
While on the cross, Jesus converses with a young lady who claims to be his guardian angel. She tells him that although he is the Son of God, he is not the Messiah, and that God is pleased with him, and wants him to be happy. She brings him down off the cross and, invisible to others, takes him to Mary Magdalene, whom he marries. They are soon expecting a child and living an idyllic life; but she abruptly dies, and Jesus is consoled by his angel; next he takes Mary and Martha, the sisters of Lazarus, for his wives. He starts a family with them, having many children, and lives his life in peace. Jesus is then seen as an older man who encounters the apostle Paul preaching about the Messiah and tries to tell Paul that he is the man about whom Paul has been preaching. Paul repudiates him, saying that even if Jesus had not died on the cross, his message was the truth, and nothing would stop him from proclaiming that. Jesus debates him, claiming that salvation cannot be founded on lies.
Near the end of his life, an elderly Jesus calls his former disciples to his bed. Peter, Nathaniel, and a scarred John visit their master as Jerusalem is in the throes of rebellion. Judas comes last and reveals that the youthful angel who released Jesus from the crucifixion is in fact Satan. Crawling back through the burning city of Jerusalem, Jesus reaches the site of his crucifixion and begs God to let him fulfill his purpose and to "let him be God's son."
Jesus then finds himself once more on the cross, having overcome the "last temptation" of escaping death, being married and raising a family, and the ensuing disaster that would have consequently encompassed mankind. Jesus cries out "It is accomplished!" as he dies.
Scorsese had wanted to make a film version of Jesus' life since childhood. While he was directing Barbara Hershey in the 1972 film Boxcar Bertha, she gave him a copy of the Kazantzakis novel. Scorsese optioned the novel in the late 1970s, and he gave it to Paul Schrader to adapt. The Last Temptation of Christ was originally to be Scorsese's follow-up to The King of Comedy; production was slated to begin in 1983 for Paramount, with a budget of about $14 million and shot on location in Israel. The original cast included Aidan Quinn as Jesus, Sting as Pontius Pilate, Ray Davies as Judas Iscariot,[6] and Vanity as Mary Magdalene. Management at Paramount and its then parent company, Gulf+Western grew uneasy due to the ballooning budget for the picture and protest letters received from religious groups. The project went into turnaround and was finally canceled in December 1983. Scorsese went on to make After Hours instead.
In 1986, Universal Studios became interested in the project. Scorsese offered to shoot the film in 58 days for $7 million,[4] and Universal eventually greenlighted the production as Scorsese agreed to direct a more mainstream film for the studio in the future (it eventually resulted in Cape Fear).[7] Critic and screenwriter Jay Cocks worked with Scorsese to revise Schrader's script. Aidan Quinn passed on the role of Jesus, and Scorsese recast Willem Dafoe in the part. Sting also passed on the role of Pilate, with the role being recast with David Bowie. Principal photography began in October 1987. The location shoot in Morocco (a first for Scorsese) was difficult, and the difficulties were compounded by the hurried schedule. "We worked in a state of emergency," Scorsese recalled. Scenes had to be improvised and worked out on the set with little deliberation, leading Scorsese to develop a minimalist aesthetic for the film. Shooting wrapped by December 25, 1987.
Music
The film's musical soundtrack, composed by Peter Gabriel, received a Golden Globe Award nomination for Best Original Score - Motion Picture in 1988 and was released on CD with the title Passion, which won a Grammy in 1990 for Best New Age Album. The film's score itself helped to popularize world music. Gabriel subsequently compiled an album called Passion – Sources, including additional material by various musicians that inspired him in composing the soundtrack, or which he sampled for the soundtrack. The original scores brought together many international artists including Pakistani Musician and vocalist Nusrat Fateh Ali Khan, Egyptian Kanun player Abdul Aziz, Turkish Ney flute player Kudsi Ergüner, Armenian Doudouk players Antranik Askarian and Vatche Housepian.
Although The Last Temptation of Christ was released on VHS and Laserdisc, many video rental stores, including the then-dominant Blockbuster Video, declined to carry it for rental as a result of the film's controversial reception.[11] In 1997, the Criterion Collection issued a special edition of The Last Temptation of Christ on Laserdisc, which Criterion re-issued on DVD in 2000 and on Blu-ray disc in Region A in March 2012 and Region B in April 2019.[12]
Reception
Box office
The Last Temptation of Christ opened in 123 theaters on August 12, 1988 in the United States and Canada, and grossed $401,211 in its opening weekend. At the end of its run, it had grossed $8,373,585 in the United States and Canada.[13] Internationally it grossed $25.4 million for a worldwide total of $33.8 million.[14]
Critical response
The review aggregator website Rotten Tomatoes reports that 81% of 100 film critics have given the film a positive review, with an average rating of 7.6/10. The consensus states, "Contrary to accusations of irreverence, The Last Temptation of Christ's biggest sins are actually languid pacing and some tinny dialogue -- but Martin Scorsese's passion for the subject shines through in an oft-transcendent rumination on faith."[15]Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 80 based on 18 reviews, indicating "generally favorable reviews".[16]
In a four-out-of-four star review for the Chicago Sun-Times, Roger Ebert, who later included the film in his list of "Great Movies",[17] wrote that Scorsese and screenwriter Paul Schrader "paid Christ the compliment of taking him and his message seriously, and they have made a film that does not turn him into a garish, emasculated image from a religious postcard. Here he is flesh and blood, struggling, questioning, asking himself and his father which is the right way, and finally, after great suffering, earning the right to say, on the cross, 'It is accomplished.'"[18]Gene Siskel from the Chicago Tribune said "Dafoe manages to draw us into the mystery, anguish and joy of the holy life. This is anything but another one of those boring biblical costume epics. There is genuine challenge and hope in this movie."[16]
A review associated with Catholic News Service asserts that The Last Temptation of Christ "fails because of artistic inadequacy rather than anti-religious bias."[19]Halliwell's Film Guide awarded it one star from a possible four, describing it as "beautifully shot and strikingly acted, but wordy and too long".[20] Alan Jones awarded it four stars out of five for Radio Times, calling it "a challenging essay on the life of Jesus" and "neither blasphemous nor offensive", though he felt it was "slightly too long, and Scorsese does pull some punches in deference to the subject matter", but described these as "minor criticisms" and concluded that it was a "sincere work".[21]
On October 22, 1988, an Integralist Catholic group set fire to the Saint Michel cinema in Paris while it was showing the film. A little after midnight, an incendiary device ignited under a seat in the less supervised underground room, where a different film was being shown. The incendiary device consisted of a charge of potassium chlorate, triggered by a vial containing sulphuric acid.[22] The attack injured thirteen people, four of whom were severely burned, and severely damaged the cinema.
Death threats
In Roger Ebert's book Scorsese by Ebert, the critic wrote of the reaction to The Last Temptation of Christ, "...Scorsese was targeted by death threats and the jeremiads of TV evangelists".[23] The threats were significant enough that Scorsese had to use bodyguards during public appearances for a few years.[citation needed]
Protests
Because of the film's departures from the gospel narratives—and especially a brief scene wherein Jesus and Mary Magdalene consummate their marriage—several Christian groups organized vocal protests and boycotts of the film prior to and upon its release. One protest, organized by a religious Californian radio station, gathered 600 protesters to picket the headquarters of Universal Studios' then parent company MCA.[24] One of the protestors dressed up as MCA's ChairmanLew Wasserman and pretended to drive nails through Jesus' hands into a wooden cross.[8] Evangelist Bill Bright offered to buy the film's negative from Universal in order to destroy it.[24][25] The protests were effective in convincing several theater chains not to screen the film.[24] One of those chains, General Cinemas, later apologized to Scorsese for doing so.[8]
Censorship and bans
Mother Angelica, a Catholic nun and founder of Eternal Word Television Network, described Last Temptation as "the most blasphemous ridicule of the Eucharist that's ever been perpetrated in this world" and "a holocaust movie that has the power to destroy souls eternally."[26] In some countries, including Greece, Turkey, Mexico, Chile, and Argentina, the film was banned or censored for several years. As of July 2010, the film continues to be banned in the Philippines and Singapore.[27] In February 2020, Netflix revealed the film to be one of the five titles that have been removed from the Singapore version of Netflix at the demand of the Singapore government's Infocomm Media Development Authority.[28][29]
^Revealed in an interview with Mark Lawson on Front Row, BBC Radio 4, September 23, 2008.
^"Archived copy"(PDF). www.carseywolf.ucsb.edu. Archived from the original(PDF) on October 3, 2021. Retrieved January 12, 2022.((cite web)): CS1 maint: archived copy as title (link)
^"Netflix 2019 Environmental Social Governance report"(PDF). February 2020. Retrieved June 27, 2020. Below are the titles we’ve removed to date, as of February 2020 — just nine in total since we launched. ... In 2019, we received a written demand from the Singapore Infocomm Media Development Authority (IMDA) to remove The Last Temptation of Christ from the service in Singapore only.
