Lonnie and Clover are a young married couple with a baby daughter, Xana. The unplanned baby meant the couple had to abandon their early notions of idealism and make compromises for economic security. Clover, a former activist, has landed herself a cushy job in the corporate world. Lonnie, who has put his interest in music on hold for a job at a film production house, feels his dreams are behind him and starts seeing a therapist for depression. One day, to get out of work, he calls in sick, but his abusive boss demands he show up or he will be fired. Lonnie panics and tells a shocking lie to justify his absence. Once the lie is out, there's no going back for Lonnie. The lie pushes Lonnie to figure out who he is, what he wants, and what it means to be a father.
Joshua Leonard had been on the lookout for a story to be made into a movie, when he read the short story "The Lie", which was in the April 14, 2008 issue of The New Yorker.[1] He realized that the story was a good fit for an independent film that could be made in Los Angeles, using collaborators he already knew in the area.[2] The original short story was sixteen pages long.[3]
The crew spent two and a half weeks shooting the film, and six months editing it.[4] For baby Xana, the filmmakers cast Violet Long (an infant at that time), whose parents are Daniel (the film's co-producer) and Darby Long.
Release
The film had its world premiere at the Sundance Film Festival on January 25, 2011.[5] Shortly after, Screen Media Films acquired distribution rights to the film.[6] It was released on November 18, 2011.[7]
Critical response
On review aggregate website Rotten Tomatoes, The Lie has an approval rating of 74% based on 19 reviews.[8] On Metacritic, the film has a score of 59 out of 100 based on 12 reviews, indicating "mixed or average reviews".[9]
Anthony Breznican of Entertainment Weekly said "[T]his ultra-low-budget dark-comedy also may be one of the upcoming Sundance Film Festival's most touching family dramas."[10] In The New York Times, Jeannette Catsoulis commented the film is "beautifully acted and emotionally resonant -- in the film's best scene, Clover's face silently telegraphs the dawning realization that Lonnie's hideous new song is really a terrible confession -- The Lie is about adjusting one's self-portrait to accommodate changing realities."[11]Roger Ebert awarded the film 3 out of 4 stars, saying, "It's easy to imagine this movie going wrong: Pumping up the drama, punching the big developments, using the wrong music. It keeps its cool. One test of a new director is how he handles a scene that has cliche written all over it. In The Lie, Lonnie, Clover and baby Xana go on a weekend camping trip, and we see they truly do make up a family, and Leonard does this in a convincing and affectionate way."[12]
Mark Olsen of The Los Angeles Times wrote, "Though the scenes for The Lie have a preconceived shape and direction, there are only spare snippets of specific dialogue written, in the hope that the tightrope walk of the creative moment will help capture some real-life spark."[13]
^Nishi, Dennis (November 23, 2011). "Joshua Leonard Does "The Lie"". The Wall Street Journal. Retrieved May 27, 2016. We shot the film for two and a half weeks but we were in the editing room putting it together for six months.
