Authority control databases
| International | |
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| National | |
| Artists | |
The Litter | |
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| Origin | Minneapolis, Minnesota, United States |
| Genres | |
| Years active | 1966-1972 (reunions thereafter) |
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| Past members | Dan Rinaldi Bill Strandlof Denny Waite Jim Kane Tom Murray Mark Gallagher Ray Melina Tom Caplan Sean Jones Lonnie Knight Mike Rowe |
The Litter was an American psychedelic and garage rock band, formed in 1966 in Minneapolis, Minnesota, United States.[1] They are best remembered for their 1967 debut single, "Action Woman". The group recorded three albums in the late 1960s before disbanding, but they re-united in 1990, 1992, and again in 1998, when they recorded a new studio album consisting of both old and new material. All of their Minneapolis recorded material was produced by Warren Kendrick, who owned the Scotty and Warick and Hexagon labels.
Four members of the original line-up, Jim Kane, Bill Strandlof, Denny Waite, and Dan Rinaldi formed the band in 1966 from the remains of two popular Minneapolis bands: The Victors and The Tabs. Tom Murray joined as a result from a successful band audition. Their group name was presented by Jim Kane and accepted over other suggestions like "The Mustys".[2]
Heavily influenced by the bands of the British Invasion,[1] the group recorded their debut single "Action Woman" / "A Legal Matter" in late 1966. "Action Woman" proved to be their most impactful single and became a garage rock classic. Bill Strandlof, lead guitarist for the single, was replaced by Tom Caplan just before their debut album Distortions was released in the summer of 1967. Distortions leaned on cover songs, but became a classic that would be re-released when garage rock was revived.
By 1968, the band had shifted to the psychedelic rock scene. Their second album, $100 Fine, included original input from the band and British-influenced cover material.[1] Although the album did not chart nationally, it did chart at number 10 on the Twin Cities chart. Their writer/producer, Warren Kendrick, had developed a method to precisely control the flanging effect (which eventually became a staple of psychedelic recordings) and he applied it to a cover version of a Procol Harum song, "Kaleidoscope." A highlight for the band that year was their brief appearance in the movie, Medium Cool. Their scene in the movie however, was overdubbed by The Mothers of Invention's song, "Flower Punk". Further work on the soundtrack was also replaced by Frank Zappa tracks. The band, later in the year, turned down offers by Elektra Records and Columbia Records, which slowed their progress to the national scene.[3]
In 1969, the band finally signed to a major label. Their third album, Emerge was released on the ABC Records label and became their most successful.[1] It peaked at number 175 on the Billboard 200. However, recording for the album did not include Caplan or Waite. There were heavier rock tracks on the album. The group disbanded in 1972.[1]
The group continued to tour with several different line-ups sporadically thereafter, and released an album of new material in 1998.
In 2020, Tom Murray, with talented new players including Larry Wiegand of Crow, released a Litter album, Future of the Past. Tom “Zippy” Caplan (Distortions and $100 Fine) also plays lead guitar on several tracks.
| 1966 – Summer 1967 | Summer 1967 – Mid 1968 | Mid 1968 – Late 1968 | Late 1968 – 1970 |
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| 1970 | Late 1970 – 1971 | 1971 – 1972 | 1972 – 1990 |
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Disbanded |
| 1990 | 1991 | 1993 – 1998 | 1998 – August 1999 |
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Studio contributors:
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Disbanded |
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| August 1999 – Present | |||
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