1953 film by Robert Hamer
The Long Memory is a black-and-white 1953 British crime film directed by Robert Hamer and based on the 1951 novel of the same title by Howard Clewes.
Filmed at locations such as London Waterloo railway station, the North Kent Marshes on the Thames Estuary, and the dingy backstreets of Gravesend, Kent, mainly Queen Street, its bleak setting and grim atmosphere have led to its acclaim as a British example of film noir.[3]
Plot
Phillip Davidson boards a boat and embraces Fay Driver. Then he goes down below to try to convince her alcoholic father, Captain Driver, not to involve Fay in his criminal activity. However, Boyd brings aboard Delaney (a man he has agreed to smuggle out of the country) and two henchmen. When Boyd demands that Delaney pay him £500, rather than £200, a fight erupts, and Boyd knocks Delaney out. A broken oil lamp starts a fire, attracting the attention of the authorities, and Philip is fished out of the water. A charred corpse is found in the sunken boat. The Drivers and Tim Pewsey perjure themselves by identifying the dead man as Boyd, rather than Delaney, and claiming there was no other man present. This leads to Philip's conviction for Boyd's murder. Granted parole, he is released after 12 years in prison.
Upon release, he sets out to get even with the witnesses. He is kept under surveillance by the police on the orders of Superintendent Bob Lowther, who is now married to Fay. Philip finds an abandoned barge claimed by Jackson, a kindly old hermit. His plan is to live rough on the barge while he searches for the witnesses. But three people attempt – initially unsuccessfully – to befriend him. First, Jackson withdraws an initial request for rent. Then Craig, a newspaperman who suspects him to be innocent, arrives; Philip throws him out, but Craig tumbles down an open hatch and is knocked unconscious, and Philip rescues him. Finally, he happens upon a sailor attempting to rape Ilse, a traumatised refugee. When he rescues her and allows her to stay on the barge, she falls in love with him.
Informed by Craig that Captain Driver has died, four years earlier, Philip stalks Pewsey, with Lowther and Craig on his trail. Pewsey is frightened into confessing to Lowther that there was another man present at the murder. Now Lowther's marriage comes under increasing tension as he considers the possibility of his wife's perjury. Finally, she confesses she did lie to protect her father. Lowther tells her that she will have to turn herself in and he will have to resign. She asks for time, and goes to see "George Berry", who turns out to be Boyd. She asks him for money and they plan to leave the country together.
Ilse pleads with Philip to give up his dream of revenge and start a new life with her. He confronts Fay in her home, but realises that Ilse is right, and walks away.
When Fay realises Boyd is not coming, she attempts suicide by trying to jump in front of an oncoming Waterloo & City line train, but is stopped by other people on the platform. She leaves with police sent by her husband after he read her farewell note.
By sheer chance, Philip is then hired to deliver an urgent letter to "Berry". Philip confronts Boyd in his office, initially with a gun, but he throws this aside, deciding to fight like men, but when Boyd picks up the gun Philip runs away. It is time for Boyd to meet Fay at London Waterloo railway station, but he pursues Philip and shoots him in the arm.
Philip flees to the barge, but Boyd is waiting for him. After a chase, Boyd is about to kill Philip when he is shot dead by Jackson.
Ilse and Philip refuse further help from the police. They are left to deal with their pasts and face the future together.
Production
The film was made at Pinewood Studios and on location in Kent around Gravesend and at Shad Thames, a street next to Tower Bridge in central London. Many of the houses shown in the film were demolished soon afterwards. It was the last film of Henry Edwards, a major British star of the 1920s and 1930s, who had a small role as a judge early in the film.
Premiere and reception
The film received its gala premiere at the Leicester Square Theatre on 22 January 1953, with Prince Henry, Duke of Gloucester and Princess Alice, Duchess of Gloucester as guests of honour,[4] and entered general release the following day.[1] The Times film reviewer found the film a bit dull and self-important, but gave director Hamer credit for "effective use of the film's natural background, the mud and desolation of the flats of the Thames Estuary."[5]
Producer Hugh Stewart said "I thought it was rather good but it didn't do that well."[6]
