The Maid of the Mountains
Original trade ad poster
Directed by	Lupino Lane
Written by	Scenario: Victor Kendall Frank Miller Edwin Greenwood Screen adaptation: Douglas Furber Lupino Lane
Based on	musical play by Frederick Lonsdale
Produced by	John Maxwell
Starring	Harry Welchman Nancy Brown Betty Stockfeld
Cinematography	Claude Friese-Greene Arthur Crabtree
Edited by	Leslie Norman
Music by	Harold Fraser-Simson Lyricist: Harry Graham Musical direction: Idris Lewis
Production company	British International Pictures
Distributed by	Wardour Films (UK)
Release date	19 September 1932 (1932-09-19)
Running time	80 minutes
Country	United Kingdom
Language	English

The Maid of the Mountains is a 1932 film based on the long-running stage musical The Maid of the Mountains.^[1] It was directed by Lupino Lane.^[2]

Cast

• Nancy Brown as Teresa
• Harry Welchman as Baldasare
• Betty Stockfeld as Angela Malona
• Albert Burdon as Tonio
• Garry Marsh as Beppo
• Renee Gadd as Vittoria
• Wallace Lupino as Crumpet
• Dennis Hoey as Orsino
• Gus McNaughton as General Malona
• Val Guest as Party Guest

Critical reception

Perth's The West Australian wrote in November 1932, "the most important production for some time from the British International studios at Elstree, was screened to the trade in London on September 17 last and was enthusiastically received by exhibitors and the trade Press. 'The Maid of the Mountains' is, of course, the screen version of one of the most popular musical comedies the stage has known. It was directed by Lupino Lane and photographed by Claude Finese Greene, one of England's leading cameramen. Two Australian girls, Nancy Brown and Betty Stockfield, play important roles of Teresa and Angela, and Miss Brown's singing of the popular melodies is said to be most effective...The 'Daily Film Renter' says that 'The Maid of the Mountains' is a feast of melody and humour, wholesome and entertaining throughout its length. The 'Cinema' says it has sparkling comedy, charming romance, striking spectacle and lilting music effectively put over, the camera work and recording being first class. There will be large audiences for this film when it is shown in Perth next year";^[3] whereas more recently, TV Guide concluded that "The production, unfortunately, is flat and lifeless, without any of the jauntiness needed for it to work."^[4]