The Man in the Road
Directed by	Lance Comfort
Written by	Guy Morgan
Based on	He Was Found in the Road by Anthony Armstrong
Produced by	Charles Leeds
Starring	Derek Farr Ella Raines Donald Wolfit Lisa Daniely
Cinematography	Stanley Pavey
Edited by	Jim Connock
Music by	Bruce Campbell
Production company	Gibraltar Films
Distributed by	Grand National (UK) Republic Pictures (US)
Release date	16 April 1956
Running time	83 minutes
Country	United Kingdom
Language	English

The Man in the Road is a 1956 British second feature^[1] thriller film directed by Lance Comfort and starring Derek Farr, Ella Raines, Donald Wolfit and Cyril Cusack.^[2] It was based on the 1952 novel He Was Found in the Road by Anthony Armstrong.

Plot

A brilliant scientist suffering from amnesia is hunted by Communist agents in search of a secret formula.

Cast

• Derek Farr as Ivan Mason/Doctor James Paxton
• Ella Raines as Rhona Ellison
• Donald Wolfit as Professor Cattrell
• Lisa Daniely as Nurse Mitzi
• Bruce Beeby as Doctor Manning
• Russell Napier as Superintendent Davidson of Scotland Yard
• Cyril Cusack as Doctor Kelly
• Frederick Piper as Inspector Hayman
• Karel Stepanek as Dmitri Balinkev
• Olive Sloane as Mrs Lemming, the landlady
• Alfred Maron as ambulance driver
• John Welsh as employer
• Robert Bruce as Scotland Yard Detective

Production

The film was shot at Beaconsfield Studios.^{[citation needed]}

Critical reception

The Monthly Film Bulletin wrote: "Spy hokum concocted from a variety of well-tried ingredients (kidnapped scientist, hypnotism, amnesia) and lacking only a set of stolen secret plans. But it is all done with some gusto and played with appropriate seriousness. The best performances come from Cyril Cusack, effective as an alcoholic doctor, and from Russell Napier, with a reliable impersonation of a Scotland Yard superintendent."^[3]

Britmovie called the film a "fast-paced, implausible, but engrossing Cold War spy thriller."^[4]

TV Guide wrote, "the complicated plot never really amounts to anything more than predictable propaganda, though a capable cast handles the material in a professional and convincing manner."^[5]