2011 Samoan film
The Orator (Samoan: O Le Tulafale) is a 2011 Samoan and New Zealand film written and directed by Tusi Tamasese. It is the first ever Samoan feature film, "entirely shot in Samoa, in the Samoan language, with a Samoan cast and story".[2] The film was selected as the New Zealand entry for the Best Foreign Language Film at the 84th Academy Awards,[3] but it did not make the final shortlist.[4] It is the first time New Zealand has submitted a film in this category.[5][6]
Plot
Manu Asafo has described the film as an attempt "to portray Samoan culture".[7] It shows Samoans "surrounded by family and support", in accordance with fa'aSamoa (the "Samoan way").[7]
The New Zealand Film Commission describes it as showcasing not only "Samoan tradition and values", but also "universal" themes: "love, courage, personal adversity and honour". Samoan Deputy Prime Minister Misa Telefoni has described it as "a beautiful and poignant love story" which brings "the finest aspects of traditions of our Samoan culture into the international spotlight".[8]
The main character, Saili, a "simple villager", a taro farmer and a dwarf or of short stature, must "find the strength" to "defend his land and family, which are threatened by powerful adversaries". Saili is excluded from the village community because his physical appearance does not fit the expectations for a leader in Samoa. This disadvantage and his lack of rhetorical skills and oratory training make it challenging for him to argue for his right to the graves of his parents and the right to bury his wife. "He ultimately attempts to reclaim his father's chiefly status, even if the current ageing village chief does not believe he has the physique or the oratory skill required."[2][7][9][10]
At the end, Saili must make a ceremonial oration after the tragedy of the death of his wife, who was estranged from her own village, but her relatives wished her to be buried there. He succeeds in retrieving the body, which was stolen from him after her death.
Tamasese described his film as "my image of what I see of growing up in Samoa", and "a bit like a tour. You get thrown into this place and you are seeing things", witnessing aspects of Samoan life without explanation - such as evening prayer time (sa), or ritual atonement (ifoga).[9]
Production and distribution
Written and directed by Tusi Tamasese (previously the writer and director of short film Va Tapuia), The Orator is produced by Catherine Fitzgerald, shot by Leon Narbey, and financed by the New Zealand Film Commission and by the Samoan government. Maiava Nathaniel Lees and Michael Eldred are associate producers, and Samoan chief Manu Asafo served as cultural advisor.[2][7]
Filming was completed in January 2011, with the film scheduled to be screened in cinemas later in the year.[7]
The Orator "will be distributed in New Zealand, Australia and the Pacific by Transmission Films", while NZ Film will handle distribution beyond Oceania.[2] Misa Telefoni, who is also Samoan Minister for Tourism, has expressed hope that the film will attract international attention to Samoa, and promote the country as a tourist destination.[7]
The film had its world premiere at the Venice Film Festival, in Italy on 3 September 2011. This was the first time that Samoa were represented at the festival and saw a return for New Zealand after a 4-year absence (the last film shown at the festival was Cargo).[11]
The Orator premiered in Samoa's only cinema -Magik Cinema in Apia- on 1 October 2011. It was screened in cinemas in New Zealand on 6 October.[9]
Reception
The New Zealand Herald noted:
- "Thanks in large part to the almost edibly gorgeous cinematography of Leon Narbey, the film is a sumptuously moody visual experience: the opening shot, of rain on a mountain, might have been painted by McCahon; water runs mercury-silver off taro leaves; tiny details like a snail on a gravestone are lingered over lovingly. The sound design is equally precise and evocative.
- Importantly, it's a film of great patience and watchfulness. Shots of 10 seconds are the rule, not the exception; you can feel your heartbeat slow as you watch it."[9]
Variety described it as "a compelling drama", an "exploration of love, death and bitter family conflict that unfolds in sync with the relaxed rhythms of Pacific island life", and an "ausipicious debut" for Tamasese. Sagote, in the lead role, was "tremendously soulful-eyed", while Pushparaj was "excellent", "exuding the dignity of a queen":
- "Tamasese gradually weaves the separate story strands together (fittingly, given the centrality of straw mats that various characters weave and give as gifts in the story), culminating in a scene in which Saili must make a ceremonial oration after a tragedy - a touchingly crafted and performed sequence that grips as drama and as an insightful look at the Samoan way of life.
- Script offers an insider's view of a society that just about keeps a lid on simmering violence through complex, ritualized forms of group interaction and humor, a portrait that goes some way toward exploding the myth of Samoans as peace-loving, noble-savage proto-hippies. Balance of cultural insights and storytelling makes for a universally appealing yarn that renders the exotic comprehensible, although the film's stately pace may prove challenging to viewers with shorter attention spans."[12]
The Hollywood Reporter praised the film as "a beautifully nuanced debut" with a "deeply moving climax", which both "succeeds on one level as an insider’s intricate cultural study" and "is powered by a slow-burning underdog drama that canvasses weighty themes of family honor, courage and redemption". It also praised Sagote as "already a master of non-verbal communication. Quiet and watchful, he speaks volumes with his eyes".[1]
The Camden Advertiser encouraged readers to see the film, saying its most interesting aspect was "the observation of the intricacies of the Samoan culture - which hitherto had not been committed to cinema" and which are conveyed "very subtly within a very universal tale".[13]
Writing for the New Zealand Herald, Samoan New Zealander Cherelle Jackson said the film was culturally accurate, touching and "beautifully done", and that it "makes no pretence, it doesn't make the Samoan culture look beautiful and admirable, it draws out the violence, the hatred, the slanted hierarchy and ultimately the discriminating nature of our people in a story line that happens in real life".[14]
The West Australian wrote: "The Orator is a fascinating journey into Samoan life, but the slow pace of this way of life does make for a slow-paced film. There are lots of scenes where Saili is shown deep in thought, or his wife Vaaiga is sitting weaving the mats that are a major cultural occupation. The Orator does have its dramatic highpoints and the verbal-jousting conclusion is well staged by the cast of Samoans, who were drawn from the villages on Upolu".[15]
Awards
Special Mention from the jury of the Orizzonti section of the Venice International Film Festival; Art Cinema Award from the CICAE jury of the Festival; CinemAvvenire Best Film Award from the jury of the Associazione Centro Internazionale CinemAvvenire; shortlisted for the Best Feature Film Script Award of the Script Writers Awards of New Zealand; Audience Award at the Brisbane International Film Festival.[16]
The film was also "selected to screen in the Spotlight section of the 2012 Sundance International Film Festival".[16]
Fa'afiaula Sagote: finalist for the Best Performance by an Actor Award at the 5th Asia Pacific Screen Awards.[16]
