Henry is injured in a hunting accident. Henry becomes smitten with Mary, who tends his wounds and invites Mary, her husband, and the Boleyn family to court. Mary and Anne become ladies-in-waiting to Queen Catherine while William Carey is sent abroad. Mary begins an affair with the King and falls in love with him. Anne secretly marries Henry Percy, a nobleman betrothed to Lady Mary Talbot. Anne reveals her marriage to her brother, George Boleyn, who informs Mary. Mary alerts her father and uncle, who forcibly annul the union, keeping its existence secret. Anne is then sent to the French court.
Mary soon becomes pregnant with Henry's child. He rewards the Boleyn family by giving them new titles and estates, with George being betrothed to Jane Parker, whom he detests. Mary begins to experience pregnancy complications and is confined to bed until the child is born. Norfolk recalls Anne to distract Henry from seeking another mistress. Resentful that Henry initially preferred Mary, a revenge-driven Anne beguiles Henry. Mary gives birth to a son, but Anne points out to Henry that the boy is illegitimate and cannot inherit the throne. Henry rejects Mary and does not recognize her child as his son.
Anne refuses Henry's advances unless he no longer beds Catherine and stops speaking to Mary. This infuriates Norfolk until Anne reveals her intention to become queen and bear Henry a legitimate son. Mary and her child are exiled to the countryside. Mary's husband dies.
Anne pressures Henry to break from the Catholic Church when Pope Clement VII refuses to annul his marriage to Catherine. Henry learns some rumors of Anne's marriage to Percy; Mary is brought back to court but assures Henry that the rumors are false. She decides to stay at Anne's urging.
Henry declares himself Supreme Head of the Church of England, orders that his marriage be annulled, and banishes Catherine from court. When Anne refuses to consummate their relationship until they are married, Henry, overcome with rage and lust, rapes her. While deeply traumatized by the assault, Anne, now pregnant, marries Henry and becomes the new Queen of England.
Another daughter, Elizabeth, is born. Henry, disappointed there is still no male heir, begins to see Jane Seymour, Anne's lady-in-waiting, in secret. Anne is hated by the people, who denounce her as a witch, and she begins to develop paranoia as her marriage crumbles.
After miscarrying a son, Anne fears for her life and begs George to impregnate her. He agrees but is unable to go through with it. George's wife, Jane, is spying on Anne and reports her suspicions to Norfolk and the King. Anne and George are arrested on charges of incest, adultery and treason. Despite lacking evidence, the court finds both guilty and sentences them to death. Mary rushes back to London but arrives too late to save George, who is beheaded. Mary begs Henry for Anne's life and believes her sister will be spared since he says he wishes not to hurt Mary any further. The two sisters reconcile, and Anne asks Mary to look after Elizabeth.
A message from Henry is delivered to Mary. He urges her not to return to court and reveals that Anne will be executed. After Anne's execution, Mary leaves with the toddler Elizabeth, taking her to the country.
An epilogue reveals Thomas Boleyn died two years after the executions, Norfolk was later imprisoned and the next two generations of the Howard family were later executed for treason; Mary married William Stafford and lived away from court; and Elizabeth went on to rule England for over forty years as Queen Elizabeth I.
Cast
Natalie Portman as Anne Boleyn. Portman was attracted to the role because it was a character that she "hadn’t played before", and describes Anne as "strong, yet she can be vulnerable and she's ambitious and calculating and will step on people but also feels remorse for it". One month before filming began, Portman started taking daily classes to master the English accent under dialect coach Jill McCulloch, who also stayed on set throughout the filming.[4] This was her second film to use her English accent after V for Vendetta.
Eric Bana as King Henry VIII. Bana commented that he was surprised upon being offered the role, and describes the character of Henry as "a man who was somewhat juvenile and driven by passion and greed", and that he interpreted the character as "this man who was involved in an incredibly intricate, complicated situation, largely through his own doing".[5] In preparation for the role, Bana relied mostly on the script to come up with his own version of the character, and he "deliberately stayed away" from other portrayals of Henry in films because he found them "too confusing and restricting".[6]
Jim Sturgess as George Boleyn, Viscount Rochford. Though the three siblings are all very tight-knit, George and Anne are closest. George supports and loves Anne for her rebellious and unconventional attitude. He is forced to marry Jane Parker. George is often viewed as the most vulnerable and probably the kindest of the siblings.
Dover Castle was transformed into the Tower of London for the execution scenes of George and Anne Boleyn. Knole House was the setting for many of the film's London night scenes and the inner courtyard doubles for the entrance of Whitehall Palace where the grand arrivals and departures were staged. The Tudor Gardens and Baron's Hall at Penshurst Place were transformed into the interiors of Whitehall Palace, including the scenes of Henry's extravagant feast.[7]
Historian Alex von Tunzelmann criticised The Other Boleyn Girl for its portrayal of the Boleyn family and Henry VIII, citing factual errors. She stated, "In real life, by the time Mary Boleyn started her affair with Henry, she had already enjoyed a passionate liaison with his great rival, King François I of France. Rather ungallantly, François called her 'my hackney', explaining that she was fun to ride. Chucked out of France by his irritated wife, Mary sashayed back to England and casually notched up her second kingly conquest. The film's portrayal of this Boleyn girl as a shy, blushing damsel could hardly be further from the truth."[10] She further criticised the depiction of Anne as a "manipulative vixen" and Henry as "nothing more than a gullible sex addict in wacky shoulder pads".[10] The film presents other historical inaccuracies, such as the statement by a character that, through marrying Henry Percy, Anne Boleyn would become Duchess of Northumberland, a title that was only created in the reign of Henry's son, Edward VI. Also, it places Anne's time in the French court after her involvement with Percy, something that occurred before the affair. On top of that, Anne was portrayed inaccurately as the older sister in the movie, in real life she was Mary's younger sister.
In the film, Thomas Boleyn stated Anne was in France for a couple months. In real life Anne was in France for seven years.
Release
Theatrical
The film was first released in theatres on February 29, 2008, though its world premiere took place at the 58th Berlin International Film Festival held on February 7–17, 2008.[11][12] The film earned $9,442,224 in the United Kingdom,[13] and $26,814,957 in the United States and Canada. The combined worldwide gross of the film was $75,598,644,[13] more than double the film's $35 million budget.
Home media
The film was released in Blu-ray and DVD formats on June 10, 2008. Extras on both editions include an audio commentary with director Justin Chadwick, deleted and extended scenes, character profiles, and featurettes. The Blu-ray version includes BD-Live capability and an additional picture-in-picture track with character descriptions, notes on the original story, and passages from the original book.
Soundtrack
The Other Boleyn Girl (Original Motion Picture Soundtrack)
The Other Boleyn Girl (Original Motion Picture Soundtrack) (2008)
W. (2008)
No.
Title
Length
1.
"Opening Title"
2:26
2.
"The Banquet"
0:55
3.
"Henry Is Hurt"
2:04
4.
"Henry Reruens"
2:08
5.
"Mary Tends To Henry"
1:15
6.
"Going To Court"
0:47
7.
"Mary And Henry"
2:13
8.
"Anne's Secret Marriage"
3:10
9.
"Anne Is Exiled"
2:19
10.
"Mary Is Pregnant"
1:04
11.
"Anne Returns"
4:09
12.
"Anne Charms Henry"
2:21
13.
"Mary In Labor"
3:30
14.
"Mary Leaves Court"
1:41
15.
"My Sweet Lord"
0:58
16.
"Mary Lies For Anne"
2:47
17.
"Queen Katherine's Trial"
2:41
18.
"Banished"
2:32
19.
"Anne's Coronation"
1:19
20.
"A Baby Girl For Anne"
1:14
21.
"Henry Wants A Son"
2:09
22.
"Anne Miscarries"
2:38
23.
"Anne Conspires"
2:59
24.
"Anne And George"
2:03
25.
"Guilty"
2:37
26.
"The Execution"
6:14
27.
"Finale"
2:08
Total length:
1:02:21
Critical reception
The film received mixed reviews. Rotten Tomatoes reported an approval rating of 43%, based on 148 reviews, with a weighted average of 5.30/10. The site's general consensus is: "Though it features some extravagant and entertaining moments, The Other Boleyn Girl feels more like a soap opera than historical drama."[14]Metacritic reported the film had an average score of 50 out of 100, based on 34 reviews.[15]
Manohla Dargis of The New York Times called the film "more slog than romp" and an "oddly plotted and frantically paced pastiche." She added, "The film is both underwritten and overedited. Many of the scenes seem to have been whittled down to the nub, which at times turns it into a succession of wordless gestures and poses. Given the generally risible dialogue, this isn’t a bad thing."[16]
Mick LaSalle of the San Francisco Chronicle said, "This in an enjoyable movie with an entertaining angle on a hard-to-resist period of history ... Portman's performance, which shows a range and depth unlike anything she's done before, is the No. 1 element that tips The Other Boleyn Girl in the direction of a recommendation ... [She] won't get the credit she deserves for this, simply because the movie isn't substantial enough to warrant proper attention."[17]
Peter Travers of Rolling Stone stated, "The film moves in frustrating herks and jerks. What works is the combustible teaming of Natalie Portman and Scarlett Johansson, who give the Boleyn hotties a tough core of intelligence and wit, swinging the film's sixteenth-century protofeminist issues handily into this one."[18]
Peter Bradshaw of The Guardian awarded the film three out of five stars, describing it as a "flashy, silly, undeniably entertaining Tudor romp" and adding, "It is absurd yet enjoyable, and playing fast and loose with English history is a refreshing alternative to slow and tight solemnity; the effect is genial, even mildly subversive ... It is ridiculous, but imagined with humour and gusto: a very diverting gallop through the heritage landscape."[19]
Sukhdev Sandhu of The Telegraph said, "This is a film for people who prefer their costume dramas to gallop along at a merry old pace rather than get bogged down in historical detail ... Mining relatively familiar material here, and dramatising highly dubious scenarios, [Peter Morgan] is unable to make the set-pieces seem revelatory or tart ... In the end, The Other Boleyn Girl is more anodyne than it has any right to be. It can't decide whether to be serious or comic. It promises an erotic charge that it never carries off, inducing dismissive laughs from the audience for its soft-focus love scenes soundtracked by swooning violins. It is tasteful, but unappetising."[20]
