You do not have permission to edit this page, for the following reasons:

This IP address has been blocked from editing Wikipedia.
This does not affect your ability to read Wikipedia pages.
Most people who see this message have done nothing wrong. Some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and can sometimes affect other users who are unrelated to that abuse. Review the information below for assistance if you do not believe that you have done anything wrong.

The IP address or range 44.201.0.0/16 has been blocked (disabled) by ‪ST47‬ for the following reason(s):

The IP address that you are currently using has been blocked because it is believed to be a web host provider. To prevent abuse, web hosts may be blocked from editing Wikipedia.
You will not be able to edit Wikipedia using a web host provider because it hides your IP address, much like a proxy or VPN.
We recommend that you attempt to use another connection to edit. For example, if you use a proxy or VPN to connect to the internet, turn it off when editing Wikipedia. If you edit using a mobile connection, try using a Wi-Fi connection, and vice versa. If you are using a corporate internet connection, switch to a different Wi-Fi network. If you have a Wikipedia account, please log in.
If you do not have any other way to edit Wikipedia, you will need to request an IP block exemption.

How to appeal if you are confident that your connection does not use a web host's IP address:
If you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: ((unblock|reason=Caught by a web host block but this host or IP is not a web host. My IP address is _______. Place any further information here. ~~~~)). You must fill in the blank with your IP address for this block to be investigated. Your IP address can be determined here. Alternatively, if you wish to keep your IP address private you can use the unblock ticket request system. There are several reasons you might be editing using the IP address of a web host (such as if you are using VPN software or a business network); please use this method of appeal only if you think your IP address is in fact not a web host.

Administrators: The IP block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and they should usually be directed to the functionaries team via email. If you intend to give the IPBE user right, a CheckUser needs to take a look at the account. This can be requested most easily at SPI Quick Checkuser Requests. Unblocking an IP or IP range with this template is highly discouraged without at least contacting the blocking administrator.

This block will expire on 23:54, 31 July 2024.

Even when blocked, you will usually still be able to edit your user talk page, as well as email administrators and other editors.

For information on how to proceed, please read the FAQ for blocked users and the guideline on block appeals. The guide to appealing blocks may also be helpful.

Other useful links: Blocking policy · Help:I have been blocked
Your IP address is in a range that has been blocked on all Wikimedia Foundation wikis. The block was made by ‪AntiCompositeNumber‬. The reason given is Open proxy/Webhost: Visit the FAQ if you are affected .
- Start of block: 13:55, 18 August 2022
- Expiry of block: 13:55, 18 April 2025
Your current IP address is 44.201.28.123. The blocked range is 44.201.0.0/16. Please include all above details in any queries you make. If you believe you were blocked by mistake, you can find additional information and instructions in the No open proxies global policy. Otherwise, to discuss the block please post a request for review on Meta-Wiki. You could also send an email to the stewards VRT queue at stewards@wikimedia.org including all above details.

You can view and copy the source of this page:

((Short description|Story by Nikolai Gogol))
((For|the films based on the story|The Overcoat (disambiguation)))
[[Image:Gogol Palto.jpg|thumb|right|Cover, by [[Igor Grabar]], 1890s]]

"'''The Overcoat'''" (((lang-ru|Шине́ль)), [[Transliteration|translit.]]&nbsp;Shinyél’; sometimes translated as "'''The Cloak'''") is a short story by [[Nikolai Gogol]], published in 1842. The story has had a great influence on [[Russian literature]]. [[Eugène-Melchior de Vogüé]], discussing Russian realist writers, said: "We all came out from under Gogol's Overcoat" (a quote often misattributed to [[Dostoevsky]]). Writing in 1941, [[Vladimir Nabokov]] described "The Overcoat" as "The greatest Russian short story ever written".<ref>((cite magazine |last1=Nabokov |first1=Vladimir |title=The Art of Translation |url=https://newrepublic.com/article/62610/the-art-translation |magazine=The New Republic |accessdate=24 May 2020))</ref>

== Plot ==
The story narrates the life and death of [[Table of Ranks|titular councillor]] Akaky Akakievich Bashmachkin (Russian: Акакий Акакиевич Башмачкин), an impoverished government clerk and copyist in the Russian capital of [[St. Petersburg]]. Although Akaky is dedicated to his job, he is little recognized in his department for his hard work. Instead, the younger clerks tease him and attempt to distract him whenever they can. His threadbare overcoat is often the butt of their jokes. Akaky decides it is necessary to have the coat repaired, so he takes it to his tailor, Petrovich, who declares the coat irreparable, telling Akaky he must buy a new overcoat.

The cost of a new overcoat is beyond Akaky's meager salary, so he forces himself to live within a strict budget to save sufficient money to buy the new overcoat. Meanwhile, he and Petrovich frequently meet to discuss the style of the new coat. During that time, Akaky's zeal for copying is replaced with excitement about his new overcoat, to the point that he thinks of little else. Finally, with the addition of an unexpectedly large holiday salary bonus, Akaky has saved enough money to buy a new overcoat.

Akaky and Petrovich go to the shops in St. Petersburg and pick the finest materials they can afford ([[marten]] fur was too expensive, so they use cat fur for the collar). The new coat is of impressively good quality and appearance and is the talk of Akaky's office on the day he arrives wearing it. His superior decides to host a party honoring the new overcoat, at which the habitually solitary Akaky is out of place; after the party, Akaky goes home, far later than he normally would. En route home, two ruffians confront him, take his coat, kick him down, and leave him in the snow.

Akaky finds no help from the authorities in recovering his lost overcoat. Finally, on the advice of another clerk in his department, he asks for help from an "important personage" (Russian: значительное лицо), a general recently promoted to his position who belittles and shouts at his subordinates to solidify his self-importance. After keeping Akaky waiting, the general demands of him exactly why he has brought so trivial a matter to him, personally, and not presented it to his secretary. Socially inept Akaky makes an unflattering remark concerning departmental secretaries, provoking so powerful a scolding from the general that he nearly faints and must be led from the general's office. Soon afterward, Akaky falls deathly ill with fever. In his last hours, he is delirious, imagining himself again sitting before the general; at first, Akaky pleads forgiveness, but as his death nears, he curses the general.

Soon, a corpse, identified as Akaky's ghost, haunts areas of St. Petersburg, taking overcoats from people; the police are finding it difficult to capture him. Finally, Akaky's ghost catches up with the general—who, since Akaky's death, had begun to feel guilt over having mistreated him—and takes his overcoat, frightening him terribly; satisfied, Akaky is not seen again. The narrator ends his narration with the account of another ghost seen in another part of the city.  This other ghost meets the description of one of the ruffians.

==Characters==
'''Akaky Akakievich Bashmachkin''': Bureaucrat in one of the departments of the Russian government in St. Petersburg, the nation's capital city. Bashmachkin, about fifty, is a quiet, self-effacing man with red hair and a receding hairline. His job is to copy documents such as letters. Although he enjoys his work and never makes a mistake, he has no desire to take on more challenging work, realizing that he has limited capabilities. Because he is meek and dresses shabbily, most of his coworkers regard him as a nobody and frequently pick on him. When his cloak becomes so frayed that it can no longer protect him against the bitter cold, he dedicates himself to saving enough money to purchase a new cloak.<ref name=cummings>((cite web|url=http://www.cummingsstudyguides.net/Guides4/cloak.html|title=Gogol's The Cloak (The Overcoat): A Study Guide|publisher=))</ref>

'''Petrovich''': One-eyed, heavy-drinking, decent tailor whom Bashmachkin hires to make his new cloak. Petrovitch was once a serf.<ref name=cummings/>

'''Wife of Petrovich''': Woman of plain looks whom the narrator says Petrovitch calls "a low female and a German" when they argue.<ref name=cummings/>

'''Bearded Assailants''': Men who steal Akaky's new cloak.<ref name=cummings/>

'''Landlady of Bashmachkin''': Elderly woman who advises Akaky to report the theft of his cloak to the district police chief.<ref name=cummings/>

'''District Police Chief''': Official who hears Akaky's report about his stolen cloak. The policeman asks Akaky embarrassing questions, as if he was a criminal. The policeman is of no help.<ref name=cummings/>

'''Employee With Advice''': Coworker of Akaky who advises him to see a certain prominent personage in a government office who will help Akaky track down his stolen cloak.<ref name=cummings/>

'''Prominent Personage''': Bureaucrat mainly concerned with demonstrating the power he wields as a supervisor. He excoriates Akaky for not going through the proper government channels to get an interview. He is of no help.<ref name=cummings/>

'''Physician''': Doctor called after Akaky develops a throat infection. He tells Akaky's landlady to order a coffin.<ref name=cummings/>

==Interpretations==
((synthesis|section|date=October 2021))
((over-quotation|section|date=October 2021))
((more citations needed|section|date=October 2021))
Gogol makes much of Akaky's name in the opening passages, saying, "Perhaps it may strike the reader as a rather strange and farfetched name, but I can assure him that it was not farfetched at all, that the circumstances were such that it was quite out of the question to give him any other name..." The name Akaky Akakievich Bashmachkin in Russian means "Akaky Bashmachkin, the son of Akaky", similarly to "John Johnson", and has similar comedic value; it also communicates Akaky's role as an everyman. In addition, the literal meaning of the name [[Akaky]], derived from the Greek, is "harmless" or "lacking evil", showing the humiliation it must have taken to drive his ghost to violence.((citation needed|date=October 2021)) His surname Bashmachkin, meanwhile, comes from the word 'bashmak', a type of [[:ru:Башмак|shoe]]. It is used in an expression "быть под башмаком" which means to be "under someone's thumb" or to "be henpecked".<ref>((cite web | url=http://dic.academic.ru/dic.nsf/eng_rus/29246/быть | title=быть под башмаком &#124; Перевод быть под башмаком? ))</ref>

Akaky progresses from an introverted and hopeless but functioning non-entity with no expectations of social or material success to one whose self-esteem and thereby expectations are raised by the overcoat. Akaky is not merely introverted, but described as humorously fit for his position as a non-entity. He is not oppressed by the nature of bureaucratic work because he enjoys performing bureaucratic tasks. Akaky "labored with love" and longed for nothing but copying. He found it "a varied and agreeable employment. Enjoyment was written on his face."<ref>Nikolai Gogol, "The Overcoat" (Coradella Collegiate Bookshelf Editions, 2004) 5.</ref> A good contrast would be Melville's [[Bartleby, the Scrivener]]. Bartleby is quite adept at his job as a copyist, but arrives "incurably forlorn" when he is first employed.<ref>Herman Melville, "Bartleby the Scrivener," Billy Budd and Other Stories (New York: Penguin Books, 1986) 11.</ref> Bartleby begins rejecting his work saying "I would prefer not to," gradually rejecting more and more, until he finally dies staring at a wall having rejected life itself. Bartleby's antisocial, otherworldly and melancholy features make him uncanny and he has been interpreted as a provocateur of existential crisis.<ref>For an existential reading of Bartleby see Olga Todoric, "Bartleby, the Absurd Hero" Moderna Språk 94.1 (2000) 15–18.</ref> Akaky, on the other hand, is presented in a humorous way initially. This is partly because he represents a "type" presented in anecdotal form by Gogol.<ref>See [[Vissarion Belinsky]]'s theory of literary types in "The Russian Story and Mr. Gogol's Stories" (1835).</ref> He enjoys copying because he lacks an inner life. Gogol makes light of his fitness for mundane bureaucratic activities by joking that Akaky was always "to be seen in the same place, the same attitude, the same occupation; so that it was afterwards affirmed that he had been born in undress uniform with a bald head." When Akaky is asked to make a minor change in a document instead of merely copying it, he cannot do it.<ref>Gogol 3–6</ref>

Critics have noted the famous "humane passage" which demonstrates a sudden shift in the narration's style from comic to tragic.<ref>Boris Eichenbaum, Beth Paul and Muriel Nesbitt, "The Structure of Gogol's 'The Overcoat,'" The Russian Review 22.4 (1963): 13.</ref> Though Akaky is not oppressed by his task, he is by his coworkers who treat him "in a coolly despotic way" and "laughed at and made fun of him" to which Akaky usually "answered not a word" until finally he is provoked to exclaim "Leave me alone! Why do you insult me?" in a way "which moved to pity" so that a new worker suddenly "stopped short" as if he had "undergone a transformation". This young man never forgot Akaky and his "heart-rending words" which carried the unspoken message "I am thy brother." Remembering Akaky he "shuddered at how much inhumanity there is in man."<ref>Gogol 3–5</ref>  Indeed,  the coworker's comments underscore one possible interpretation of the story:<blockquote>"How little humane feeling after all was to be found in men's hearts; how much coarseness and cruelty was to be found even in the educated and those who were everywhere regarded as good and honorable men."</blockquote>The narrator's portrayal of Akaky jars the reader, like the young man himself, from carefree mockery to graven sympathy. Gogol is noted for his instability of style, tone, genre among other literary devices, as Boris Eichenbaum notes. Eichenbaum also notes that Gogol wrote "The Overcoat" in a [[skaz]]—a difficult-to-translate colloquial language in Russian deriving from or associated with an oral storytelling tradition.((citation needed|date=October 2021))

Akaky's overcoat allows him to become human instead of a merely bureaucratic tool.((citation needed|date=October 2021)) A Marxist reading of the text would interpret Akaky's material desire as granting him humanity.((citation needed|date=October 2021)) The story does not condemn private acquisition and materialism, but asserts that human beings can have fulfillment from attention to material goods.((citation needed|date=October 2021)) Material goods, in particular clothing, do not merely mask real human character, but can modify a person's identity in a positive and liberating way.((citation needed|date=October 2021)) Akaky's social alienation and belittlement give way to community inclusion and genuine respect.((citation needed|date=October 2021)) People are brought together by material goods.((citation needed|date=October 2021))

It is also possible to read the text from a psychoanalytic perspective.<ref>See Daniel Rancour-Laferriere, Out from Under Gogol's Overcoat: A Psychoanalytic Study, (Anne Arbor: Ardis 1982) 251.</ref> Akaky's libido is repressed and sublimated into the task of copying. After he acquires the coat, he expresses sexual interest. Akaky "even started to run, without knowing why, after some lady."<ref>Gogol 27</ref> He also "halted out of curiosity before a shop window to look at a picture representing a handsome woman...baring her whole foot in a very pretty way."<ref>Gogol 25</ref> He laughs and doesn't know why because he experiences previously unknown feelings. Akaky also treats the coat with the tenderness and obsession of a lover. When the construction of the coat is first commissioned Akaky feels that his existence became "fuller, as if he were married."<ref>Gogol 19</ref>

Akaky's low position in the bureaucratic hierarchy is evident, and the extent to which he looks up the hierarchical ladder is well documented;<ref>((cite book|last=Chizhevsky|first=Dimitry|editor=Robert Maguire|title=Gogol From the Twentieth Century: Eleven Essays|year=1974|publisher=Princeton UP|location=Princeton|pages=295–322|chapter=About Gogol's Overcoat))</ref> sometimes forgotten, according to [[Harold McFarlin]],((citation needed|date=October 2021)) is that he is not the lowest-ranked in the hierarchy and thus in society. He has mastered the bureaucratic language and has internalized it to the extent that he describes and treats the non-civil servants ("only two 'civilians,' the landlady and tailor, play more than incidental roles"((citation needed|date=October 2021))) as if they are part of the same world—the tailor is described as sitting "like a Turkish Pasha", that is, a government official, and Akaky "treats the self-effacing old landlady just like his bosses treat him at the office ('somehow coldly and despotically')".<ref>((cite journal|last=McFarlin|first=Harold A.|year=1979|title='The Overcoat' As a Civil Service Episode|journal=[[Canadian-American Slavic Studies]]|volume=13|issue=3|pages=235–53|doi=10.1163/221023979X00096))</ref>

==Critical assessment==
[[Vladimir Nabokov]], writing in his ''Lectures on Russian Literature'', gave the following appraisal of Gogol and his most famous story: "Steady [[Pushkin]], matter-of-fact [[Leo Tolstoy|Tolstoy]], restrained [[Anton Chekhov|Chekhov]] have all had their moments of irrational insight which simultaneously blurred the sentence and disclosed a secret meaning worth the sudden focal shift. But with Gogol this shifting is the very basis of his art, so that whenever he tried to write in the round hand of literary tradition and to treat rational ideas in a logical way, he lost all trace of talent. When, as in the immortal ''The Overcoat'', he really let himself go and pottered on the brink of his private abyss, he became the greatest artist that Russia has yet produced."<ref>((cite book|last=Nabokov|first=Vladimir|title=Lectures on Russian Literature|publisher=Harcourt Brace Jovanovich|location=New York|year=1981|pages=54|isbn=0-15-149599-8))</ref>

==Adaptations==
[[File:The Overcoat by Nikolai Gogol.jpg|thumb|A stamp depicting "The Overcoat", from the souvenir sheet of Russia devoted to the 200th birth anniversary of [[Nikolai Gogol]], 2009]]

===Films===
<!-- Deleted image removed: [[Image:Norsteinprint3ezik.jpg|thumb|Scene from Norshteyn's ''[[The Overcoat (animated film)|The Overcoat]]'']] -->
A number of films have used the story, both in the [[Soviet Union]] and in other countries:
*''The Overcoat'' (1916) – an American silent film directed by [[Rae Berger]]
*''[[The Overcoat (1926 film)|The Overcoat]]'' (1926) – a Soviet silent film directed by [[Grigori Kozintsev]] and [[Leonid Trauberg]]
*''The Overcoat'' (1951) – a film of Marcel Marceau's Mime Play with W. Schleif in Berlin
*''[[The Overcoat (1952 film)|The Overcoat]]'' ("Il Cappotto") (1952) – an Italian film directed by [[Alberto Lattuada]]
* [[The Awakening (1954 film)|''The Awakening'' (1954)]], an adaptation for the ''[[Douglas Fairbanks, Jr., Presents]]'' television series starring [[Buster Keaton]], with the story transposed to an unnamed totalitarian state.
*''[[The Bespoke Overcoat]]'' (1955) – an Oscar-winning short British film directed by [[Jack Clayton]] based on [[Wolf Mankowitz]]'s 1953 play of the same name. Here the story is transposed to the [[East End]] of [[London]] and the protagonists are poor Jews working in the clothing trade.
*''[[The Overcoat (1959 film)|The Overcoat]]'' (1959) – a Soviet film directed by [[Aleksey Batalov]]
*''The Overcoat'' (1976) – an Iraqi Kurdish made-for-TV film adapted by Simko Nakam and directed by Jamal Mohamad
*''Nayi Sherwani'' (1986) – an adaptation for the Indian [[DD National]] television series [[Katha Sagar]] by [[Shyam Benegal]]
*''The Overcoat'' (1997) – a Greek film
*''The Overcoat'' (2001) – a Canadian made-for-TV film produced by the [[Canadian Broadcasting Corporation|CBC]]
*''[[The Overcoat (animated film)|The Overcoat]]'' – an unfinished animated film by [[Yuriy Norshteyn]] and [[Francheska Yarbusova]], in the works since the early 1980s.<ref>((cite news|url=https://www.washingtonpost.com/wp-dyn/content/article/2005/05/30/AR2005053000982.html|title=20 Years of Toil, 20 Minutes of Unique Film|last=Finn|first=Peter|date=31 May 2005|newspaper=[[The Washington Post]]|accessdate=1 April 2015))</ref>
*''The Overcoat'' (2017) – a short film adapted and directed by [[Patrick Myles]] starring [[Jason Watkins (actor)|Jason Watkins]], [[Tim Key]], [[Vicki Pepperdine]] and [[Alex Macqueen]].<ref>((cite news|url=https://www.imdb.com/title/tt6950886/reference|title=The Overcoat (2017) |website=IMDb))</ref>
*''The Overcoat'' (2018) – an animated special adapted by [[Hugh O'Conor]] and directed by Sean Mullen & Meelis Arulepp, starring [[Cillian Murphy]] and [[Alfred Molina]].<ref>((cite news|url=https://www.imdb.com/title/tt5849790/|title=The Overcoat (2018)|website=IMDb))</ref>

===Radio===
*Gogol's story was adapted twice on the radio series ''[[Theatre Royal (radio series)|Theatre Royal]]'', first on October 11, 1953 and then on August 4, 1954, both versions starring [[Sir Michael Redgrave]] as Akaky.
*[[Hans Conreid]] starred as Akaky in an adaptation on ''The [[CBS Radio Mystery Theater]]'' on March 3, 1977.
*On April 3, 2002, the [[BBC Radio 4]] series ''Three Ivans, Two Aunts and an Overcoat'' broadcast an adaptation by [[Jim Poyser]] of the story starring [[Stephen Moore (actor)|Stephen Moore]] as Akaky. In this version, the Very Important Person whose overcoat Akaky's ghost takes is Akaky's immediate superior Colonel Borzov, and the ending is altered to have Akaky's ghost visit him in his office (rather than on his way home in his sleigh, as in the story) to take both the overcoat and Borzov's Very Important Person medal (and a bag of sugared [[rusk]]s).

===Ballet===
*The Russian composer [[German Okunev]] was working on a [[ballet]] version of 'The Overcoat' at the time of his death in 1973: it was completed and orchestrated by V. Sapozhnikov.
*A recent adaptation by Morris Panych and Wendy Gorling, set to various music by Russian composer [[Dmitri Shostakovich]], was performed by actors using dance and mime.<ref>((cite web|url=http://www.culturevulture.net/Theater/Overcoat.htm|title=The Overcoat|publisher=culturevulture.net))</ref> A film version was produced by the CBC.
*The Danish choreographer Flemming Flindt created a version for Dennis Nahat and the Clevelend-San Jose Ballet.  The principal role was performed by Rudolph Nureyev at the world premiere at the Edinburgh Festival in the summer of 1990.

==In popular culture==
*The protagonist in the 2003 novel ''[[The Namesake (novel)|The Namesake]]'', by [[Jhumpa Lahiri]], is named for Gogol because of the importance that "The Overcoat" had on his father as a young man in [[Calcutta]]. The "Gogol" of this novel finds meaning in the story, after struggling with the name given to him by his father. In the novel, Gogol's father justifies his choice for his son's name by saying "We all came out of Gogol's Overcoat......One day you will understand..." An adaptation of the novel was produced as a film, [[The Namesake (film)|''The Namesake'']], in 2006, directed by [[Mira Nair]].

==Notes==
((reflist))

==References==
*Gogol, Nicolai V.  ''The Overcoat and Other Tales of Good and Evil''. New York: W. W. Norton & Company, 1965
*Graffy, Julian  ''Gogol's The Overcoat: Critical Studies in Russian Literature'' London: Bristol Classical Press, 2000.
*Karlinsky, Simon. ''The Sexual Labyrinth of Nikolai Gogol''. Chicago (Ill.): University of Chicago, 1992. Print.
*Proffitt, Edward ''Gogol's `Perfectly True' Tale: `The Overcoat' and Its Mode of Closure,'' in ''Studies in Short Fiction'', Vol. 14, No. 1, Winter, 1977, pp.&nbsp;35–40

==External links==
((wikisource|The Cloak))
*[http://www.eastoftheweb.com/short-stories/UBooks/Over.shtml ''The Overcoat'', full text]
*[https://archive.org/details/TheCloaktheOvercoatAndOtherStories ''The Overcoat'', complete Public Domain recording]
*((librivox book | title=The Cloak | author=Nikolai Vasilievich GOGOL))

((Nikolai Gogol))
((The Overcoat))

((Authority control))

((DEFAULTSORT:Overcoat, The))
[[Category:1842 short stories]]
[[Category:Fictional scribes]]
[[Category:Short stories adapted into films]]
[[Category:Short stories by Nikolai Gogol]]
[[Category:Short stories set in the Russian Empire]]

Pages transcluded onto the current version of this page (help):

The Overcoat (edit)
Template:Ambox (view source) (template editor protected)
Template:Authority control (view source) (template editor protected)
Template:Category handler (view source) (protected)
Template:Citation needed (view source) (protected)
Template:Cite book (view source) (protected)
Template:Cite journal (view source) (protected)
Template:Cite magazine (view source) (protected)
Template:Cite news (view source) (protected)
Template:Cite web (view source) (protected)
Template:DMCA (view source) (template editor protected)
Template:Dated maintenance category (view source) (template editor protected)
Template:Dated maintenance category (articles) (view source) (template editor protected)
Template:Delink (view source) (protected)
Template:FULLROOTPAGENAME (view source) (template editor protected)
Template:Find sources mainspace (view source) (template editor protected)
Template:Fix (view source) (protected)
Template:Fix/category (view source) (protected)
Template:For (view source) (template editor protected)
Template:Hlist/styles.css (view source) (protected)
Template:Lang-ru (view source) (template editor protected)
Template:Librivox book (view source) (template editor protected)
Template:Main other (view source) (protected)
Template:More citations needed (view source) (template editor protected)
Template:Navbox (view source) (template editor protected)
Template:Nikolai Gogol (edit)
Template:Ns has subpages (view source) (protected)
Template:Over-quotation (view source) (semi-protected)
Template:Pagetype (view source) (protected)
Template:Plainlist/styles.css (view source) (protected)
Template:Reflist (view source) (protected)
Template:Reflist/styles.css (view source) (protected)
Template:SDcat (view source) (protected)
Template:Short description (view source) (protected)
Template:Short description/lowercasecheck (view source) (protected)
Template:Side box (view source) (template editor protected)
Template:Sister project (view source) (template editor protected)
Template:Sp (view source) (template editor protected)
Template:Synthesis (view source) (semi-protected)
Template:The Overcoat (edit)
Template:Tooltip (view source) (template editor protected)
Template:Tooltip/styles.css (view source) (template editor protected)
Template:Wikisource (view source) (template editor protected)
Template:Yesno (view source) (protected)
Template:Yesno-no (view source) (template editor protected)
Template:Yesno-yes (view source) (template editor protected)
Module:Arguments (view source) (protected)
Module:Authority control (view source) (template editor protected)
Module:Authority control/config (view source) (template editor protected)
Module:Category handler (view source) (protected)
Module:Category handler/blacklist (view source) (protected)
Module:Category handler/config (view source) (protected)
Module:Category handler/data (view source) (protected)
Module:Category handler/shared (view source) (protected)
Module:Check for unknown parameters (view source) (protected)
Module:Citation/CS1 (view source) (protected)
Module:Citation/CS1/COinS (view source) (protected)
Module:Citation/CS1/Configuration (view source) (protected)
Module:Citation/CS1/Date validation (view source) (protected)
Module:Citation/CS1/Identifiers (view source) (protected)
Module:Citation/CS1/Utilities (view source) (protected)
Module:Citation/CS1/Whitelist (view source) (protected)
Module:Citation/CS1/styles.css (view source) (protected)
Module:Delink (view source) (protected)
Module:Disambiguation/templates (view source) (protected)
Module:EditAtWikidata (view source) (protected)
Module:Find sources (view source) (template editor protected)
Module:Find sources/config (view source) (template editor protected)
Module:Find sources/links (view source) (template editor protected)
Module:Find sources/templates/Find sources mainspace (view source) (template editor protected)
Module:For (view source) (template editor protected)
Module:Format link (view source) (template editor protected)
Module:Hatnote (view source) (template editor protected)
Module:Hatnote/styles.css (view source) (template editor protected)
Module:Hatnote list (view source) (template editor protected)
Module:Lang (view source) (template editor protected)
Module:Lang/ISO 639 synonyms (view source) (template editor protected)
Module:Lang/data (view source) (template editor protected)
Module:Language/data/iana languages (view source) (template editor protected)
Module:Language/data/iana regions (view source) (template editor protected)
Module:Language/data/iana scripts (view source) (template editor protected)
Module:Language/data/iana suppressed scripts (view source) (template editor protected)
Module:Language/data/iana variants (view source) (template editor protected)
Module:Librivox book (view source) (template editor protected)
Module:Message box (view source) (protected)
Module:Message box/ambox.css (view source) (protected)
Module:Message box/configuration (view source) (protected)
Module:Namespace detect/config (view source) (protected)
Module:Namespace detect/data (view source) (protected)
Module:Navbar (view source) (protected)
Module:Navbar/configuration (view source) (protected)
Module:Navbar/styles.css (view source) (protected)
Module:Navbox (view source) (template editor protected)
Module:Navbox/configuration (view source) (template editor protected)
Module:Navbox/styles.css (view source) (template editor protected)
Module:Ns has subpages (view source) (protected)
Module:Pagetype (view source) (protected)
Module:Pagetype/config (view source) (protected)
Module:Pagetype/disambiguation (view source) (protected)
Module:Pagetype/setindex (view source) (protected)
Module:Pagetype/softredirect (view source) (protected)
Module:SDcat (view source) (protected)
Module:Side box (view source) (template editor protected)
Module:Side box/styles.css (view source) (template editor protected)
Module:String (view source) (protected)
Module:Unicode data (view source) (template editor protected)
Module:Unsubst (view source) (protected)
Module:Wikitext Parsing (view source) (template editor protected)
Module:Yesno (view source) (protected)

Return to The Overcoat.

Retrieved from "https://en.wikipedia.org/wiki/The_Overcoat"