The album debuted at number 74 on the Billboard 200 and number 30 on the Top R&B/Hip-Hop Albums in the United States. It also made it to number 89 on the UK Albums Chart and number 14 on the UK Hip Hop and R&B Albums Chart. The album's self-titled single, "The Platform", peaked at number 81 on the UK Singles Chart.
The Platform was met with generally favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 69, based on eleven reviews.[1]
AllMusic's Steve Huey praised the album, saying "the most alluring aspect of The Platform is the array of finely-crafted beats".[2] Frank Tope of Q gave the album mixed review: "their debut album sits comfortably between the party-heart, old skool shape-throwing of Jurassic Five and the darker weedscapes of Cypress Hill".[3]Rob Sheffield for Rolling Stone gave the album 2 out of 5 possible stars, saying "Dilated Peoples are still painfully tame on the mike, especially Evidence, who hits a dubious milestone in The Platform by becoming the first rapper ever to utter the words "between you and I". The vocals sink the music: This is the kind of hip-hop album where the MC compares himself to Steve Howe, and while you hope he means the baseball player, you know in your heart he really means the guitarist from Yes".[5] Veteran critic Robert Christgau picked out two songs—"The Platform" and "Triple Optics"—as choice cuts at his Consumer Guide column for The Village Voice.[6]
MTV named the album "one of those timeless long-players, like Run-DMC's Raising Hell or EPMD's Strictly Business, where you'll want to commit every track to memory". CDNow description was "the most alluring aspect of The Platform is the array of finely-crafted beats assembled by Evidence and DJ Premier protégé The Alchemist, which are in turn juggled and sliced at will by the hands of DJ Babu, the oft-forgotten man in the hip-hop equation". Billboard called it "a balanced, lyrically inspiring collection of songs". Nathan Rabin of The A.V. Club wrote that the album "would benefit from greater lyrical diversity, and it suffers from moments of monotony and inertia, but it's a promising debut from a group that should only improve with time".[7]Wall of Sound reviewer found the album "for all its individual strengths, never hits any kind of synergy as an album".
