The Prince of Egypt premiered at Royce Hall in Los Angeles on December 16, 1998, and was released in theaters on December 18, followed by a release on home video on September 14, 1999. Reviews were generally positive; critics particularly praised the visuals, songs, score, and voice acting. The film grossed $218 million worldwide in theaters, which made it the most successful non-Disney animated feature at the time. The film's success led to the direct-to-videoprequelJoseph: King of Dreams (2000), and a stage musical adaptation which opened in London's West End in 2020.[9][10]
In Ancient Egypt, the enslavedHebrew people pray to God for deliverance. Pharaoh Seti, fearing that the growing numbers of Hebrews could lead to rebellion, orders a mass infanticide of all newborn Hebrew boys. Yocheved and her children, Miriam and Aaron, rush to the Nile River, where she places her newborn son in a basket on the water, bidding him farewell with a final lullaby. Miriam follows the basket as it floats to Seti's palace and witnesses her brother safely adopted by Seti's wife, Queen Tuya, who names him Moses. Before leaving, Miriam prays that Moses will return to free the Hebrews.
Years later, Moses and his adoptive brother Rameses, heir to the throne of Egypt, are scolded by Seti for accidentally destroying a temple. After Moses suggests that Rameses be given the opportunity to prove his responsibility, Seti names Rameses prince regent. High priests Hotep and Huy offer Rameses a beautiful but rebellious young Midianite woman, Tzipporah. Moses humiliates Tzipporah by letting her fall into a pond after she refuses to submit, appeasing the crowd but disappointing Tuya. Rameses gives Tzipporah to Moses and appoints him Royal Chief Architect.
Later that night, Moses follows Tzipporah as she escapes from the palace, choosing not to stop her. He runs into the now-adult Miriam and Aaron whom he does not recognize. He disbelieves their claims and almost has them arrested until Miriam sings their mother's lullaby, triggering Moses's memory. He flees in denial, but learns the truth of Seti's genocide from a nightmare, then from Seti himself, who disturbs Moses by claiming the Hebrews were "only slaves". The next day, Moses tries to stop an Egyptian slave driver from flogging an elderly Hebrew slave, accidentally pushing the slave driver to his death. Horrified and ashamed, Moses flees into the desert in exile, despite Rameses's pleas that he stay.
Arriving at an oasis, Moses defends three girls from brigands, only to realize their older sister is Tzipporah. Moses is welcomed by Jethro, Tzipporah's father and the high priest of Midian, who helps Moses gain a more positive outlook on life. Moses becomes a shepherd, falls in love with Tzipporah, marries her, and grows adjusted to life in Midian. Moses discovers a burning bush, through which God tells him to return to Egypt and free the Hebrews. God bestows Moses's shepherding staff with his power and promises that he will tell Moses what to say. When Moses tells Tzipporah of his task, she decides to join him.
Arriving in Egypt, Moses is happily greeted by Rameses, who is now Pharaoh with a wife and son. Moses demands the Hebrews' release and transforms his staff into a snake to demonstrate God's power. Hotep and Huy deceptively recreate this transformation, only to have their snakes eaten by Moses's. Not wanting to have his actions cause the empire's collapse and feeling betrayed by Moses, Rameses denies Moses's demand and doubles the Hebrews' workload.
The Hebrews, including Aaron, blame Moses for their increased workload, discouraging Moses, but Miriam inspires Moses to persevere. Moses casts the first of the Ten Plagues of Egypt by changing the waters of the Nile into blood, but Rameses remains unmoved. God inflicts eight more plagues onto Egypt: frogs, lice, flies, livestock pestilence, boils, hailfire, locusts, and prolonged darkness, but still Rameses refuses to relent, vowing never to release the Hebrews. Disheartened, Moses prepares the Hebrews for the tenth plague, instructing them to sacrifice a lamb and mark their doorposts with its blood. That night, the final plague kills all the firstborn sons of Egypt, including Rameses's young son, while passing over the Hebrews' marked homes. Grief-stricken, Rameses permits the Hebrews to leave. After leaving the palace, Moses collapses in anguish and remorse.
The following morning, Moses, Miriam, Aaron and Tzipporah lead the Hebrews out of Egypt. Once at the Red Sea, a vengeful Rameses pursues them with his army, intent on killing them. However, a pillar of fire blocks the army's way, while Moses uses his staff to part the sea. The Hebrews cross the open sea bottom; the fire vanishes and the army gives chase, but the sea closes over and drowns the Egyptian soldiers, sparing Rameses alone. Moses mournfully bids Rameses farewell and leads the Hebrews to Mount Sinai, where he receives the Ten Commandments.
Steve Martin as Hotep, one of the high priests who serves as an advisor to Seti, and later Rameses. He is short and fat.
Martin Short as Huy, Hotep's fellow high priest. He is tall and thin.
Ofra Haza as Yocheved, Miriam and Aaron's mother and Moses's biological mother. She sang her character's number, "Deliver Us", in English and 17 other languages for the film's dubbing.[16]
Director Brenda Chapman briefly voices Miriam when she sings the lullaby to Moses. The vocals had been recorded for a scratch audio track, which was intended to be replaced later by Dworsky. The track turned out so well that it remained in the film.[17]
Production
Development
The film was a passion project for executive producer Jeffrey Katzenberg, who brought the project to the newly-formed DreamWorks after it was rejected by Disney.
Former Walt Disney Studios chairman Jeffrey Katzenberg had always wanted to do an animated adaptation of The Ten Commandments for Walt Disney Animation Studios. While working for Disney, Katzenberg initially pitched this idea to The Walt Disney Company CEO Michael Eisner, but Eisner turned it down in order to keep in line with Disney's neutral stance towards religion. This became one of the many reasons for Katzenberg's growing friction with Eisner and the Disney board of directors, eventually leading to his resignation from the company.[18]
The Prince of Egypt was "written" throughout the story process. Beginning with a starting outline, story supervisors Kelly Asbury and Lorna Cook led a team of fourteen storyboard artists and writers as they sketched out the entire film—sequence by sequence. Once the storyboards were approved, they were put into the Avid Media Composer digital editing system by editor Nick Fletcher to create a "story reel" or animatic. The story reel allowed the filmmakers to view and edit the entire film in continuity before production began, and also helped the layout and animation departments understand what is happening in each sequence of the film.[21] After casting of the voice talent concluded, dialogue recording sessions began. For the film, the actors record individually in a studio under guidance by one of the three directors. The voice tracks were to become the primary aspect as to which the animators built their performances.[21] Because DreamWorks was concerned about theological accuracy, Jeffrey Katzenberg decided to call in Biblical scholars, Christian, Jewish, and Muslimtheologians, and Arab American leaders to help his film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.[19]
Animation and design
Art directors Kathy Altieri and Richard Chavez and production designer Darek Gogol led a team of nine visual development artists in setting a visual style for the film that was representative of the time, the scale and the architectural style of Ancient Egypt.[21] Part of the process also included the research and collection of artwork from various artists, as well as taking part in trips such as a two-week journey across Egypt by the filmmakers before the film's production began.[21]
A promotional image of the characters from the film. From left to right: Aaron, Miriam, Tzipporah, Moses, Rameses, Hotep, Huy, Pharaoh Seti and Queen Tuya.
Character designers Carter Goodrich, Carlos Grangel and Nico Marlet worked on setting the design and overall look of the characters. Drawing on various inspirations for the widely known characters, the team of character designers worked on designs that had a more realistic feel than the usual animated characters up to that time.[21] Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments.[21] The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.[21]
The animation team for The Prince of Egypt, including 350 artists from 34 different nations, was primarily recruited both from Walt Disney Feature Animation,[22] which had fallen under Katzenberg's auspices while at the Walt Disney Company, and from Amblimation, a defunct division of Steven Spielberg's Amblin Entertainment.[23] As at Disney's, character animators were grouped into teams by character: for example, Kristof Serrand, as the supervising animator of Older Moses, set the acting style of the character and assigned scenes to his team.[24] Consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.[25]
There are 1,192 scenes in the film, and 1,180 contain work done by the special effects department, which animates everything in an animated scene which is not a character: blowing wind, dust, rainwater, shadows, etc. A blend of traditional animation and computer-generated imagery was used in the depictions of the ten plagues of Egypt and the parting of the Red Sea.[19][26] The characters were animated with the digital paint software Animo by Cambridge Animation (now merged with Toon Boom Technologies),[27] and the compositing of the 2D and 3D elements was done using the "Exposure Tool", a digital solution developed for Alias Research by Silicon Graphics.[26][28] Additional final line animation was outsourced to Bardel Entertainment, Fox Animation Studios and Heart of Texas Productions.[29]
Creating the voice of God
The task of creating God's voice was given to Lon Bender and the team working with the film's music composer, Hans Zimmer.[30] According to Bender: "The challenge with that voice was to try to evolve it into something that had not been heard before. We did a lot of research into the voices that had been used for past Hollywood movies as well as for radio shows, and we were trying to create something that had never been previously heard not only from a casting standpoint but from a voice manipulation standpoint as well". It was decided that the voice of God would be provided by Val Kilmer, who portrayed Moses in the film, in order to indicate that God was communicating with Moses via the voice he would otherwise perceive in his mind, as opposed to the "larger-than-life tones" used to portray God in previous theatrical releases.[30]
Composer and lyricist Stephen Schwartz began working on writing songs for the film from the beginning of its production. As the story evolved, he continued to write songs that would serve both to entertain and help move the story along. Composer Hans Zimmer arranged and produced the songs and then eventually wrote the film's score. The film's score was recorded entirely in London.[21]
Three soundtrack albums were released simultaneously for The Prince of Egypt, each of them aimed towards a different target audience. While the other two accompanying records, the country-themed "Nashville" soundtrack and the gospel-based "Inspirational" soundtrack, functioned as film tributes, the official The Prince of Egypt soundtrack contained the actual songs from the film.[31] This album combines elements from the score composed by Hans Zimmer and film songs by Stephen Schwartz.[31] The songs were either voiced over by professional singers, such as Salisbury Cathedral Choir, or sung by the film's voice actors, such as Michelle Pfeiffer and Ofra Haza. Various tracks by contemporary artists such as K-Ci & JoJo and Boyz II Men were added, including the Mariah Carey and Whitney Houston duet "When You Believe", a Babyface rewrite of the original Schwartz composition, sung by Michelle Pfeiffer and Sally Dworsky in the film.
Release
The Prince of Egypt had its premiere at UCLA's Royce Hall on December 16, 1998,[4] with its wide release occurring two days later.[8] Despite being the inaugural production by DreamWorks Animation, it wound up the second to get a theatrical release, as Antz was rushed to reach theatres in October.[32] The international release occurred simultaneously with that of the United States, as according to DreamWorks' distribution chief Jim Tharp, opening one week prior to the "global holiday" of Christmas, audiences all over the world would be available at the same time.[33]
The accompanying marketing campaign was aimed to appeal to adults, usually averse to animated films. Merchandising was limited to a line of collectable figures and books.[34]Walmart served as a promotional partner and offered in stores a package featuring two tickets to The Prince of Egypt, a storybook and the film's soundtrack.[35]The Prince of Egypt: Classic Edition storybook, published by Dutton Children's Books in 1998, was written by Jane Yolen and illustrated by Michael Koelsch.[36] Koelsch received an honorable mention from the Society of Illustrators for this book's illustrations.[37]
A 4K restoration of the film, remastered from the original 35mm camera negative under the supervision of the film's directors, premiered at the Annecy International Animation Film Festival in June 2018, to commemorate the film's 20th anniversary.[38]
Home media
The Prince of Egypt was released on DVD, VHS, and LaserDisc on September 14, 1999.[39] The ownership of the film was assumed by DreamWorks Animation when that company split from DreamWorks Pictures in 2004; as of July 2018, the rights to the film are now owned by Universal Pictures via its acquisition of DWA. A Blu-ray of the film was released on October 16, 2018.[40] For the 25th anniversary of the film, a 4K Blu-ray utilizing the remastered print from the 2018 Annecy Film Festival screening, was released on March 14, 2023 and grossed $58,803, but every release of the film on home media prior to the 4K Blu-ray used a 35mm interpositive print of the film, rather than using the original files to encode the film directly to digital.[41][42][43]
Reception
Box office
The Prince of Egypt grossed $101.4 million in the United States and Canada, and $117.2 million in other territories, for a worldwide total of $218.6 million.[8]
In its opening weekend, the film grossed $14.5 million (a $4,658 average) from 3,118 theaters, finishing second place at the box office, behind You've Got Mail.[44] The opening was seen as somewhat disappointing given the film's high production and promotional costs, as well as the studio's faith in the project, and industry insiders had doubts it could leg out to $100 million domestically.[45] Due to the holiday season, the film gained 4% in its second weekend, earning $15.1 million and finishing in fourth place.[46] It would hold well in its third weekend, with only a 25% drop to $11.2 million for a $3,511 average from 3,202 theaters and once again finishing in fourth place.[47]
Critical response
On review aggregatorRotten Tomatoes, the film holds an approval rating of 79% based on 92 reviews and an average rating of 7.1/10. The website's critics consensus reads: "The Prince of Egypt's stunning visuals and first-rate voice cast more than compensate for the fact that it's better crafted than it is emotionally involving".[48]Metacritic, which uses a weighted average, assigned the film a score of 64 out of 100 based on 26 critics, indicating "generally favorable reviews".[49] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[50]
Roger Ebert of the Chicago Sun-Times praised the film in his review saying that "The Prince of Egypt is one of the best-looking animated films ever made. It employs computer-generated animation as an aid to traditional techniques, rather than as a substitute for them, and we sense the touch of human artists in the vision behind the Egyptian monuments, the lonely desert vistas, the thrill of the chariot race, the personalities of the characters. This is a film that shows animation growing up and embracing more complex themes, instead of chaining itself in the category of children's entertainment".[51]Richard Corliss of Time magazine gave a negative review of the film saying that the film lacks creativity and joy.[52]Stephen Hunter from The Washington Post praised the film saying that "the movie's proudest accomplishment is that it revises our version of Moses toward something more immediate and believable, more humanly knowable".[53]
Lisa Alspector from the Chicago Reader praised the film and wrote: "The blend of animation techniques somehow demonstrates mastery modestly, while the special effects are nothing short of magnificent".[54]Houston Chronicle's Jeff Millar praised the animation of Prince of Egypt and called it "an amalgam of Hollywood biblical epic, Broadway supermusical and nice Sunday school lesson".[55]James Berardinelli from Reelviews highly praised the film, saying that the animation is "top-notch" that can rival to Disney films.[56] Liam Lacey of The Globe and Mail gave a somewhat negative review, writing that Prince of Egypt is spectacular but that the film takes itself too seriously.[57]MovieGuide also reviewed the film favorably, saying that The Prince of Egypt took animated films to a new level of entertainment, also commenting that the "magnificent" art, music, story, and realization make The Prince of Egypt "one of the most entertaining masterpieces of all time".[58]
Retrospective reception
Since its release, the film continues to receive acclaim from critics and audiences alike. When the film reached its 20th anniversary, SyFy made a retrospective review of The Prince of Egypt, calling it the greatest animated film of all time, predominantly due to its voice cast, animation, characters, cinematography, and most importantly, its musical score.[12] Lisa Laman of Collider wrote that it "stands out" among the other films in DreamWorks Animation's catalog for its dark but inspirational and uplifting tone when compared to the studio's later titles. Laman further noted that the film is "content to let these kinds of dark moments simmer. Sadness is allowed to wash over the audience rather than get undercut by abrupt jokes", and he called it the studio's best film.[59]
Julia Polster of The Daily Pennsylvanian wrote that the film showcases "complex emotions and history in ways even children can appreciate" and positively compared its handling of the portrayal of Jews under oppression to Steven Spielberg's film Schindler's List (1993) and the stage musicals Fiddler on the Roof and Parade. She went on to explain how the film continues to remain relevant and essential in modern times, in part due to an increase of antisemitism and Holocaust denial in the United States during the early months of 2020, saying that "this lack of security is why films like The Prince of Egypt and its more adult counterparts must exist: to teach in an accessible way" and that The Prince of Egypt and other films carry on the history and legacy of Judaism.[60]
For The Film Magazine, Katie Doyle in her 2015 retrospective called the film's portrayal of Moses's encounter with God's voice coming through the burning bush as "a masterpiece of animation" and one of the best depictions of God shown in the film, and she wrote that, for younger viewers, it is "a shining example of a children's movie that delivers mature content to children in a manner that is not too frightening but still gets the deep message across".[61]
It has appeared on many lists as among the best animated films of all time.[14][15] Jackson Lockhart of Comic Book Resources ranked it first place on his list of the top 10 non-Disney animated musical films, writing that the "songs and visuals are transcendent and packed with symbolism, such as God collapsing a statue of Amun-Ra, the Egyptian God of the sun, before inflicting his plague of darkness".[62] Hannah Shortt of MovieWeb ranked it at number 8 on her list of the "Best Animated Movies From the 1990s", commenting that placing Moses and Ramases' relationship as brothers at the forefront of the film's focus helped make the story feel new and fresh for a modern audience.[63] Jacob Oller of Paste named it the third-best DreamWorks Animation film of all time, calling it "dark, beautiful, and filled with songs as epic as its visuals".[64] It was also voted number 40 on the "Top 100 Animated Features of All Time" list by the Online Film Critics Society, published in March 2003.[65]
Cultural impact
The Prince of Egypt saw a resurgence in visibility during the COVID-19 pandemic in 2020, most notably when Cynthia Erivo and Shoshana Bean, with piano accompaniment by Stephen Schwartz, performed a rendition of "When You Believe" during the virtual Saturday Night Seder that April, in response to the shutdown of Broadway and the film's stage musical adaptation suspending performances in the West End.[66][67] The performance was well-received and their rendition was released as a single on June 30, 2020 to benefit the Jews for Racial and Economic Justice organization.[68] In November 2021, the "River Lullaby" leitmotif became the subject of a TikTok mash-up between that and Hans Zimmer's "Gom Jabbar" score cue from the film adaptation of Dune, created by Nashville singer JADA. The video went viral on the platform within its first 24 hours, garnering 2.3 million views and over 500,000 likes.[69]
In July 2023, to celebrate the film's 25-year anniversary, many crew members who worked on the film, including directors Brenda Chapman, Steve Hickner and Simon Wells, songwriter Stephen Schwartz, and cast members Amick Byram and Eden Riegel, reunited by participating in a 3-hour livestream on YouTube on The Tammy Tuckey Show. The event had been organized ahead of time.[70]
The Supreme Council of Islamic Affairs in the Maldives stated that "all prophets and messengers of God are revered in Islam, and therefore cannot be portrayed".[71][72] Following this ruling, the censor board banned the film in January 1999. In the same month, the Film Censorship Board of Malaysia banned the film "so as not to offend the country's majority Muslim population". The board's secretary said that the censor body ruled the film was "insensitive for religious and moral reasons".[73]
In November 2000, DreamWorks Animation released Joseph: King of Dreams, a direct-to-video prequel based on the story of Joseph from the Book of Genesis. The project began during production of The Prince of Egypt, employing some of the same animation crew and featuring director Steve Hickner as an executive producer.[87][88]
A stage musical adaptation debuted at TheatreWorks in Mountain View, California on October 14, 2017. The show had an international premiere on April 6, 2018, in Denmark at the Fredericia Teater. It made its West End debut at the Dominion Theatre on February 5, 2020, with an official opening on February 25 and was to spend a 39-week engagement through October 31.[89] Performances were then halted on March 17, due to the COVID-19 pandemic.[90] The show reopened on July 1, 2021, and ran through January 8, 2022.[91] The production was filmed by Universal Pictures Content Group and STEAM Motion + Sound for a future broadcast, and was released in theaters on October 19, 2023.[92][93][94] The recorded performance was released on BroadwayHD on November 15 and was followed by a digital release on December 5.[95]
^ During the production of The Prince of Egypt, DreamWorks had hoped that the film would be a box office success, so they had been pressuring employees to work on the film, but if they were unable to work on the film, they were then forced to work on Shrek, which was expected to flop. Despite this, Shrek was the victor in the box office, as The Prince of Egypt was only a moderate success.[97]
^Linde, Steve; Yeffet, Hod (December 13, 2009). "Ofra - the musical". The Jerusalem Post. Archived from the original on September 24, 2015. Retrieved September 24, 2015. For that movie, she sang the theme song Deliver Us in English and no less than 17 other languages, including Hebrew,...
^Chapman, Brenda; Hickner, Steve; Wells, Simon (September 14, 1999). The Prince Egypt (audio commentary) (DVD). DreamWorks Home Entertainment.
^Horn, John (June 1, 1997). "Can Anyone Dethrone Disney?". Los Angeles Times. Archived from the original on March 21, 2015. Retrieved December 25, 2014.
Toivari, Jaana (1997). "Man versus Woman: Interpersonal Disputes in the Workmen's Community of Deir el-Medina". Journal of the Economic and Social History of the Orient. 40 (2): 153–173. doi:10.1163/1568520972600775. JSTOR3632680.
.jpg)
_(cropped).jpg)
.JPEG)
