The Sitwells (Edith Sitwell, Osbert Sitwell, Sacheverell Sitwell), from Scarborough, North Yorkshire, were three siblings who formed an identifiable literary and artistic clique around themselves in London in the period roughly 1916 to 1930. This was marked by some well-publicised events, notably Edith's Façade with music by William Walton, with its public debut in 1923. All three Sitwells wrote; for a while their circle was considered by some to rival Bloomsbury, though others dismissed them as attention-seekers rather than serious artists.^[1]

Wheels anthologies

The first Sitwell venture was the series of Wheels anthologies produced from 1916.^{[citation needed]} These were seen either as a counterweight to the contemporary Edward Marsh Georgian Poetry anthologies, or as light 'society verse' collections.^{[citation needed]} They did not really match the Imagist anthologies of the same years, or the modernist wing, in terms of finding poets with important careers ahead of them,^{[citation needed]} but included both Nancy Cunard and Aldous Huxley.

Coat of arms

Barry of eight or and vert, charged with three lions rampant sable. The motto is Ne cede malis (Latin: Yield not to misfortune).^[2]

Legacy

Wood End, the former family home of the Sitwells in Scarborough has been redeveloped into a "creative industries centre" providing artists' workspace as well as administrative and learning spaces.^[3] Weston Hall in Northamptonshire, owned by the Sitwell family, was sold in 2021.^[4]

A large collection of the Sitwells' papers reside at the Harry Ransom Humanities Research Center at The University of Texas, Austin.^[5]