The Washington Family by Edward Savage is a life-sized group portrait of the Washington family, including U.S. President George Washington, First Lady Martha Washington, two of her grandchildren and a black servant, most likely an enslaved man whose identity was not recorded. The National Gallery of Art in Washington, D.C., presently displays the large painting (7 feet (2.1 m) x 9.3 feet (2.8 m)).
Based on life studies made early in Washington's presidency, Savage began work on the oil painting in New York City during 1789–1790 and later completed it in Philadelphia during 1795–1796. Prints were mass-produced by Savage beginning in 1798, and by John Sartain in 1840. The Library of Congress holds in its collections a print of a color engraving that Savage and Robert Wilkinson published in London in 1798.
The image was a famous one in the 19th century. Washington himself ordered four prints of Savage's engraving, hanging one in the family dining room at Mount Vernon.
The northerly direction to the left to which a magnetic compass on the base of a globe points and topographical details of the view indicate that the family is on the west bank of the Potomac River at Mount Vernon, occupying an idealized rendering of the portico that Washington designed for the house. Shown are Martha's grandson George Washington Parke Custis (called "Wash" or "Washy"), George Washington, Martha's granddaughter Eleanor Parke Custis (called "Nelly"), Martha and a black servant of uncertain identity (perhaps the enslaved Christopher Sheels, William (Billy) Lee or Austin).
With a plan of the future city of Washington in front of her, Martha Washington is, according to Savage's catalogue, "pointing with her fan to the grand avenue". Some descriptions of the painting state that the "grand avenue" is Pennsylvania Avenue. However, the broadest and most prominent "grand avenue" that the city plan illustrates has actually become the National Mall (see: L'Enfant Plan).
Holding a caliper, young George's right hand rests near the top of the globe, which lacks geographical markings. A museum's description interprets this portion of the scene as representing American hopes for rising global significance.
A researcher has found that the perspective of the painting terminates at George Washington's heart.
An oil painting by Peter Waddell entitled A Vision Unfolds debuted in 2005 within an exhibition on Freemasonry that the Octagon House's museum in Washington, D.C., was hosting. The painting was again displayed in 2007, 2009, 2010 and 2011, first in the Joslyn Art Museum in Omaha, Nebraska and later in the National Heritage Museum in Lexington, Massachusetts and in the Scottish Rite Center of the District of Columbia in Washington, D.C. Containing elements present in The Washington Family, Waddell's history painting depicts a meeting that is taking place within an elaborate surveying tent. In the imaginary scene, African American surveyor-astronomer Benjamin Banneker presents a map of the Territory of Columbia (see: Founding of Washington, D.C.) to President Washington and surveyor Andrew Ellicott.
Summary: George Washington, Martha Washington, and her two grandchildren, around table on which there is a map, and an African American servant, William Lee, in background.Full size image of engravingArchived August 28, 2017, at the Wayback Machine.
Upon his return to the United States in 1794, Savage married Sarah Seaver, completed his group portrait of the Washingtons, and immediately set to work exhibiting and engraving the large-scale painting. Washington himself ordered four copies, hanging one in the family dining room at Mount Vernon.
Edward Savage's iconic portrait of the Washington Family was originally painted c. 1789-1790. George Washington purchased two engravings of the painting to display at Mount Vernon (one of which is pictured here). It portrays George and Martha Washington, two of Martha’s grandchildren, George Washington Parke Custis and Eleanor Parke Custis, and George’s body servant, a black slave named William “Billy” Lee (image courtesy of Mount Vernon Ladies' Association).Full size image of engraving Archived August 30, 2017, at the Wayback Machine.
Published by the Library of Congress in 1991 with support from the National Geographic Society, the U.S. Geological Survey, and the National Park Service.In Repository of the Library of Congress Geography and Map Division, Washington, D.C.
L'Enfant planned the Mall as a 400-foot wide Grand Avenue (shown in green in the plan at right), extending from the Capitol westward to the Washington Monument (marked "A" in the plan) at the banks of the Potomac River where it intersected the White House axis (marked "President's House" in the plan)
The boy stands to his right, dressed in a fine suit with a wide starched collar. His hand rests on a globe, representing American hopes for rising global significance.
A Vision Unfolds: 36" × 48", oil on canvas
Exhibitions: ... 2005: The Initiated Eye: Secrets, Symbols, Freemasonry and the Architecture of Washington DC. The Octagon Museum, Washington, D.C.
Tuesday, May 17, was the grand opening of the Octagon Museum's phenomenal exhibit, "The Initiated Eye: Secrets, Symbols, Freemasonry, and the Architecture of Washington, D.C." Twenty-one paintings by Peter Waddell showcased the little-recognized contribution of Freemasons to the design and architecture of our nation's capital.
The Initiated Eye: Secrets, Symbols, Freemasonry and the Architecture of Washington, DC, with Paintings by Peter Waddell, features 21 paintings by Waddell, a contemporary history painter, illustrates the Masonic connection to the building of early-19th century Washington. Exhibition Locations and Dates: USA, Nebraska, Omaha, Joslyn Art Museum: April 28, 2007 - June 10, 2007
The Initiated Eye" presents 21 oil paintings by Peter Waddell based on the architecture of Washington, D.C., and the role that our founding fathers and prominent citizens – many of whom were Freemasons – played in establishing the layout and design of the city. ... The painting shown here depicts a meeting between President George Washington (1732–1799) and surveyors Andrew Ellicott (1754–1820) and Benjamin Banneker (1731–1806). Congress designated the location of the new capital on January 24, 1791. Elliott and Banneker surveyed the ten-mile-square tract of land and produced a base map of the area. ... The Initiated Eye" opens December 19, 2009 and will be on view through January 9, 2011.
A Vision Unfolds - Congress designated the location of the new Capitol on January 24, 1791. It was a ten-mile square parcel of land along the Potomac and Eastern Branch Rivers. Andrew Ellicott and Benjamin Banneker surveyed the tract of land and produced the base map. Banneker, a self taught African American surveyor and astronomer, plotted the locations of the forty boundary stones one mile apart along the entire perimeter.Note: Panel 1 contains a high-resolution image of A Vision Unfolds.
Illustrious Leonard Proden, 33˚, S.G.I.G. of the Supreme Council in D.C and Past Grand Master of Masons in D.C is pleased to announce that the Valley of Washington, Orient of the District of Columbia, will celebrate the 200th Anniversary of the founding of the Grand Lodge of Free and Accepted Masons of the District of Columbia on Tuesday, November 15, 2011. All brethren, their family, and friends are invited to participate in this festive evening which will include: ... A special viewing of "The Initiated Eye", the heralded collection of D.C. Masonic-themed paintings, on exhibition in Washington, D.C. again for the first time in over five years. The artist, Peter Waddell, will be on hand to present his latest addition to the collection, a celebratory painting commemorating the Bicentennial of the Grand Lodge of D.C.
Notes: ... Accompanied by positive and negative photocopies of 3 letters dated 1793 relating to the map, 1 of which signed by: And'w Ellicott..