History
Rema-Rema, Mass (1978–1981)
Allen started in the Models in 1977. Allen and Cox had both been members of Rema-Rema and Mass, while Gray had been a member of In Camera. All of these bands had also recorded for 4AD.[1]
Rema-Rema were formed in 1978[3] by schoolmates[4] Allen and Gary Asquith, with Cox, Marco Pirroni (also a school friend of Allen's[5] and a fellow member of the Models[6]) and Max Prior (who later recorded as Dorothy with Psychic TV[7]). 4AD founder Ivo Watts-Russell said that hearing Rema-Rema's demo tape "was the first point I knew that we were actually doing something serious [with 4AD]."[8] Their sole recording was the Wheel in the Roses 12"EP (4AD BAD-5, 1 Apr 1980).[9] The band split when Pirroni left to join Adam and the Ants[4] (although Pirroni says he had already left[10]), and reformed as Mass.
Mass consisted of Allen and Cox with Asquith and Danny Briottet. Mass recorded a single, "You And I"/"Cabbage" (4AD AD-14, Oct 1980),[11] and an album, Labour of Love (4AD CAD-107, May 1981).[12] Mass split in 1981.[3] Asquith and Briottet later (1986) formed Renegade Soundwave. (Asquith remained a friend and contributed to Queer.)
The Burden of Mules (1983)
After Mass split, Allen and Cox continued working together. The Burden of Mules was described by Trouser Press as "dark and cacophonous, an angry, intense slab of post-punk gloom that is best left to its own (de)vices";[13] the AllMusic Guide to Electronica describes some tracks as "so morose and vehement as to verge on self-parody."[14] ZigZag was more positive, regarding the album as an artistic success and an "emphatic statement."[3] The band's career retrospective compilation, Everything Is Beautiful, contains no tracks from the album.
Guest musicians included Richard Thomas (Dif Juz), David Steiner (In Camera) and guitarist and percussionist Andrew Gray, who soon joined the band.[1]
Early EPs
The EPs Scarecrow, Water and Sweatbox followed, produced by Robin Guthrie. These were later compiled (with some remixed versions) as The Legendary Wolfgang Press and Other Tall Stories. The AllMusic Guide to Electronica describes Scarecrow as "a lighter, more streamlined affair", Water as spotlighting "ominously sparse torch songs", and Sweatbox as "deconstructionist pop".[14]
Standing Up Straight (1986)
The 4AD band profile describes Standing Up Straight as "an intense blend of industrial and classical tropes".[1] Trouser Press describes it as "as challenging and inventive as the band's other work, adding industrial and classical instrumentation to the creative arsenal", "dark and thoroughly uncompromising" and "not for the easily intimidated."[13] The AllMusic Guide to Electronica describes it as "a challenging, even punishing album, but a rewarding one as well."[14]
Bird Wood Cage (1988)
The AllMusic Guide to Electronica notes Bird Wood Cage as "one of the most pivotal records in the Wolfgang Press catalog; here, the trio begins to incorporate the dance and funk elements which would ultimately emerge as the dominant facet of their work."[14] Trouser Press describes Bird Wood Cage as "inserting fascinating bits of business into superficially forbidding songs", including female backing vocals, funky wah-wah guitar and elements of dub reggae.[13]
The album was preceded by the EP Big Sex, which presages Bird Wood Cage's musical themes. "King of Soul", "Kansas" and "Raintime"/"Bottom Drawer" were singles from the album.
Allen later said that Bird Wood Cage was the Wolfgang Press album he was most proud of.[15]
Queer (1991), "A Girl Like You" (1992)
The genesis of the 1991 album Queer was listening to De La Soul's 1989 debut album 3 Feet High and Rising. As Allen put it, this was when they "rediscovered that music could indeed be fun."[2] "It seemed such a joyous record. There was a freshness and ease about the way it was made that inspired us to reassess our working process."[16]
The album's sound includes many samples and funkier, poppier beats than previous albums.[17] The AllMusic Guide to Electronica describes it as "alien funk, a collection of idiosyncratic rhythms, dark textures, and ominous grooves."[14] The band members each play multiple instruments, making the sound fuller than previous work.[13] Bassist Leslie Langston of Throwing Muses guests on most tracks.
The singles from the album were "Time" (the album version being titled "Question of Time"), which included a sample from Pink Floyd's "Time" (from The Dark Side of the Moon),[18] followed by a cover of Randy Newman's "Mama Told Me Not to Come".
The single "A Girl Like You" was released in May 1992[19] and became an international hit, scoring No. 2 on the Billboard US Modern Rock (Alternative Songs) chart on 15 August 1992.[20] The song was later covered by Tom Jones, who then asked the band to write "Show Me (Some Devotion)" for him, both recordings appearing on The Lead and How to Swing It (1994). Jones also joined them on-stage for All Virgos Are Mad, a 4AD anniversary concert in Los Angeles in January 1995.[2][21]
Due to sample clearance issues, the 1992 U.S. release of Queer (which includes "A Girl Like You") needed considerable rerecording and remixing.[17]
Funky Little Demons (1995)
After "A Girl Like You", the band bought their own studio, removing the financial pressure of traditional studio rental. The band spent two years recording Funky Little Demons.[2]
Trouser Press describes the album as "straight-ahead dance music with the correct materials", though "no longer enigmatic risk-takers, the Wolfgang Press have become just another white post-new wave soul band."[13]
The single "Going South" reached No. 117 on the UK Singles Chart and No. 33 on the US alternative chart.[22] A promotional CD of "Christianity" was also distributed in the US[23] and a video released, directed by Mark Neale,[24] but the band was dropped by 4AD before the single could be released.
The album spent one week on the UK Albums Chart at No. 75 in February 1995.[25]
Cox left the band in February 1995, shortly before the release of the album. Allen and Gray aimed to continue,[26] and toured the US without Cox to promote the album,[27] but later conceded the band had run its course.[15]
Post-Wolfgang Press and Unremembered Remembered
A compilation album, Everything Is Beautiful (A Retrospective 1983–1995), was released in 2001. (Despite the name, it contains nothing from before 1984.)
Allen records and plays live periodically with his band Geniuser with Giuseppe De Bellis, whom Allen regards as the driving force.[15] Geniuser released the album Mud Black on the Phisteria label in 2005 and an EP called Press/Delete in 2010 on the same label.[17] Gray played on the album. Allen also played with Gary Asquith's Lavender Pill Mob.[4]
Gray recorded under the name Limehouse Outlaw,[16] and released an album Homegrown on his own label on 27 May 2002,[28] with some songs co-written by Allen. Gray also recorded with the Lavender Pill Mob.[4]
Cox has contributed writing and production to a project entitled U:guru.
In 1995 and 1996, after Cox had left the band and Funky Little Demons had been released, the duo of Allen and Gray had planned a follow-up album. Six songs from these sessions would be finally released on Record Store Day 2020, under the title Unremembered Remembered. The album is billed as a mini-LP and as the band's final studio album. Although there was a seventh track recorded, the band opted not to include it on the release.[29]
