Theodore Apsevdis | |
|---|---|
 Jesus Pantocrator | |
| Born | |
| Died | Possibly Cyprus |
| Movement | Byzantine Painting School |
Theodore Apsevdis (Greek: Θεόδωρος Αψευδής) was a Greek painter assumed to be from Constantinople. He is one of the few Byzantine painters known by name. His contemporary in Italy was Alberto Sotio; both painters were active during the same period. They were active during the Komnenian restoration. Apsevdis's work influenced the Palaeologan Renaissance. Several Italian artists who painted in the style were Coppo di Marcovaldo and Guido of Siena. Apsevdis and his contemporaries set the stage for the Italian and Cretan Renaissance. Some of his notable work is in Cyprus.[1][2][3][4][5]
He may have been born in Constantinople sometime during the 12th century. Not much is known about his life. His painting style resembles the art of Constantinople. Historians have deduced he was from the city. He may have traveled all over the empire painting in different churches. His signature was found in one of the churches he painted in Cyprus. He is one of the few artists of the period whose name is known. Italian painter Alberto Sotio was the other known artist of the Italio-Byzantium during the same period. Many of Apsevdis's paintings survive until today. They are over 852 years old and are primarily in Cyprus. His main work is at the Hermitage of Saint Neophytos, Cyprus.[6] The 1192 murals of Panagia tou Araka have also been ascribed to him.[7][8]
Known to be by Apsevdis:
Ascribed to Apsevdis:
