|They Might Be Giants|
|Directed by||Anthony Harvey|
|Screenplay by||James Goldman|
|Based on||They Might Be Giants|
by James Goldman
|Produced by||John Foreman|
|Starring||George C. Scott|
|Cinematography||Victor J. Kemper|
|Edited by||Gerald B. Greenberg|
|Music by||John Barry|
|Distributed by||Universal Pictures|
They Might Be Giants is a 1971 American comedy mystery film based on the 1961 play of the same name (both written by James Goldman) starring George C. Scott and Joanne Woodward. Sometimes mistakenly described as a Broadway play, it never in fact opened in the United States. It was directed in London by Joan Littlewood in 1961, but Goldman believed that he "never got the play right" and forbade further productions or publication of the script. To coincide with the film's release, he authorized an illustrated paperback tie-in edition of the screenplay, published by Lancer Books.
The film's title was later adopted as the name of a popular music group.
Justin Playfair (Scott) is a judge who retreats into fantasy after his wife's death, imagining himself to be Sherlock Holmes, the legendary fictional detective. Complete with deerstalker hat, pipe and violin, he spends his days in a homemade criminal laboratory obsessing over plots hatched by his (Holmes's) archenemy, Professor Moriarty.
When his brother (Lester Rawlins) tries to place Justin under observation in a mental institution so he can get power of attorney, Justin attracts the attention of Dr. Mildred Watson (Woodward), a psychiatrist who becomes fascinated by his case. Justin demonstrates to her a knack for what Holmes describes as "deduction" (technically better categorized as abductive reasoning) and walks out of the institution during the ensuing confusion. Intrigued, Watson comes to his home to attempt treatment. Playfair is initially dismissive of Watson's attempts to psychoanalyze him and he analyzes her instead, but when he hears her name, he enthusiastically incorporates her into his life as Doctor Watson, the sidekick to his Holmes.
The duo begin an enigmatic quest for Moriarty, with Playfair/Holmes following all manner of bizarre and (to Watson) unintelligible clues, and encountering a rich tapestry of individualistic persons in assorted urban situations, the two growing closer to each other in the process.
The title is an indirect reference to Don Quixote's famous exploit of tilting at windmills, believing them to be "monstrous giants". Despite the protest of his aide Sancho Panza and being soundly defeated at the hands of the "giants" (that is, being tossed away by a mill's sail after getting his lance caught in it), Quixote maintains his belief that the mills are not buildings but giants. In reference to this, the character Playfair argues:
Of course, he carried it a bit too far. He thought that every windmill was a giant. That's insane. But, thinking that they might be... Well, all the best minds used to think the world was flat. But, what if it isn't? It might be round. And bread mold might be medicine. If we never looked at things and thought of what they might be, why, we'd all still be out there in the tall grass with the apes.
The film opened to mixed reviews. Vincent Canby of The New York Times called it "a mushy movie with occasional, isolated moments of legitimate comedy." On Rotten Tomatoes it has an approval rating 73% based on reviews from 11 critics.
The original release length was 98 minutes. Netflix's streaming version and the DVD released in 2000 are 91:15. A version edited for television in 1986 was 96:29. The currently available made-on-demand DVD runs slightly over 87 minutes. Except for an Anchor Bay DVD release, none of the home video releases include the full film. The largest missing material is a long sequence near the end that takes place in a grocery store.