Humberto "Tito" Larriva (born 1953) is a Mexican-American songwriter, singer, musician, and actor. He came to prominence leading The Plugz, one of the earliest Los Angeles punk rock groups. Since the 1990s, his main musical outlet has been Tito & Tarantula.
Early life
Larriva was born in Ciudad Juárez, Chihuahua, and grew up in Fairbanks, Alaska, and El Paso, Texas. As a child he played the violin in the school orchestra and sang in the church and school choirs where he met his wife Janet Carroll. In 1972 Larriva snuck into Yale University for a full term without being noticed. After being kicked out of the Ivy League university, he moved to Mexico City and in 1975 moved to Los Angeles, California. He now lives in Austin, Texas, with his wife and daughter and continues to work in the music and film industries.
Larriva was the vocalist and rhythm guitarist for punk band The Plugz. He formed The Plugz in Hollywood, California in 1978.[2] Their presence during the birth of West Coast punk has ensured their enduring influence on punk bands. Record label Rhino recognized their role in the Los Angeles music scene by including their version of "La Bamba" on "We're Desperate: The L.A. Scene (1976-79)." The Plugz released two albums, Electrify Me (1978) and Better Luck (1981). The Plugz also scored the cult classic film Repo Man and contributed three songs to the soundtrack.
Fatima Records
In 1979 Larriva formed Fatima Records, a DIY record label, with Chicano printmaker Richard Duardo and music promoter Yolanda Ferrer to release the Plugz' single "Achin'"/"La Bamba." The label would issue a few other releases, including the Plugz' second album Better Luck (1981) and "Attitudes" (1980), the debut EP by East Los Angeles punk band The Brat (produced by Larriva). Fatima Records was initially slated to release Fire of Love, the debut album by Los Angeles band The Gun Club; however, after Larriva produced six tracks, the label ran out of money, and Ruby Records completed the recordings and released the Gun Club's album.[3]
In 1984 The Plugz evolved into the Cruzados. In 1985, they released a self-titled album on Arista Records. The second album After Dark released in 1987 featured new guitarist Marshall Rohner. The band broke up in 1990. Larriva and the Cruzados were both briefly featured in the film Road House, starring Patrick Swayze and Sam Elliott.
Tito & Tarantula began in 1992 when Larriva and lead guitarist Peter Atanasoff would perform in bars and cafes with friends every week. "We've always had an unspoken rule," Larriva said to the Tucson Weekly in 1997,[4] "and the rule is that everyone plays pretty much what they want. The band rarely rehearses." Tarantula was featured on the soundtrack of Robert Rodriguez's movie Desperado which Larriva also scored. In 1996, Tito and Tarantula continue their relationship with Rodriguez, appearing in the film, soundtrack, and score, for From Dusk Till Dawn. Larriva, Atanasoff, and Johnny "Vatos" Hernandez are the band performing their song After Dark in the bar for Salma Hayek. In 1997, Tito & Tarantula released its long-awaited and highly acclaimed debut album Tarantism. They followed up with, Hungry Sally & Other Killer Lullabies in 1999, and Little Bitch in 2000. In 2002, the band was joined by Larriva's former Cruzados bandmate Steven Hufsteter. Later that year, they released Andalucia. Back Into The Darkness is their most recent release (2008).
Psychotic Aztecs
Tito Larriva, September 2007
Psychotic Aztecs, composed of Larriva on vocals, Oingo Boingo's rhythm section (John Avila on bass, Johnny "Vatos" Hernandez on drums) and Steven Hufsteter on guitar, began as a recording session for Grita! Records in Los Angeles and ended as the album Santa Sangre, released in 1999.[5]
He also played the character Ramon in the film True Stories (1986).[7] Larriva performed the Talking Heads song "Radio Head," and played the organ in the "Puzzling Evidence" scene. The original soundtrack album, however, only featured Talking Heads' cover of the song; Larriva's version, performed with Esteban "Steve" Jordan, was not released until sometime later.
^Gaines, Caseen (2011). Inside Pee-Wee's playhouse : the untold, unauthorized, and unpredictable story of a pop phenomenon. Toronto: ECW Press. ISBN978-1550229981.
