Tomie Ohtake (大竹富江, Ōtake Tomie, née Nakakubo (中久保); 21 November 1913 – 12 February 2015) was a Japanese Brazilian visual artist.[1] Her work includes paintings, prints and sculptures. She was one of the main representatives of informal abstractionism in Brazil.
Biography
Ohtake was born in 1913 in Kyoto. In 1936, when she was twenty-three years old, Ohtake traveled to Brazil to visit a brother but could not return to Japan due to the Pacific Theater of World War II occurring there.[2][3] Ohtake therefore settled in São Paulo where she married the agronomist Ushio Ohtake, later giving birth to her son Rui, an architect, and Ricardo, former secretary of culture for the state of São Paulo.[4] After many years of taking care of her family and household, at the age of 39 Ohtake attended an exhibition of the artist Keya Sugano at the São Paulo Museum of Modern Art and soon began producing genre and landscape paintings under his tutelage.[4][5]
Early on in her career, Ohtake moved to figurative painting and became a key figure in the Brazilian geometric abstraction movement.[6] Known for her exploration of primary colours and geometric frames, she had her first exhibition in 1957 in the São Paulo Museum of Modern Art , and in 1961 she participated in the São Paulo Biennale.[7][8] It was at this time that she started her series of "blind paintings," a series of works for which Ohtake blindfolded herself in reaction to the spread of extreme rationalism in contemporary Brazilian art.[7] Describing her work as emanating from both Western and Japanese traditions, Ohtake mentions Japanese verse and spiritual thought as providing key inspirations for her works: "Haiku poems convey a view of the world in seventeen syllables. My painting also attempts to synthesize forms, reducing images to their essential minimum, and is therefore universal."[4] Later expanding her oeuvre to printmaking and sculpture,[6] in 1972 she participated in the Prints section of the Venice Biennale as part of the Seibi Group, a Japanese artists' association,[4] and in 1978 exhibited at the Tokyo Biennale.[2][8]
Today, her public and private works are to be found across the city of São Paulo: From large mosaics on the platform walls of the São Paulo Metro's Consolação stop to a wave-shaped, ribbon-like monument honouring the history of Japanese immigration to Brazil beside the Centro Cultural São Paulo, her works are ubiquitous within the city's visual scene.[9][10] In 1988, Ohtake was awarded the Order of Rio Branco for the public sculpture commemorating the 80th anniversary of Japanese immigration in São Paulo and in 2006 she was awarded the Order of Cultural Merit.[2] The Instituto Tomie Ohtake was opened in 2001 in São Paulo as a non-profit museum showcasing the artist's works as well as local and international exhibitions celebrating contemporary architecture and visual culture. Designed by her son and architect Ruy Ohtake, other events surrounding art education, cinema, theatre and literature have since been added to the organisation' s public programme.[8][11]
Towards the end of her life in 2013, Ohtake began a series of monochrome paintings which she worked on until the end of her life. Comprising the same attention to geometric forms and shadow, these works utilised impasto and texture to emphasise line rather than the shifts in colour which characterised her work in the 1970s.[6]
Tomie Ohtake died on 12 February 2015 at the age of 101 in the Hospital Sírio-Libanês in São Paulo, suffering from pneumonia.[7] She was later cremated.[9]
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![Tomie Ohtake's masterpiece, in front of [MAC-USP].](/en/File:Tomie_Ohtake_-_MAC-USP_2.JPG)
