Tortoise is an American post-rock band formed in Chicago, Illinois in 1990.[1] The band incorporates krautrock, dub, minimal music, electronica and jazz into their music, a combination sometimes termed "post-rock". Tortoise have been consistently credited for the rise of the post-rock movement in the 1990s.
History
1990s
The group's origins lie in the late 1980s pairing of Doug McCombs (bassist with Eleventh Dream Day) and drummer John Herndon, who initially wanted to establish themselves as a freelance rhythm section (like reggae legends Sly and Robbie). The idea did not come to fruition, but their interest in grooving rhythms, as well as their recording studio knowledge led to partnerships with drummer John McEntire and bassist Bundy K. Brown (both formerly of Bastro and Gastr Del Sol) joining, followed by percussionist Dan Bitney. Though songs are credited to all the musicians, McEntire became perceived as the group's guiding force,[citation needed] as his contributions mainly took the form of being the recording engineer and mixer.
Their first single was issued in 1993, and their self-titled debut album followed a year later.[2] Instrumental and mostly mid-tempo, Tortoise slowly garnered praise and attention, notably for its unusual instrumentation (two bass guitars, three percussionists switching between drums, vibraphones and marimbas). A remix album followed, Rhythms, Resolutions and Clusters.[2]
They released a Japanese-only compilation featuring tracks from the eponymous debut, Rhythms, singles and compilation appearances, named A Digest Compendium of the Tortoise's World on November 21, 1996.[4]
In 1998, Tortoise released TNT, arguably their most jazz-inflected album.[2]Jeff Parker had joined as a guitarist alongside Pajo, who left the band following the album's completion.
2000s–present
2001 led to Standards, where Tortoise incorporated more electronic sounds and post-production into its music than in previous works. In 2001, the band curated an edition of the British All Tomorrow's Parties festival. They then returned in 2004 to curate another day of the same event.
It's All Around You was released in 2004. In 2006, Tortoise collaborated with Bonnie 'Prince' Billy on an album of covers entitled The Brave and the Bold, and released A Lazarus Taxon, a box set containing two CDs of single tracks and remixes, a third CD with an expanded Rhythms, Resolutions and Clusters (out of print) and a DVD of videos and film of live performances. In 2001, the band recorded "Didjeridoo" for the Red Hot Organization's compilation album Red Hot + Indigo, a tribute to Duke Ellington, which raised money for various charities devoted to AIDS related causes.
Tortoise performing at the Pritzker Pavilion, Chicago (2008)
Tortoise released their penultimate album, Beacons of Ancestorship, on June 23, 2009.[6] The band toured the Midwestern US in September and October 2009, and then in Europe in November and December. The band performed at the ATP New York 2010 music festival, which was held in Monticello, New York.
In 2012, Tortoise wrote and recorded the soundtrack to Eduardo Sánchez's Lovely Molly, a psychological horror film partly inspired by traditional folk songs.[7] A seventh studio album, The Catastrophist, was released by Thrill Jockey in early 2016, preceded by the single "Gesceap".[8]
Musical style
As Tortoise rose to prominence in their early career, their often instrumental music has been noted for its ambiguous categorization. The members have roots in Chicago's fertile music scene, playing in various indie rock and punk rock groups. Tortoise was among the first American indie rock bands to incorporate styles closer to krautrock, dub, minimal music, electronica and various jazz styles, rather than the strong rock and roll roots that had dominated the genre.[citation needed]
Tortoise has been cited as one of the prime forces behind the development and popularity of the post-rock movement.[9][10]CMJ writer Jim Allen highlighted the influence of progressive rock on Tortoise's post-rock style.[9]
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