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((other uses|Tout va bien (disambiguation)))
((Short description| 1972 French-Italian film))
((Sources|date=February 2024))
((Infobox film
| name = Tout va bien
| image = Toutvabien.jpg
| caption =
| director = [[Jean-Luc Godard]]<br />[[Jean-Pierre Gorin]]
| producer = [[Jean-Pierre Rassam]]
| writer = Jean-Luc Godard<br />Jean-Pierre Gorin
| starring = [[Yves Montand]]<br />[[Jane Fonda]]<br />[[Vittorio Caprioli]]
| music = Paul Beuscher
| cinematography = Armand Marco
| editing =
| studio = Anouchka Films<br />Vieco Films<br />Empire Films
| distributor = [[Gaumont Film Company]]
| released = ((film date|1972|4|28|France|1972|11|30|Italy|df=yes))
| runtime = 95 minutes
| country = France<br />Italy
| language = French, English 
| budget =
))
'''''Tout va bien''''' is a 1972 French-Italian [[political drama|political drama film]] directed by [[Jean-Luc Godard]] and collaborator [[Jean-Pierre Gorin]] and starring [[Jane Fonda]] and [[Yves Montand]].<ref>((cite web |url=https://www.cinematheque.fr/film/48839.html |title=Tout va bien |language=French |work=cinematheque.fr |access-date=7 February 2024))</ref>

The film's title means "everything is going well". It was released in the United States under the title ''All's Well'' and internationally under the title ''Just Great''.

The Godard/Gorin collaboration continued with the [[featurette]] ''[[Letter to Jane]]'' as a postscript to ''Tout va bien''.

==Overview==
The film centers on a strike at a sausage factory which is witnessed by an American reporter and her French husband, who is a director of TV commercials. The film has a strong political message which outlines the logic of the [[class struggle]] in France in the wake of the [[May 1968 events in France|May 1968]] civil unrest. It also examines the social destruction caused by capitalism. The performers in ''Tout va bien'' employ the [[Bertolt Brecht|Brecht]]ian technique of [[distancing effect|distancing]] themselves from the audience. By delivering an opaque performance, the actors draw the audience away from the film's [[Diegesis#In film|diegesis]] and towards broader inferences about the film's meaning.

[[Image:ToutVaBien05.jpg|thumb|250px|left|The factory set in ''Tout va bien'']]The factory set consists of a cross-sectioned building and allows the camera to dolly back and forth from room to room, theoretically through the walls. Another self-reflexive technique, this particular set was used because it forces the audience to remember that they are witnessing a film, breaking the fourth wall in a literal sense. This type of staging was appropriated from [[Jerry Lewis]]'s film ''[[The Ladies Man]]''. Godard and Gorin use other self-reflexive techniques in ''Tout va bien'' such as direct camera address, long takes, and abandonment of the [[continuity editing]] system.
((clear))

==References==
((Reflist))

==External links==
*((IMDb title|id=0069398|title=Tout va bien))
* ((Amg movie|114211|Tout va bien))
*[https://www.criterion.com/current/posts/356-tout-va-bien-revisited ''Tout va bien Revisited''] an essay by [[J. Hoberman]] at the [[Criterion Collection]]

((Jean-Luc Godard))

[[Category:French avant-garde and experimental films]]
[[Category:1972 films]]
[[Category:Films about anarchism]]
[[Category:1970s French-language films]]
[[Category:French political drama films]]
[[Category:Films directed by Jean-Luc Godard]]
[[Category:Films about the labor movement]]
[[Category:Films about labor relations]]
[[Category:1970s political drama films]]
[[Category:Films set in factories]]
[[Category:1970s avant-garde and experimental films]]
[[Category:1972 drama films]]
[[Category:1970s French films]]


((1970s-drama-film-stub))
((1970s-France-film-stub))

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