You do not have permission to edit this page, for the following reasons:

This IP address has been blocked from editing Wikipedia.
This does not affect your ability to read Wikipedia pages.
Most people who see this message have done nothing wrong. Some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and can sometimes affect other users who are unrelated to that abuse. Review the information below for assistance if you do not believe that you have done anything wrong.

The IP address or range 44.201.0.0/16 has been blocked (disabled) by ‪ST47‬ for the following reason(s):

The IP address that you are currently using has been blocked because it is believed to be a web host provider. To prevent abuse, web hosts may be blocked from editing Wikipedia.
You will not be able to edit Wikipedia using a web host provider because it hides your IP address, much like a proxy or VPN.
We recommend that you attempt to use another connection to edit. For example, if you use a proxy or VPN to connect to the internet, turn it off when editing Wikipedia. If you edit using a mobile connection, try using a Wi-Fi connection, and vice versa. If you are using a corporate internet connection, switch to a different Wi-Fi network. If you have a Wikipedia account, please log in.
If you do not have any other way to edit Wikipedia, you will need to request an IP block exemption.

How to appeal if you are confident that your connection does not use a web host's IP address:
If you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: ((unblock|reason=Caught by a web host block but this host or IP is not a web host. My IP address is _______. Place any further information here. ~~~~)). You must fill in the blank with your IP address for this block to be investigated. Your IP address can be determined here. Alternatively, if you wish to keep your IP address private you can use the unblock ticket request system. There are several reasons you might be editing using the IP address of a web host (such as if you are using VPN software or a business network); please use this method of appeal only if you think your IP address is in fact not a web host.

Administrators: The IP block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and they should usually be directed to the functionaries team via email. If you intend to give the IPBE user right, a CheckUser needs to take a look at the account. This can be requested most easily at SPI Quick Checkuser Requests. Unblocking an IP or IP range with this template is highly discouraged without at least contacting the blocking administrator.

This block will expire on 23:54, 31 July 2024.

Even when blocked, you will usually still be able to edit your user talk page, as well as email administrators and other editors.

For information on how to proceed, please read the FAQ for blocked users and the guideline on block appeals. The guide to appealing blocks may also be helpful.

Other useful links: Blocking policy · Help:I have been blocked
Your IP address is in a range that has been blocked on all Wikimedia Foundation wikis. The block was made by ‪AntiCompositeNumber‬. The reason given is Open proxy/Webhost: Visit the FAQ if you are affected .
- Start of block: 13:55, 18 August 2022
- Expiry of block: 13:55, 18 April 2025
Your current IP address is 44.201.28.123. The blocked range is 44.201.0.0/16. Please include all above details in any queries you make. If you believe you were blocked by mistake, you can find additional information and instructions in the No open proxies global policy. Otherwise, to discuss the block please post a request for review on Meta-Wiki. You could also send an email to the stewards VRT queue at stewards@wikimedia.org including all above details.

You can view and copy the source of this page:

((short description|Comic books reprinted in book form))
((Comics navbar|title=Trade paperback))
In [[comics]] in the [[United States]], a '''trade paperback''' (shortened: '''TPB''' or '''trade''') is a collection of stories originally published in [[American comic book|comic books]], reprinted in [[book]] format, usually presenting either a complete miniseries, a [[story arc]] from a single title, or a series of stories with an arc or common theme.<ref name=":22">((Cite book|last=Phoenix|first=Jack|url=https://www.worldcat.org/oclc/1141029685|title=Maximizing the Impact of Comics in Your Library: Graphic Novels, Manga, and More|year=2020|isbn=978-1-4408-6886-3|location=Santa Barbara, California|pages=4–12|oclc=1141029685))</ref>

A trade paperback may reproduce the stories either at the same size in which they were originally presented (in [[comic book]] format), in a smaller "[[digest-sized]]" format, or a larger-than-original hardcover. This article applies to both [[paperback]] and hardcover collections. In the comics industry, the term "trade paperback market" may refer to the market for any collection, regardless of its actual cover.

A trade paperback differs from a [[graphic novel]] in that a graphic novel is usually original material.<ref name=":22" /><ref>((Cite web|last=Kelley|first=Jason|date=2020-11-16|title=What's The Difference Between Graphic Novels and Trade Paperbacks?|url=https://www.howtolovecomics.com/2020/11/16/whats-the-difference-between-graphic-novels-and-trade-paperbacks/|access-date=2021-04-04|website=How To Love Comics))</ref> It is also different from the publishing term ''[[Paperback#Trade|trade paperback]]'', which is a book with a flexible cardstock cover that is larger than the standard [[paperback#Mass-market|mass market paperback]] format.

== History ==
For many years, trade paperbacks were mainly used to reprint older comic-book stories that were no longer available to the average reader. Original copies of those stories were scarce, and often very expensive when found due to their rarity. In 1954, "the first mass-market paperback reprints of American comic book material" began with "''The MAD Reader'', published by [[Ballantine Books]]".<ref name=":2">((Cite web|title=Will Eisner and the Secret History of the Graphic Novel|url=https://www.vulture.com/2015/10/will-eisner-graphic-novels-paul-levitz.html|access-date=2021-04-02|website=Vulture|date=10 November 2015 ))</ref> The reprint collections of [[Mad (magazine)|''Mad'']] in the late 1950s and early 1960s increased their popularity.<ref name=":0" /> In the 1960s and 1970s, [[Marvel Comics]] (first through [[Lancer Books]] and then through the [[Fireside Books]] imprint) published trade paperbacks which were collections around specific themes such as battles, villains and individual characters.<ref name=":0">((Cite web|date=2019-03-30|title=The Origin of Marvel Comics Trade Paperbacks|url=https://www.cbr.com/marvel-comics-trade-paperbacks-origin/|access-date=2021-04-02|website=CBR))</ref><ref name=":3">((Cite web|last=Adair|first=Torsten|date=2020-07-16|title=The secret history of Marvel's earliest graphic novels and books, circa 1983-84 UPDATED|url=https://www.comicsbeat.com/marvel-comics-earliest-graphic-novels/|access-date=2021-04-02|website=The Beat))</ref> After Marvel's success with their Fireside Books collections, DC Comics began publishing similar themed collections through [[Warner Books]].<ref name=":1">((Cite web|date=2019-12-10|title=What Was the First DC Comics Trade Paperback Collection?|url=https://www.cbr.com/first-dc-comics-trade-paperback-collection/|access-date=2021-04-02|website=CBR))</ref><ref name=":3" /> In 1981, the Great Superman Comic Book Collection was "the first DC comic book collection in the modern tradition".<ref name=":1" /> "These collections of reprints were united by their title character or series but only accidentally had any commonality of story or theme, and their existence as books was clearly an afterthought".<ref name=":2" />

The growth of trade paperbacks and graphic novels in the 1980s allowed smaller publishers to flourish.<ref name=":8">((Cite book|last=Weiner|first=Stephen|url=https://www.worldcat.org/oclc/821178690|title=Faster Than a Speeding Bullet: The Rise of the Graphic Novel|date=2012|publisher=NBM Publishing|isbn=978-1-56163-711-9|edition=2nd|location=Chicago|pages=25–28|oclc=821178690))</ref><ref name=":9">((Cite book|last=Hatfield|first=Charles|url=https://www.worldcat.org/oclc/631202531|title=Alternative comics : an emerging literature|date=2005|publisher=University Press of Mississippi|isbn=978-1-60473-587-1|edition=1st|location=Jackson|pages=29–31, 153–163|oclc=631202531))</ref> In 1981, [[WaRP Graphics|Warp Graphics]]'s ''[[Elfquest]]'' series "landed in bookstores" as full color trade paperback collections – "it was the first graphic novel series to push its way out of the comic book marketplace".<ref name=":8" />((rp|26)) The success of series such as [[Mirage Studios]]' ''[[Teenage Mutant Ninja Turtles (Mirage Studios)|Teenage Mutant Ninja Turtles]]'' and [[Dave Sim]]'s ''[[Cerebus phonebook|Cerebus]]'' showed that "readers were interested in bound comic book collections, whether they were called phone books, comic book novels, [[Comic album|albums]] or graphic novels".<ref name=":8" />((rp|27))

In 1984, Marvel shifted from trade paperbacks which were general collections to trade paperbacks which were notable recent runs such as the "[[Dark Phoenix Saga]]" and "The Power of Iron Man".<ref name=":0" /><ref>((Cite web|date=2019-03-29|title=What Covers Has Marvel Used for the Dark Phoenix Saga Collections?|url=https://www.cbr.com/x-men-dark-phoenix-saga-collections-covers/|access-date=2021-04-02|website=CBR))</ref> Similarly, trade paperbacks were a "minor endeavor" for DC "until 1986's collection of ''The Dark Knight Returns''".<ref name=":1" /> Brian Cronin, for ''[[Comic Book Resources|CBR]]'', highlighted that ''[[The Dark Knight Returns]]'' trade "was a true game-changer. The crux of the great [[Alan Moore]]/DC Comics feud is that Moore's deal with DC for ''[[Watchmen]]'' said that Moore and [[Dave Gibbons]] would get the rights to the characters once the book went out of print. At the time that Moore signed the deal, which was [before] the ''Dark Knight Returns'' was collected, the idea of a comic book staying in print was absurd. Well, by the time that ''Watchmen'' was finished, ''Dark Knight Returns'' was a sensation as a trade paperback and naturally, DC gave ''Watchmen'' the same treatment [...] and it's never been out of print since".<ref name=":1" /> ''The Dark Knight Returns'', ''Watchmen'', and [[Art Spiegelman]]'s ''[[Maus]]'' (published as a collection in 1986 by [[Pantheon Books]]<ref>((Cite book|last=Kaplan|first=Arie|url=https://www.worldcat.org/oclc/649915298|title=From Krakow to Krypton: Jews and Comic Books|date=2008|publisher=Jewish Publication Society|isbn=978-0-8276-1043-9|edition=1st|location=Philadelphia|pages=171|oclc=649915298))</ref>) "established a beachhead for 'graphic novels' in the book trade".<ref name=":9" />((rp|30))

In the 1990s,<ref name=":22" /><ref name=":7">((Cite book|last=Serchay|first=David S.|url=https://www.worldcat.org/oclc/212375709|title=The Librarian's Guide to Graphic Novels for Children and Tweens|date=2008|publisher=Neal-Schuman Publishers|isbn=978-1-55570-626-5|location=New York|pages=3–24|oclc=212375709))</ref> "trade paperbacks found their popularity boom".<ref name=":22" /> Comic book publishers began releasing trade paperbacks of collected story arcs directly after those stories' original periodical publication, because a new reader could purchase the trade paperbacks and access the entire series' stories to date. ''The Librarian's Guide to Graphic Novels for Children and Tweens'' by David S. Serchay explains: "At first it was the most popular stories that were being collected, but more and more comic book stories are now being put into trade, sometimes less than two months after the 'newest' issue is sold. And [...] not only recent material but a great deal of older material is finally being collected into trades".<ref name=":7" />((rp|15)) In 2015, ''[[Polygon (website)|Polygon]]'' highlighted that "though this was far less common a decade ago, pretty much every monthly comic out there right now is eventually collected into trade paperback or hardcover edition that prints several issues in one package".<ref name=":6">((Cite web|last=Polo|first=Susana|date=2015-05-01|title=Free Comic Book Day is here: Your best excuse to start reading comics|url=https://www.polygon.com/2015/5/1/8523979/free-comic-book-day|access-date=2021-04-02|website=Polygon))</ref>

==Additions and omissions==
((More citations needed section|date=April 2021))
"As with books, trades have an [[International Standard Book Number]] (ISBN) and a spine and come in a variety of sizes. In some cases, the pages of the trade are larger or smaller than they were in the original comic book".<ref name=":7" />((rp|14)) A trade paperback will sometimes feature additional artwork, such as alternative [[cover art]], pinup galleries by guest artists, or additional story material that had not been released in the standard issues. A common practice is to include an art gallery featuring the artwork of the original comic book covers from which the series was compiled. Many feature introductions written by prominent figures, some from outside the world of comics—for instance, ''[[The Sandman: Worlds' End]]'' features an introduction by [[Stephen King]], the ''[[Ultimates 2]]'' book has an introduction by [[Jonathan Ross]] and most ''[[Hellboy]]'' trade paperbacks have included introductions by prominent authors.

Trade paperbacks generally do not feature advertisements, [[fan mail]], or special [[foil (chemistry)|foil]] or [[Embossing (paper)|embossed]] covers. "Back-up" stories not related to the main arc may also be omitted, and in older trade paperbacks it was common practice to omit pages from the main story related to other [[subplot]]s.

==Readers and sales==
Since trade paperbacks may be less expensive and more convenient than buying the individual periodicals, readers may forgo purchasing individual issues in favor of the trade. A significant benefit of the trade paperback version is that it is often available in bookstores, from smaller booksellers to the larger suppliers, and other retailers that do not normally carry comic books.<ref>((Cite web|date=2014-11-09|title=Comics 201: What To Know After You Want To Get Into Comics|url=https://www.themarysue.com/comics-201-what-to-know-after-you-know-you-want-to-get-into-comics/|access-date=2021-04-02|website=The Mary Sue))</ref><ref name=":6" /><ref>((Cite web|date=2013-12-09|title=The Advantages And Disadvantages of Trade Waiting|url=https://www.howtolovecomics.com/2013/12/10/trade-waiting-advantages-disadvantages/|access-date=2021-04-02|website=How To Love Comics))</ref> Despite the growing popularity of the trade paperback, the serialized, individual issues are still considered the primary mode of sale by comics publishers, and a poorly selling series may face cancellation irrespective of trade paperback sales.<ref>((Cite web|last=Plummer|first=Jessica|date=2016-09-14|title=Does Trade-Waiting "Hurt" a Comic?|url=https://bookriot.com/does-trade-waiting-hurt-a-comic/|access-date=2021-04-02|website=Book Riot))</ref><ref name=":4">((Cite web|date=2018-01-27|title=Comic Sales Figures Prove To Marvel: Diversity Isn't The Problem|url=https://screenrant.com/marvel-diversity-comic-sales-single-issue/|access-date=2021-04-02|website=ScreenRant))</ref><ref name=":5">((Cite web|date=November 12, 2019|title=Does the Comics Industry Need Disrupting Too?|url=https://bleedingcool.com/comics/comics-industry-need-disrupting/|access-date=2021-04-02|website=bleedingcool.com))</ref> However, some series, such as ''[[Ms. Marvel]]''<ref>((Cite web|last=Abad-Santos|first=Alex|date=2020-01-07|title=How Ms. Marvel became Marvel's most important superhero|url=https://www.vox.com/2020/1/7/21038179/ms-marvel-kamala-khan-disney-plus|access-date=2021-04-02|website=Vox))</ref> and ''[[Moon Girl and Devil Dinosaur]]'',<ref>((Cite web|date=2017-04-03|title=No, Diversity Didn't Kill Marvel's Comic Sales|url=https://www.cbr.com/no-diversity-didnt-kill-marvels-comic-sales/|access-date=2021-04-02|website=CBR))</ref> "survive on the popularity of their trades sales, not just in the direct market and local comic shops, but in book stores across the world" and at "[[Scholastic Corporation|Scholastic]] [book] fairs and the like".<ref>((Cite web|date=December 21, 2017|title=On the Victims of the Marvel Cancellation Bloodbath|url=https://bleedingcool.com/comics/victims-marvel-cancellation-bloodbath/|access-date=2021-04-02|website=bleedingcool.com))</ref> Other times a series might be relaunched after cancellation, such as ''[[Iceman (Marvel Comics)|Iceman]]'' and ''[[The Unstoppable Wasp]]'' in 2018, if the series has good trade sales.<ref>((Cite web|date=2018-06-14|title=Marvel to Relaunch Iceman and The Unstoppable Wasp Titles|url=http://themarvelreport.com/2018/06/marvel-to-relaunch-iceman-and-the-unstoppable-wasp-titles/|access-date=2021-04-02|website=The Marvel Report))</ref><ref>((Cite web|date=2018-06-13|title=Marvel Revives Iceman Ongoing Series with New #1|url=https://www.cbr.com/iceman-sina-grace-ongoing-series/|access-date=2021-04-02|website=CBR))</ref><ref>((Cite web|last=Rosenberg|first=Adam|date=June 29, 2019|title=Former 'Iceman' writer shines a light on Marvel's struggles with representation|url=https://mashable.com/article/marvel-comics-iceman-writer-sina-grace-lgbtq-pride-month/|access-date=2021-04-02|website=Mashable))</ref>

In 2018, ''[[Screen Rant]]'' highlighted, "publishers and retailers traditionally ignore the sales of trade paperbacks when it comes to deciding whether or not a specific title is doing well. For decades, the single issue has been king, even though those sales figures are far from helpful. [...] Trade paperbacks are increasingly important as a marker of what sells, with 2016 seeing a 12% jump in trade sales over 2015 - a period when single issue sales fell. Even 2017, which saw both trades and single issue sales fall compared to 2016, trades were down 9.38%, compared to single issues dropping 10.4%".<ref name=":4" /> In 2019, ''[[Bleeding Cool]]'' emphasized, "in recent years, collected issues/trade paperbacks are more popular and profitable than monthly comic book periodicals. As single issue sales have consistently plummeted, trade paperbacks and graphic novels have filled in the gaps. From 2013 to 2018, graphic novels were the highest-selling format for comic books".<ref name=":5" /> According to industry reports,<ref>((Cite web|date=2020-07-13|title=Comics And Graphic Novels Shattered Sales Records In 2019|url=https://screenrant.com/comics-sales-broke-records-year-2019/|access-date=2021-04-03|website=ScreenRant))</ref><ref>((Cite web|last=MacDonald|first=Heidi|date=2020-07-15|title=Comics and Graphic Novel Sales top $1.21B in 2019 — the biggest year ever|url=https://www.comicsbeat.com/comics-and-graphic-novel-sales-top-1-21b-in-2019-the-biggest-year-ever/|access-date=2021-04-03|website=The Beat))</ref> "the massive shift to graphic novels as the preferred format for comics continued in 2019 bringing sales in the book channel above the comic store channel in North America for the first time in the history of the medium"<ref>((Cite web|title=Comics and Graphic Novel Sales Top $1.2 Billion in 2019|url=https://icv2.com/articles/markets/view/46094/comics-graphic-novel-sales-top-1-2-billion-2019|access-date=2021-04-03|website=icv2.com))</ref> and that "the sales of graphic novels were growing faster in the book trade than in comics shops".<ref>((Cite web|title=2019 North American Comics Sales Rose 11%|url=https://www.publishersweekly.com/pw/by-topic/industry-news/comics/article/84755-2019-north-american-comics-sales-grow-to-1-21-billion.html|access-date=2021-04-03|website=PublishersWeekly.com))</ref>

Trade paperbacks and graphic novels are the preferred format for circulating library collections, since these collections are created to be read, and not to be retained as collector's items or as investments.<ref>((cite journal |last1=O'English |first1=Lorena |last2=Matthews |first2=J. Gregory |last3=Lindsay |first3=Elizabeth Blakesley |title=Graphic Novels in Academic Libraries: From Maus to Manga and Beyond |journal=Journal of Academic Librarianship |date=2006 |volume=32 |issue=2 |pages=173–182 |doi=10.1016/j.acalib.2005.12.002|hdl=2376/743 |hdl-access=free))</ref><ref>((cite news|last1=Bruggeman|first1=Lora|title=Zap! Whoosh! Kerplow! Build High-Quality Graphic Novel Collections with Impact|work=[[School Library Journal]]|volume= 43|issue=1 |date=1997|page= 27))</ref> Attempts to catalogue and circulate single-issue comics can pose difficult problems<ref>((cite journal |last1=Markham |first1=Gary W. |title=Cataloging the Publications of Dark Horse Comics: One Publisher in an Academic Catalog |journal=Journal of Academic Librarianship |date=2009 |volume=35 |issue=2 |pages=162–169 |doi=10.1016/j.acalib.2009.01.008))</ref><ref name=":12">((Cite web|title=Beinecke Cataloging Manual - Comics and Graphic Novels|url=http://beinecke1.library.yale.edu/info/bookcataloging/comics.htm|access-date=2021-04-02|website=beinecke1.library.yale.edu))</ref> and the durability of the trade paperback format is an important consideration for longevity and collection development in public and school libraries. Trade paperbacks "are also the primary culprit in people's confusion of the lexicon, since 'TPBs make up 95% of what many librarians refer to as graphic novels'".<ref name=":22" />

==See also==
* [[Graphic novel]]
* [[Limited series (comics)|Limited series]]
* [[Omnibus edition]]
* ((lang|ja-latn|[[Tankōbon]]))

==References==
((Reflist))

((Comics))

[[Category:Comics formats]]
[[Category:Comics terminology]]

Pages transcluded onto the current version of this page (help):

Trade paperback (comics) (edit)
Template:Ambox (view source) (template editor protected)
Template:Cite book (view source) (protected)
Template:Cite journal (view source) (protected)
Template:Cite news (view source) (protected)
Template:Cite web (view source) (protected)
Template:Comics (edit)
Template:Comics navbar (edit)
Template:Comics sidebar (edit)
Template:Hlist/styles.css (view source) (protected)
Template:Icon (view source) (template editor protected)
Template:Lang (view source) (template editor protected)
Template:Main other (view source) (protected)
Template:More citations needed (view source) (template editor protected)
Template:More citations needed section (view source) (template editor protected)
Template:Navbox (view source) (template editor protected)
Template:Pagetype (view source) (protected)
Template:Portal-inline (view source) (template editor protected)
Template:R/superscript (view source) (template editor protected)
Template:R/where (view source) (template editor protected)
Template:Reflist (view source) (protected)
Template:Reflist/styles.css (view source) (protected)
Template:Rp (view source) (template editor protected)
Template:SDcat (view source) (protected)
Template:Short description (view source) (protected)
Template:Short description/lowercasecheck (view source) (protected)
Template:Sp (view source) (template editor protected)
Module:Arguments (view source) (protected)
Module:Category handler (view source) (protected)
Module:Category handler/blacklist (view source) (protected)
Module:Category handler/config (view source) (protected)
Module:Category handler/data (view source) (protected)
Module:Category handler/shared (view source) (protected)
Module:Check for unknown parameters (view source) (protected)
Module:Citation/CS1 (view source) (protected)
Module:Citation/CS1/COinS (view source) (protected)
Module:Citation/CS1/Configuration (view source) (protected)
Module:Citation/CS1/Date validation (view source) (protected)
Module:Citation/CS1/Identifiers (view source) (protected)
Module:Citation/CS1/Utilities (view source) (protected)
Module:Citation/CS1/Whitelist (view source) (protected)
Module:Citation/CS1/styles.css (view source) (protected)
Module:DecodeEncode (view source) (template editor protected)
Module:Disambiguation/templates (view source) (protected)
Module:GetParameters (view source) (template editor protected)
Module:Icon (view source) (template editor protected)
Module:Icon/data (view source) (template editor protected)
Module:Lang (view source) (template editor protected)
Module:Lang/ISO 639 synonyms (view source) (template editor protected)
Module:Lang/data (view source) (template editor protected)
Module:Language/data/iana languages (view source) (template editor protected)
Module:Language/data/iana regions (view source) (template editor protected)
Module:Language/data/iana scripts (view source) (template editor protected)
Module:Language/data/iana suppressed scripts (view source) (template editor protected)
Module:Language/data/iana variants (view source) (template editor protected)
Module:Message box (view source) (protected)
Module:Message box/ambox.css (view source) (protected)
Module:Message box/configuration (view source) (protected)
Module:Namespace detect/config (view source) (protected)
Module:Namespace detect/data (view source) (protected)
Module:Navbar (view source) (protected)
Module:Navbar/configuration (view source) (protected)
Module:Navbar/styles.css (view source) (protected)
Module:Navbox (view source) (template editor protected)
Module:Navbox/configuration (view source) (template editor protected)
Module:Navbox/styles.css (view source) (template editor protected)
Module:Pagetype (view source) (protected)
Module:Pagetype/config (view source) (protected)
Module:Pagetype/disambiguation (view source) (protected)
Module:Pagetype/setindex (view source) (protected)
Module:Pagetype/softredirect (view source) (protected)
Module:Plain text (view source) (template editor protected)
Module:Portal (view source) (template editor protected)
Module:Portal-inline (view source) (template editor protected)
Module:Portal/images/c (view source) (template editor protected)
Module:SDcat (view source) (protected)
Module:Sidebar (view source) (template editor protected)
Module:Sidebar/configuration (view source) (template editor protected)
Module:Sidebar/styles.css (view source) (template editor protected)
Module:String (view source) (protected)
Module:String2 (view source) (template editor protected)
Module:Unicode data (view source) (template editor protected)
Module:Unsubst (view source) (protected)
Module:Wikitext Parsing (view source) (protected)
Module:Yesno (view source) (protected)

Return to Trade paperback (comics).

Retrieved from "https://en.wikipedia.org/wiki/Trade_paperback_(comics)"