2020 American documentary film
| Transhood |
|---|
 Official release poster |
| Directed by | Sharon Liese |
|---|
| Produced by | Sasha Alpert
Sharon Liese |
|---|
| Cinematography | Ty Jones |
|---|
| Edited by | Nick Andert
Dava Whisenant |
|---|
| Music by | Nathan Halpern
Chris Ruggiero |
|---|
Production
company | HBO Documentary Films |
|---|
| Distributed by | HBO |
|---|
Release dates |
- June 19, 2020 (2020-06-19) (AFI Docs)
- November 12, 2020 (2020-11-12) (United States)
|
|---|
Running time | 96 minutes |
|---|
| Country | United States |
|---|
| Language | English |
|---|
Transhood is a 2020 American documentary film directed and produced by Sharon Liese.[1] The film follows four children, beginning at ages four, seven, twelve, and fifteen, as they "redefine coming-of-age".
The film premiered at the AFI Docs Festival on June 19, 2020 and was released on HBO and HBO Max on November 12, 2020.[2][3]
Plot
Filmed over five years in Kansas City, this documentary follows four kids - beginning at ages 4, 7, 12, and 15 - as they redefine "coming of age." These kids and their families reveal intimate realities of how gender is re-shaping the family next door in a never-before-told chronicling of growing up transgender in the heartland. The film is a nuanced examination of how families tussle, transform, and sometimes find unexpected purpose in their identities as transgender families. Lighthearted and deeply moving, this story teaches us something new about being human.
— Sharon Liese
Production
The film was shot in parts of Kansas and Missouri, United States.
Release
The film was released on HBO on November 12, 2020.
Reception
Guy Lodge of Variety reviewed the film positively, stating that "Transhood maintains an artful bifocal perspective, capturing both youthful impatience and parental whiplash as it tracks the physical and emotional development of four trans children over the course of five years."[4] Michael M. Weinstein of the Los Angeles Review of Books also reviewed the film positively, stating that "If there is one thing Transhood makes clear, it's that trans children are always already listening. Now, the onus is on us to hear them out."[5] Aisle Seat's Mike McGranaghan scored the film 3.5/4 stars, saying that "the level of intimacy is what makes the film special."[6]
Kyle Turner of The New York Times gave a negative review of the film, stating that "With so much ground to cover, the scenes' shortness can feel unsatisfying and even occasionally facile."[7]
