.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in French. (January 2022) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 5,961 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Tristan Bernard]]; see its history for attribution. You should also add the template ((Translated|fr|Tristan Bernard)) to the talk page. For more guidance, see Wikipedia:Translation.

Tristan Bernard, drawn by Toulouse-Lautrec

Tristan Bernard (7 September 1866 – 7 December 1947)[1] was a French playwright, novelist, journalist and lawyer.

Life

Tristan Bernard with Eleonora Duse, Matilde Serao, and others, 1897. Photo by Giuseppe Primoli.

He studied law, and after his military service, he started his career as the manager of an aluminium smelter. In the 1890s, he managed the Vélodrome de la Seine at Levallois-Perret and the Vélodrome Buffalo, events that were an integral part of Parisian life, being regularly attended by personalities such as Toulouse-Lautrec.[2] He reputedly introduced the bell to signify the last lap of a race.[3]

He identified as an anarchist.[4]

Works

Plays

Narrative works

Filmography

Screenwriter

References

  1. ^ Who Was Who in the Theatre:1912–1976, p.197 vol.1 A-C;compiled from editions published annually by John Parker – 1976 edition by Gale Research ISBN 0-8103-0406-6 (UK) ISBN 0-273-01313-0
  2. ^ "Cycling, A Hands, La Chaine Simpson".
  3. ^ Leeds.ac.uk – 73.200–213 The Contribution of the Fine Arts to the Olympic Games, De Coubertin on Fine Art in the Olympic Movement Archived 13 April 2001 at the Wayback Machine
  4. ^ Charnow, Sally Debra (2016). Theatre, Politics, and Markets in Fin-de-Siècle Paris: Staging Modernity. Springer. p. 139. ISBN 978-1-137-05458-6.