Tyrannick Love
1686 edition
Written byJohn Dryden
Date premiered24 June 1669
Place premieredTheatre Royal, Drury Lane, London
Original languageEnglish
GenreTragedy
SettingRoman Empire, 4th Century

Tyrannick Love, or The Royal Martyr is a tragedy by John Dryden in rhymed couplets, first acted in June 1669, and published in 1670. It is a retelling of the story of Saint Catherine of Alexandria and her martyrdom by the Roman Emperor Maximinus, the "tyrant" of the title, who is enraged at Catherine's refusal to submit to his violent sexual passion. Dryden reportedly wrote the play in only seven weeks.

Nell Gwyn played the tyrant's daughter Valeria, and spoke "what must be the most amusing epilogue ever written" (in the words of Maximillian E. Novak, Dryden's modern editor). However, at that time "amusing" meant "thoughtful or thought-provoking" and was therefore very complimentary to both the play and the execution. The modern interpretation of "amusing" undermines the actual reality. When two stagehands came onstage to carry off Valeria's corpse at the play's end, Gwyn jumped up and assumed her genuine identity, though still in costume, to deliver the epilogue.[1]

In addition to Gwyn, the original 1669 production by the King's Company featured Margaret Hughes as St. Catherine, Michael Mohun as Maximus, Charles Hart as Porphyrius, Rebecca Marshall as Berenice, William Cartwright as Apollonius, Edward Lydall as Valerius, William Beeston as Nigrinus, Richard Bell as Amariel, Elizabeth James as Damilcar and Edward Kynaston as Placidius. Mary Knep doubled the roles of Nakar and Felicia.[2][3] The play was dedicated to the Duke of Monmouth.

The play was a major success, and was acted for 14 days straight. The work was revived in 1677, 1686, 1694, and 1702.[4]

References

  1. ^ Earl Roy Miner, Comparative Poetics: An Intercultural Essay on Theories of Literature, Princeton, NJ, Princeton University Press, 1900; p. 42.
  2. ^ John Downes, Roscius Anglicanus, London, 1706; reprinted New York, Benjamin Blom, 1968; p. 10.
  3. ^ Van Lennep, W. The London Stage, 1660-1800: Volume One, 1660-1700. Southern Illinois University Press, 1960. p.162
  4. ^ Downes, pp. 129–30.


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