Unearth is a 2020 American horror film directed and edited by John C. Lyons and Dorota Swies, from a screenplay by Lyons and Kelsey Goldberg.[1] It stars Adrienne Barbeau and Marc Blucas as the respective heads of two neighboring farm families in the rural United States. When one of the families leases their land to a natural gas company, the resulting fracking releases a force that threatens the lives of both families.[2][3] Alongside Barbeau and Blucas, the film's cast includes P. J. Marshall, Allison McAtee, Rachel McKeon, Monica Wyche, and Brooke Sorenson.[2]
In rural Pennsylvania, two farming families - the Lomacks (father George, daughters, Heather and Kim and grandson Reese, Kim's infant son), and the Dolans (Kathryn, Tom, Aubrey and daughter Christina) - maintain a long-running feud. Both families have fallen on desperate times financially, exacerbating the situation. George Lomack, a single father operating a failing auto repair business, is approached by representatives of Patriot Exploration, a natural gas fracking company with an interest in acquiring drilling rights on his land. Eager to earn money for his two daughters, George accepts the offer. This is to the horror of Dolan matriarch Kathryn, and the tension between the two families escalates further.
Patriot Exploration brings in their equipment and begins operations on the Lomack property, greatly disrupting the lives of the two families. Strange events begin soon thereafter; the members of both families gradually suffer the effects of a strange illness, initially compelling them to obsessively scratch their skin. As their sanity degenerates from the illness, George's infant grandson senses something wrong with the tap water and refuses to drink it, but the others do. Other strange events occur, such as the conspicuous absence of wildlife sounds outside the families' homes.
The illness is the result of a fungus unearthed by the fracking, poisoning the air and water. Kathryn goes missing after working in the barn and suffering from a coughing fit, she crawls through the woods. Christina and Tom Dolan go looking for her and Tom finds her body kneeling at a tree after and sprouting fungal tendrils. While Tom looks at her in horror, a sack on a tendril explodes, covering Tom in a substance. Kim finds Reese (George's grandson) in his crib, his body reduced to a gelatinous mass after his skin is digested by the fungus. Kim is shot by Aubrey Dolan (Tom's wife) under the influence of the fungus. Heather kills Aubrey with a baseball bat as she is attacking George. George drives Kim to a neighbors house for help; Heather stays behind to check on the Lomacks. George attacks and presumably kills the neighbor while hallucinating and seeing his own face.
While Christina and Heather are in the Lomack's kitchen, Tom shows up and Christina, hallucinating that he has the same tendrils growing from his body, shoots and kills him. Heather and Christina leave and go to the tree house in the woods and pass out. Christina, still hallucinating, thinks Heather has changed and sees blood running down her legs. She makes her way to her truck and finds a rifle; firing it into the empty woods. She then drives into the corn fields before getting the truck stuck and passes out. From this point forward, it is hard to tell if the events are really happening or if they are hallucinations as Christina is in normal clothes with no signs of the fungus infection and carrying on about her day, having taken over the farms as Kathryn mentioned several times.
In the closing moments, Christina is seen scratching her skin, suggesting she may be infected. During the end credits, the harvested corn from the Dolan farm travels by truck to an unknown destination in a bayside city. The drone viewpoint also reveals that the watershed from the farms appears to flow in the direction of the bay, leading to the ocean.
Unearth was filmed in northwestern Pennsylvania.[5]
Themes
Co-director Dorota Swies stated that the film is "not just about fracking but how, in general, we take the goods of nature for granted. Greed and ignorance have already destroyed our water supplies with chemicals, biological or radiological waste."[1][4] Co-director John C. Lyons added:
American farmers have been squeezed harder by our trade wars, and now the [COVID-19] pandemic, with crops left rotting in the field when already, over the past decade, their income was down and suicides up. No one is safe from the wrecking ball that is corporate greed. When we destroy our precious water resources, it will eventually affect us in our food and drink. That's the point that I hope comes across in the film. You may think this is a fictional story about a couple of remote farm families, but environmental injustice eventually affects us all.[1][4]
Adrienne Barbeau said that the larger issues in the film were her attraction to the material.
It's not just your everyday slasher film where six people get killed in the first three minutes of the film and you don't have any idea who they are and why you should even care if they're dead. I was attracted to the social statement it's making about several things. Not just if you come down on the side of fracking or anti-fracking. It presents a very balanced picture of people making choices because they have to in order to survive. Unearth really explains the reasons behind the choices.[6]
On August 22, 2022, the film screened as part of the "Messaging the Monstrous: Eco Horror" program at the Museum of Modern Art (MoMA) in New York, followed by a Q&A with Barbeau, Lyons and Swies.[7]
Home media
The film was released on Blu-ray on April 19, 2022.
Reception
Critical response
On Rotten Tomatoes, Unearth has an approval rating of 71% based on 17 reviews, with an average rating of 6.1/10.[8]
Rachel Reeves of Rue Morgue wrote "Fueled by timely societal and economic anxieties, strong performances and a convincingly genuine understanding of the subject matter, Unearth is a worthy slow-burn look at real-world terrors through a unique horror-tinted lens."[9] Jenn Adams, writer for Consequence, said "Unearth is a timely metaphor in the midst of a pandemic which has crippled the US economy."[10] Jim Hemphill, profiled the film's directors, John C. Lyons and Dorota Swies, for Filmmaker Magazine and praised their efforts stating "together they've crafted one of the best films of 2020 in any genre."[11] In her four out of five star review, Zofia Wijaszka, for FirstShowing.net said "Next to powerful storytelling that relates directly to our modern world of damaging technology and bloody outcomes, there's well-crafted characters that we want to believe in. If you want to see a horror story that talks about the power of nature and showcases human relationships, this film delivers exactly that."[12]
Nick Allen, writing for RogerEbert.com, though praising the film's make-up effects, wrote that it "turns into a gnarly soap opera, and moments of shocking violence are met with an eye-roll instead of the shock that comes from winding up an audience."[13] He added: "it bungles even its thesis statement [...] That the movie can't even make its argument effectively is a death knell, and indicative of how misconceived it is with such a compelling concept."[13] Drew Tinnin of Dread Central gave the film a score of three out of five stars, commending the performances of Barbeau and Blucas as "the two posts in the ground that humanize this story even when the fantastical elements start to sprout", but writing that the film's "directors may have had two different visions that may have conflicted with each other."[3]
Accolades
Unearth writers, John C. Lyons and Kelsey Goldberg, were awarded Best Screenplay at the Isla Calavera Festival de Cine Fantástico "for transmitting a brilliant mixture between an ecological message in deep America and a desperate economic situation."[14]Unearth was awarded the ReFrame Project's stamp of distinction for being a gender-balanced production.[15]
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