Urania P. Cummings | |
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Born | |
Died | March 18, 1978 Berkeley, California | (aged 88)
Nationality | American, West Indian |
Occupation(s) | Painter, artist, educator |
Urania Prince Cummings was born in the Danish island of Saint Thomas in 1889. She is documented as being an early West Indian pioneer settler in San Francisco and the San Francisco Bay Area. She was an artist,painter, ceramist, lecturer, poetress, civic leader, and educator for decades.[1]
Before studying art and becoming an artist Cummings raised her three children and grandchildren.[2]
Cummings grew up on a farm in Saint Thomas, U.S. Virgin Islands. She was a student at Nisky School in Saint Thomas. She returned to Nisky 50 years later, and gave a one-woman show in the classroom where she was scolded for drawing, and not studying.
One of Cummings childhood memories in school is reciting the poem by George Pope Morris called "The Woodsman Spare That Tree".[2][3]
In 1922, she moved to San Francisco, California.[3]
While in California, Cummings attended United Negro Improvement Association (UNIA) meetings. The (UNIA) was founded by Marcus Garvey.[1]: 170
In 1921, Cummings began studying the violin.[2]
Cummings studied art, public speaking, and started painting after raising her children at the age of 65.[3]
It is noted that in a 1972, newspaper article in 'The Sun Reporter' Urania was the oldest practicing Black painter.[4]
January 20, 1975, at the House of Representatives in Washington, D.C., Urania Cummings granddaughter Sharelle Cummings hosted an exhibit of four of her paintings.[3] In 1981, she had an exhibition at the Oakland Museum. The exhibition was titled "Be all you can be". The exhibition was from January 24 to March 8, 1981.[5]
In 1999, Urania Cummings work was part of "One Hundred Years of Artists" exhibit in Berkeley, California.[6]
Her paintings depict daily life that she experienced growing up in St Thomas, Virgin Islands; cooking, eating, washing under palm trees. She did ceramics and crocheted.[3]
Cummings acrylic painting Grandmother's Rocking Chair was gifted to the American Folk Art Museum in New York City.[7]
Berkeley used to be like a big family," Mrs. Cummings recalled. "Everybody seemed to get along nicely together because I think everybody owned something and we—and we had pride in what we owned.[8]