This message is to notify you that with regret I’ve decided to resign from my role as occasional Wikipedia editor and contributor since November 2006. Please accept this message as my official notice!
I have enjoyed contributing here and I sincerely appreciate having had the chance to work with everyone.
Thank you for the support and encouragement you have provided me during my time at Wikipedia. I will miss our daily interactions and working on articles with you.
The Hitch Hiker's Guide to the Galaxy, in a moment of reasoned lucidity which is almost unique among its current tally of five million, nine hundred and seventy-five thousand, five hundred and nine pages, says of the Sirius Cybernetics Corporation product that "it is very easy to be blinded to the essential uselessness of them by the sense of achievement you get from getting them to work at all.
"In other words - and this is the rock solid principle on which the whole of the Corporation's Galaxy-wide success is founded - their fundamental design flaws are completely hidden by their superficial design flaws."
"And are you not," said Fook leaning anxiously forward, "a greater analyst than the Googleplex Star Thinker in the Seventh Galaxy of Light and Ingenuity which can calculate the trajectory of every single dust particle throughout a five-week Dangrabad Beta sand blizzard?"
"That's right!" agreed Majikthise. "You'll have a national Philosopher's strike on your hands!"
Under the magic of the Dionysian, not only does the bond between man and man lock itself in place once more, but also nature itself, no matter how alienated, hostile, or subjugated, rejoices again in her festival of reconciliation with her prodigal son, man. The earth freely offers up her gifts, and the beasts of prey from the rocks and the desert approach in peace. The wagon of Dionysus is covered with flowers and wreaths; under his yolk stride panthers and tigers. If someone were to transform Beethoven’s Ode to Joy into a painting and not restrain his imagination when millions of people sink dramatically into the dust, then we could come close to the Dionysian. Now the slave a free man; now all the stiff, hostile barriers break apart, those things which necessity and arbitrary power or “saucy fashion” have established between men. Now, with the gospel of world harmony, every man feels himself not only united with his neighbour, reconciled and fused together, but also as one with him, as if the veil of Maja had been ripped apart, with only scraps fluttering around in the face of the mysterious primordial unity. Singing and dancing, man expresses himself as a member of a higher community: he has forgotten how to walk and talk and is on the verge of flying up into the air as he dances. The enchantment speaks out in his gestures. Just as the animals now speak and the earth gives milk and honey, so something supernatural also echoes out of him: he feels himself a god; he himself now moves in as lofty and ecstatic a way as he saw the gods move in his dream. The man is no longer an artist; he has become a work of art: the artistic power of all of nature, to the highest rhapsodic satisfaction of the primordial unity, reveals itself here in the transports of intoxication. The finest clay, the most expensive marble—man—is here worked and hewn, and the cry of the Eleusinian mysteries rings out to the chisel blows of the Dionysian world artist: “Do you fall down, you millions? World, do you have a sense of your creator?