• Sign language for film

• Hearing Impaired (HI) audio
• Audio description
• Sign Language Video in theaters

• Hearing impaired audio

• Hearing Impaired (HI) audio track

• Sign Language Video in theaters

• Sign Language Video

• Sign Language Video

• Sign Language Video in theaters

• Sign Language Video in theaters

• Accessibility
  • Hearing impaired audio
  • Audio description
  • Sign Language Video
• D-BOX
• Watermarking

• Subtitles/Closed captioning
• 4D film effects, ScreenX
• Films with many versions (such as Gemini Man): how is a specific version determined to be correct for a specific theater

• Security features

• Hearing Impaired (HI) audio
• Audio description
• Sign Language Video
• D-BOX

• Closed captioning
• Subtitles
• Sources
• 4DX, ScreenX, & similar technologies, and how it's encoded (fans, side projection, etc.)
• Early ultra-widescreen formats (3 projector setups & how those films are archived)

• Preservation (for example some films were released for home viewing on bundled hard drives)
• Playback of 3D Blu-ray: PC software & drivers becoming out of date/removing functionality
• Exclusive distribution/bundle packages, distribution on hard drives

• Technical encoding
• Archival

• Oklahoma! (1955 film)
• Gemini Man (film)
• "Definitive" versions of films which have multiple simultaneous advanced technologies (UHD, HDR, HFR, 3D, 4D)
  • Specific versions hand-created for lower-level technically capable systems (for example 120fps movie released on 60fps on Bluray or 24fps on streaming)

• Home releases
• Archival

• DCP

• Subscription service for motion codes for movies
• Format/protocol/decoding for Blu-ray & other media

Visually Impaired-Native (VI-N)

Descriptive Video Service (DVS)

• DCP

• CC on DVDs

• Consider an updated title, as this article also talks about region codes for Blu-ray, UMD, and video game consoles

• Archival/preservation of videos/interactive content other than games
• Accessibility features
• Add info about UMD release to Greatest Hits (Blink-182 album)

• Copy control
  • HDCP
  • DTCP
  • SCMS
  • CCI - can be conveyed through DVI-D

• HDCP

• All interfaces it's compatible with
• Comparison to HDCP
• Trigger mechanisms
• Protocols
  • FireWire
  • DVI
  • HD-SDI
  • MoCA

• Copy control
  • CCI

• Broadcast flag

• Copy control
  • HDMI supports CCI through HDCP
  • CCI information is transmitted along with HDCP to tell the display what restrictions to apply

• A type of CCI for broadcast television content
• Protocols
  • DVI, especially when HDCP is supported

• Technical implementation details
• HDCP

• Further info on SCMS copy protection
• Archival/preservation

• MiniDisc recorders
• Protocols
  • DVI
  • HD-SDI

• Copy protection
  • Firmware: limitations & modifications (LibreDrive, RPC)
  • Region code
  • Bus encryption
  • Other forms of copy protection
• Riplock
• Ripping game discs
• DiscT@2, LabelFlash, LightScribe, LabelTag

• AnyDVD ability to bypass PowerDVD's detection of Cinavia
• Requirement to have a certain type of disc drive to play certain types of disc rips
• Restrictions for UHD Blu-ray such as BD-ROM drive certification, bus encryption, iGPU-only support, HDCP version, BD+, etc.
• Playing UHD Blu-ray rips/ROMs
• BD-J/interactive content (such as Sin City Blu-ray), Bonus View, etc.
• BD+ - any compatibility issues?
• CC for DVD
• Support for advanced audio/video formats (HDR versions, Dolby Vision, Dolby Audio, virtual surround in headphones, Windows Sonic for Headphones/Dolby Access/DTS:X on Windows)
• Compatibility with other formats: HDCD, SACD, DVD-A (including stereo vs. surround sound, quality), HFPA, various CD formats (such as those designed not to work on PC) & handling of CD subcodes (copyright flag, pre-emphasis)
• HD-DVD, Advanced Content, Xbox 360 HD DVD Player
• HFR, 3D, HDR, D-BOX
• 8K Blu-ray

• Menu support via software
• Accessibility features
• Copy protection

• Copy protection

• Copy protection
• D-BOX
• Interactivity, virtual machine, and games

• Copy protection

• Fix stub
• Integrate with DVD player, or expand and add a section to that article that links to this one

• Copy protection
• Which analog signals are honored (or are passed along to the DVD)

• Communication channel for HDCP authentication and key exchange
• HDCP handshake

• Find out if devices can send identifying text/model information via EDID and if so how
• EDID states HDCP support

• Effect on UHD Blu-ray

• Requirements for PC playback: update to include all the restrictions, such as BD-ROM drive restrictions, bus encryption, iGPU-only support
• BD+ - used for additional watermarking/privacy implications?
• HFR, 3D, HDR, D-BOX

• v2 & v2.1

• Trigger & detection mechanisms (VHS, DVD, Blu-ray, set-top boxes, etc.)
• Compare to ACP
• Compare to CGMS-A

• Trigger & detection mechanisms (VHS, DVD, Blu-ray, set-top boxes, etc.)
• Compare to APS
• Compare to CGMS-A
• Protocols
  • VGA - dedicated line to trigger Macrovision in VCRs
  • Composite video
  • S-Video

• Relation to UHD Blu-ray PC requirements

• Evolution of ownership
• Unsupported DRM

• Blu-ray/UHD BD interactive content with color-code buttons on remote (example; Sin City Blu-ray)
• BD+, BD-J, Bonus View
• Blocking of 3rd-party non-approved controllers

• Connection to broader subject of digital watermarking
• AnyDVD ability to bypass PowerDVD's detection of Cinavia
• DVDFab's method of copying Cinavia-protected discs without removing the watermark

• Cinavia
• DCP/Media Block
• Comparison to analog watermarking techniques (ACP, CGMS-A)
• Comparison to setting "bits" (such as Macrovision bit on DVD) vs. embedding a watermark itself
• BD+

• Cinavia

• Firmware updates

• Trigger & detection mechanisms
• Compare to ACP/APS

• JVM games/interactive content on discs (example: Sin City Blu-ray)
• BD-J homebrew (example: Doom) & emulation/preservation
• Emulation/preservation in software

• Used for additional watermarking/privacy implications?

• Copy control
  • DTCP
  • CCI
  • Broadcast flag

• Copy control
  • DTCP
  • SCMS
  • CCI

• Copy control
  • HDCP

• Copy control
  • HDCP
  • CCI

• How it is triggered in DVD, Blu-ray, etc.
• Challenges with A/V equipment such as Crestron/Biamp
• Protocols
  • HDMI
  • DisplayPort
  • DVI
  • GVIF
  • UDI
  • WirelessHD
  • Miracast
• Selectable Output Control (SOC)

• Evolution of ownership
• AnyDVD ability to bypass PowerDVD's detection of Cinavia
• UHD discs, including need to be online to rip certain discs

• Evolution of ownership

• Evolution of product ownership

• Create article
• Evolution of ownership
• Method of copying Cinavia-protected discs without removing the watermark
• Supported DRM
• Disc compatibility: DVD-A, DVD, BD, UHD BD, HFPA

• Use in gaming

• Use in gaming

• FPGA
• Hardware emulation

• Use in gaming
• Integer scaling for retro games
• Interlacing types (bob, etc.)

• Comparison to DCP watermarking

• DCP watermarks
• CAP

• Accessibility features

• Accessibility features

• Links to/from relevant articles
• Add details with sources
• Add examples (Cinavia, etc.)

• Change from redirect to an article
• Authoring of BDMV
• Comparison/relation to BD-J

• DRM
• Archival

• Review links & update as needed

• Legal challenges
  • DRM
    • restrictions on circumvention (even when copies are legal)
    • technical challenges on circumvention (DRM can change even from disc to disc within a format)
    • future access to media which has DRM (such as when licensing bodies no longer exist & official or unofficial hardware/software is no longer maintained or available)
    • out-of-spec formats (for example, even if technical details on decoding CD audio are preserved, some discs may be unreadable due to tricks and intentional out-of-spec disc authoring)
    • newer hardware which lacks ability to read or decode older formats or which may not be able to enforce the correct output encryption (what happens to "official" DVD playback in the future when home formats have moved beyond HDMI/HDCP)
  • Copyright: restrictions on copying and distribution
  • Content owners change over time
• Logistical challenges
  • storage/organization of physical media
  • storage of digital media and required storage space
  • preserving discs which degrade over time
  • not all formats are easily preserved or played back (e.g. HDCD)
  • Other technical challenges: maintenance of codec libraries, software, preservation of hardware and its documentation/manuals
  • Differing regional releases (foreign/import versions with extra tracks)
  • Remixes, censored versions, radio edits, extended mixes, bonus tracks
  • Album art
  • Metadata (including CD-Text)
• Audio masters & archives
  • Legal ownership of audio masters
  • Physical format and condition of audio masters
  • Loss or destruction of audio masters
  • Loss of Myspace music deletion
• Censorship/Alternate edits
  • Music released only in censored form (e.g. some of D12's songs)
  • Versions of music videos without the censored version
  • Radio edits (not just censorship, but songs made shorter such as So Cold by Breaking Benjamin)
  • Single versions (such as Down by blink-182, where on the single version the song doesn't flow directly into the next track)
• Multiple versions:
  • Different release formats (Vinyl, MiniDisc, CD, etc.)
  • Different digital resolutions/processes (CD side vs. SACD side on a Hybrid SACD; DVD-Audio stereo mix compared to CD mix, example: 14 Shades of Grey)
  • Re-releases (loudness war)
  • Dolby NR on audio cassette tapes: detection and processing
  • Pre-emphasis on CDs: how
  • Promo versions: Angels & Airwaves pre-release/promo album version had changes to songs and to track order
  • Differences between released version and music video version
• Handling of CD subcodes (copyright flag, pre-emphasis)
  • CDs ripped with incorrect pre-emphasis: detection and repair
  • Detection of HDCD (how is HDCD format signaled? Also add this to HDCD article)
  • Detection of HDCD audio ripped as normal CD audio, so that the user/decoder knows to use HDCD decoding
  • CDs replicated incorrectly (not gapless)
• Multiple formats (MiniDisc, CD, HDCD, DVD-A, audio on DVD, SACD, HFPA, streaming, HDtracks)
• Other formats/processes: Super Bit Mapping vs. the same release without it
• Note if any of these items utilize audio watermarking to trigger decoding modes (as opposed to digital "bits" or codes, such as CD subcodes)
• Gapless on modern platforms (such as Spotify, Tidal, and YouTube)
• Other streaming topics:
  • Master Quality Authenticated (MQA): not lossless, and also not well documented. Used in Tidal. And now defunct. If there was benefit to this format, what happens with its demise?
  • "CD-quality" usually not being CD quality
  • Dolby "Atmos" and other "3D" or "enhanced" audio technologies for mobile devices or novel purposes, generally advertised for specific combinations of specific hardware, such as "Atmos" on Tidal on Android and its compatibility with "real" Atmos hardware such as Sonos Arc
  • Multiple versions of Atmos
  • Artists who are on Spotify/Tidal but where some of their music is missing, potentially leading consumers to believe they don't have more music or that the music is inaccessible
• Songs only ever released in low-quality lossy versions (such as iTunes exclusives or MP3 files on enhanced CDs, or the Evanescence bonus track for Fallen for users who authenticated their physical CD via a browser plugin on a website)
• Surround sound
  • Songs mixed & released in surround sound
  • Songs mixed in surround sound for special purposes (e.g. film) but not released in surround sound
  • Songs recorded in mono and later released/remastered in stereo
• Video game music that's responsive to the game conditions (such as location of player character in a level) compared to the soundtrack released
• Music in a film or game that's not released on the official soundtrack, or differences between the "on-screen" and separately released music
• How to best archive and ensure the future accessibility of all types of formats/processes for modern & future hardware/software
  • Relevance of Roon's transport protocol
• Lyrics, etc.
  • CD+G
  • Verified Genius annotations
  • Liner notes
• Associated media
  • Liner notes/booklets/artwork for all different physical releases
  • Digital data & extras for digital versions (high quality album art, PDF booklets)
  • Software, video, or other data on the physical discs (such as blink-182)
• Bootlegs, "official" bootlegs, "rare" tracks, "unreleased" tracks and demos
• Copyright extension collections

• How are films available to the public

• Compatibility of various formats
• Preservation and archival

• Accessibility (CC, subtitles, etc.)

• PC compatibility (official), including advanced content (menus, linking to DVD-Video content)
• Hardware compatibility, including modern & future devices; devices which support both DVD-A and DVD-Video DRM
• Preservation/archival
• Ripping
• See also section
• DRM, watermarking, watermark detection (what devices/software can detect it, is it transparent, can it be removed)
• Examples of different stereo mixes from CD releases (such as 14 Shades of Grey)

• Removed large section of unsourced POV content

• Was this standard even used? What is its place today?

• Lots of old and probably inaccurate info
• Article needs lots of cleaning up and sources
• Historical information about previous OS compatibility (such as Windows 98) can probably be removed if not of important historical value
• Software not notable for current use, historical significant, or some other reason should probably be removed. Software applications that are notable should also have their own dedicated pages (such as DVDFab)