1979 studio album by Elton John
Victim of Love is the thirteenth studio album by English musician Elton John. It is a disco album, released in 1979 shortly after the peak of disco's popularity. It was not critically or commercially well-received, and is John's third lowest charting album to date in the US, after 1986's Leather Jackets and 1985's Ice on Fire.
The title track of the album, however, was moderately successful as a single. It reached No. 31 on the US Billboard Hot 100, No. 38 in Australia and No. 46 in Canada. It also peaked at No. 11 on the Canadian Adult Contemporary chart.[5] In addition, all the tracks on the album reached No. 55 on the US Billboard Disco Top 100 chart.[6]
Apart from an appearance on the Australian television series Countdown (he was also a comedy regular on the show during the 1980s), John did little marketing for Victim of Love. He did not tour to promote the album.
Background
At under 36 minutes, the album is the shortest of Elton John's career, and is atypical of his recording career in several respects. He neither wrote the songs nor played piano or keyboards, only providing the vocals. Elton John admitted in 1998 that he used the album's disco direction as a means of "leaping on a bandwagon".[7] It was his first album without any of his original band members, which would not happen again until his 2010 collaboration with Leon Russell, The Union. As of 2019,[update] it is also one of only two studio albums (along with A Single Man) without contributions from lyricist Bernie Taupin.
"Strangers", the B-side of the single of the album's title track, appeared as a bonus track on the 1998 Mercury reissue of John's previous album, A Single Man, because it was recorded during those sessions.
When the album was released as a CD in the 1980s, the track breaks were incorrect. The first 45 seconds of "Spotlight" was part of the previous track, and similar errors occurred in other tracks. In 2003, the album was reissued in a digitally remastered format, with those problems corrected.
Critical reception
The album was panned by critics. In ranking all of John's studio albums, Matt Springer of Ultimate Classic Rock placed the album at the bottom of the list.[8] The Rolling Stone Album Guide called it the "nadir" of John's recorded output.[2]
Aside from the title track appearing on the deluxe edition of the Diamonds compilation, none of the album’s songs appear on any of John’s numerous greatest hits or career retrospective releases.
