In 1816, Franz Schubert composed his first three violin sonatas, D 384, 385 and 408. They were published after the composer's death as Sonatinas in 1836 (Op. posth. 137). These sonatas breathe an intimate atmosphere, requiring relatively little virtuoso bravura from their performers.[1][2][3][4]
History
Schubert was an accomplished violinist and had already extensively composed for violin, including over a dozen string quartets, by the time he started to write violin sonatas at age 19.[2][3][4] The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs.[5][6] They were named Sonatina when published posthumously as Op. 137 in 1836.[7]
Schubert wrote "März 1816" (March 1816) on the autograph score of his Sonata for Violin and Piano in D major (D 384).[5][8] The sonata has three movements:[5]
Schubert dated the Sonata for Violin and Piano in G minor (D 408) April 1816 in the autograph, and titled it "Sonata III".[6] The sonata has four movements:[6]
Allegro giusto
Andante
Menuetto: Allegro vivace
Allegro moderato
Reception
The publication of Schubert's works for violin and piano had started in 1827 and was completed quarter of a century later.[9][7][10][11]
Publication
The 19th-century collected edition published Schubert's compositions for piano and one other instrument in its eighth series in 1886, edited by Ignaz Brüll. The second to fourth pieces in that volume were Schubert's first three violin sonatas (D 384, 385 and 408), which had already been published in 1836, by Diabelli & Co. as Drei Sonatinen für Piano-Forte und Violine, Op. posth. 137.[12][7]
Series VI, Volume 8 of the New Schubert Edition, published in 1970, contained the same works as series VIII of the 19th-century collected edition, but presented them in chronological order of composition, thus beginning with the three Op. 137 sonatas.[13]
